For 1,100 reviews, this critic has graded:
  • 47% higher than the average critic
  • 3% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 2.3 points higher than other critics. (0-100 point scale)

Dana Stevens' Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 A Mighty Wind
Lowest review score: 0 The Nutcracker
Score distribution:
1,100 movie reviews
    • 81 Metascore
    • 100 Dana Stevens
    Stupendously entertaining.
    • 94 Metascore
    • 100 Dana Stevens
    Mr. Turner does resemble "Topsy-Turvy" in its meticulous yet vibrant recreation of the past and its ever-expanding thematic amplitude. This is a movie not only about one particular artist, but about art as both a field of human endeavor and an object of shifting cultural and economic value.
    • 84 Metascore
    • 100 Dana Stevens
    Mystic River is the rare American movie that aspires to -- and achieves -- the full weight and darkness of tragedy.
    • 94 Metascore
    • 100 Dana Stevens
    Watching E.T now, in an era dominated by cold, loud special-effects-laden extravaganzas, one is struck less by its lavish grandeur than by its intimacy and precision.
    • 92 Metascore
    • 90 Dana Stevens
    This document of youthful confusion has not aged one minute. If anything, its detached, discursive and sympathetic observation of the earnest foolishness of post-baccalaureate, pre-1968 Parisians is more acute, and more prophetic, than ever.
    • 70 Metascore
    • 90 Dana Stevens
    Since her character wears no historical costumes and suffers from no debilitating ailment, it is likely that Ms. Curtis will be overlooked when Oscar season rolls around. This is a shame, since it is unlikely that any other actress this year will match the loose, energetic wit she brings to this delightful movie.
    • 86 Metascore
    • 90 Dana Stevens
    To call The Son a masterpiece would be to insult its modesty. Like the homely, useful boxes Olivier teaches his prodigals to build, it is sturdy, durable and, in its downcast, unobtrusive way, miraculous.
    • 82 Metascore
    • 90 Dana Stevens
    It seems almost unthinkable that such a charismatic, generous and lively man could be gone. It also makes you understand what it means for a country like Haiti to lose a citizen like Jean Dominique.
    • 92 Metascore
    • 90 Dana Stevens
    A near-perfect piece of popular entertainment, a children's classic.
    • 75 Metascore
    • 90 Dana Stevens
    By allowing the stories to play off one another and allowing layers of meaning to accumulate before we even notice them, the filmmakers capture some of the essential strangeness of life -- the way our relations are governed by laws that remain invisible to us until art reveals their workings.
    • 80 Metascore
    • 90 Dana Stevens
    A brilliant feat of rug-pulling, sure to delight fans of movies like "The Usual Suspects" and "Pi."
    • 81 Metascore
    • 90 Dana Stevens
    No
    It’s the rare political satire that can sound the depths of irony as No does and still end on a note of ambivalent hope.
    • 80 Metascore
    • 90 Dana Stevens
    Though Sweetgrass has moments of great beauty, the film is never nostalgic or idealizing about its human or ovine subjects. It shows the relationship of human and domesticated animal—and the relationship of both to nature—as a productive and symbiotic yet often brutal struggle.
    • 86 Metascore
    • 90 Dana Stevens
    Ten
    A work of inspired simplicity.
    • 78 Metascore
    • 90 Dana Stevens
    Stringent, clinical and almost unbearably moving.
    • 74 Metascore
    • 90 Dana Stevens
    You realize you are witnessing a psychodrama of novelistic intricacy and epic scope.
    • 98 Metascore
    • 90 Dana Stevens
    Metropolis retains its power to overwhelm, trouble and move because it is connected to the deep anxieties of modern life as if by a high-voltage cable.
    • 76 Metascore
    • 90 Dana Stevens
    It's not one of Kurosawa's great films.... But it is, within its own proportions, nearly perfect.
    • 85 Metascore
    • 90 Dana Stevens
    Polanski, who was a Jewish child in Krakow when the Germans arrived in September 1939, presents Szpilman's story with bleak, acid humor and with a ruthless objectivity that encompasses both cynicism and compassion.
    • 85 Metascore
    • 90 Dana Stevens
    An exquisitely simple movie. Mr. Kim manages to isolate something essential about human nature and at the same time, even more astonishingly, to comprehend the scope of human experience.
    • 71 Metascore
    • 90 Dana Stevens
    Remarkable for its genuine, unpretentious lyricism.
    • 79 Metascore
    • 90 Dana Stevens
    Is, in the end, a boisterous love song -- a funny valentine to London, to chaos and to human decency.
    • 77 Metascore
    • 90 Dana Stevens
    In an era whose culture was defined by what the literary critic Richard Poirier called the performing self, Mr. Ali's persona was one of the greatest performances of all.
    • 91 Metascore
    • 90 Dana Stevens
    Offers the kind of experience that makes you glad movies exist.
    • 82 Metascore
    • 90 Dana Stevens
    Has a quiet, cumulative magic, whose source is hard to identify. Its simple, meticulously composed frames are full of mystery and feeling; it's an action movie that stands perfectly still.
    • 70 Metascore
    • 90 Dana Stevens
    Still, for me, Wuthering Heights' almost impersonal immersion in the light and texture and sound of the moors was the source of its vividness and necessity. In order for the art of literary adaptation to remain vital, we have to be willing to let directors throw aside the book and film their dream of it.
    • 73 Metascore
    • 90 Dana Stevens
    One of the best entertainments this season has yet offered.
    • 69 Metascore
    • 90 Dana Stevens
    The raw intimacy of some of the scenes -- whether they take place at a diner, in the death house or in the bedroom -- is breathtaking.
    • 66 Metascore
    • 90 Dana Stevens
    An unexpected delight, a film that weds the humor and magic of a folk tale with a very modern feel for the psychological dynamics between men and women and for the subtle politics of male rivalry in a macho culture. It has been made and acted with intelligence and evident love, which deserves to be requited.
    • 71 Metascore
    • 90 Dana Stevens
    The visual beauty of the film, rather than distracting from the troubling story, makes it more troubling still.

Top Trailers