For 671 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 1.8 points lower than other critics. (0-100 point scale)

Connie Ogle's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Every Little Step
Lowest review score: 0 Bratz
Score distribution:
671 movie reviews
    • 50 Metascore
    • 63 Connie Ogle
    It’s filmed with a sharp eye and filled with good performances.
    • 55 Metascore
    • 63 Connie Ogle
    Curtis pulls off some amusing moments, and he has a secret weapon: Nighy, who is so jolly and funny you wish he’d had more screen time.
    • 60 Metascore
    • 63 Connie Ogle
    A better primer-for-the-uninitiated than an in-depth, fresh and insightful examination of a famous and remarkable life.
    • 57 Metascore
    • 63 Connie Ogle
    Pine, who has been so good and so instrumental in J.J. Abrams’ Star Trek series as Captain Kirk, turns out to be a decent Ryan.
    • 51 Metascore
    • 63 Connie Ogle
    Thoughtfully directed and co-written by Arie Posin, the film is not a ghost story, nor is it played for campy laughs, but its melodramatic subject matter flirts with Douglas Sirk territory — and sometimes just dives right into it.
    • 51 Metascore
    • 63 Connie Ogle
    That rare biopic that’s shorter and swifter than it should be. This turns out to be both a blessing and a curse.
    • 64 Metascore
    • 63 Connie Ogle
    It still feels a little like a lesson you’re supposed to learn before you can enjoy anything truly satisfying.
    • 31 Metascore
    • 63 Connie Ogle
    Blended isn’t Sandler’s funniest movie or his best, but it is a big step up from the dregs he’s been churning out, a messy, shaggy dog of a comedy that you can’t help but like even as it sheds all over your house.
    • 38 Metascore
    • 63 Connie Ogle
    The undeniable star is the diminutive comedian. He’s the glue that holds the movie together when it wanders into the weeds and starts believing it’s a serious meditation on relationships.
    • 71 Metascore
    • 63 Connie Ogle
    The concert scenes in this biographical picture are some of its best moments — you’ll wonder just how long the actor had to practice to perfect all those splits — and Boseman’s charisma is irresistible.
    • 64 Metascore
    • 50 Connie Ogle
    The idea of cracking a secret message from the enemy during war is thrilling; making the process interesting to watch is more problematic.
    • 48 Metascore
    • 50 Connie Ogle
    The film relies a bit too much on the humor of older women flipping each other off and mouthing obscenities, although it is hilarious to see the usually proper Smith frantically chopping up a roofie to slip into Sidda's drink.
    • 33 Metascore
    • 50 Connie Ogle
    Schwarzenegger doesn't at all seem too old for the part; his bulging muscles still fill the action-hero's suit just fine. It's what he's doing that is tired and, maybe, played out.
    • 48 Metascore
    • 50 Connie Ogle
    The biggest offense in the somewhat unimaginative but serviceable legal thriller High Crimes is that the venerable Morgan Freeman simply does not get enough screen time, and when he's up there, he doesn't have enough to do.
    • 34 Metascore
    • 50 Connie Ogle
    On the Line's cutesy premise is no more ridiculous than that of most romantic comedies.
    • 49 Metascore
    • 50 Connie Ogle
    McGillis, though, is the film's worst enemy. Her wooden attempts to recreate Kathleen Turner circa 1981 undermine too many scenes.
    • 82 Metascore
    • 50 Connie Ogle
    Late Marriage's stiffness is unlikely to demonstrate the emotional clout to sweep U.S. viewers off their feet.
    • 43 Metascore
    • 50 Connie Ogle
    What's lacking is any sense of Beverly's brightness. She's supposedly smart, but she never displays a shred of intelligence.
    • 54 Metascore
    • 50 Connie Ogle
    It's fitting. Valentin and Jane may be awakening from life's slumber, but mostly they're just putting us to sleep.
    • 51 Metascore
    • 50 Connie Ogle
    This is an insignificant film with a passably entertaining premise that goes wildly to hell the instant it strays from its comic ideals with brief, unsatisfying detours into the realms of art and high-end lingerie.
    • 56 Metascore
    • 50 Connie Ogle
    Midlands finds some measure of success in its use of regular, real-looking people -- as opposed to the oddly glamorous characters who turn up in most romantic comedies -- but it's as though the writer used up all the personality traits before he got to Shirley.
    • 51 Metascore
    • 50 Connie Ogle
    Assassination Tango offers little heat. In dancing with death, Duvall stumbles a few too many times.
    • 55 Metascore
    • 50 Connie Ogle
    There was a fine family drama to be made here, but what we get instead is too sweet to swallow.
    • 63 Metascore
    • 50 Connie Ogle
    Comes off curiously flat.
    • 66 Metascore
    • 50 Connie Ogle
    A slightly dull film by photographer Sam Jones.
    • 37 Metascore
    • 50 Connie Ogle
    It's safe to say that without De Niro Analyze This and That couldn't even exist; or rather, if they did, they would be unwatchable. De Niro is that important to the mix.
    • 60 Metascore
    • 50 Connie Ogle
    Put in such an uncomfortable position, the audience needs something to fall back on, like chemistry between its stars. Here that's half-hearted at best.
    • 52 Metascore
    • 50 Connie Ogle
    What we're left with is an unfocused, rambling concept that lumbers off the ground but never really soars to the level of lunacy it could, especially at the afterthought of an ending, which is nonsensical at best.
    • 57 Metascore
    • 50 Connie Ogle
    In the wake of TV's powerhouse "The Shield," Dark Blue comes off as something of a retread, with little of "The Shield's" electric fury, edgy camera work or deft characterizations.
    • 46 Metascore
    • 50 Connie Ogle
    May be dumb, but it must be noted that the screenwriters of this slight, silly comedy have borrowed from the best.

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