For 1,065 reviews, this critic has graded:
  • 47% higher than the average critic
  • 3% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 1.9 points higher than other critics. (0-100 point scale)

Dana Stevens' Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Last Orders
Lowest review score: 0 Salinger
Score distribution:
1,065 movie reviews
    • 91 Metascore
    • 90 Dana Stevens
    Offers the kind of experience that makes you glad movies exist.
    • 73 Metascore
    • 90 Dana Stevens
    A brilliant satire of emotional politics.
    • 86 Metascore
    • 90 Dana Stevens
    Mr. Ozon gives the movie to Ms. Rampling, whose performance is like a perfectly executed piano etude, finding precise, impossibly subtle shadings of pleasure, confusion and distress.
    • 48 Metascore
    • 90 Dana Stevens
    Mr. Parker has brilliantly updated his source and grasped its essence, composing a sorrowful and hilarious tone poem about alienated labor, or an absurdist workplace sitcom, as if a team of French surrealists had been put in charge of "The Drew Carey Show."
    • 78 Metascore
    • 90 Dana Stevens
    The film they have put together is dense with sound and information, but it moves with a swift, lilting rhythm that is of a piece with the musical heritage it explores.
    • 65 Metascore
    • 90 Dana Stevens
    It's amazing to see a film so brazenly experimental, so committed to reflecting on the circumstances and techniques of its making, that is at the same time so intent upon delivering old-fashioned cinematic pleasures like humor and pathos, character and plot.
    • 65 Metascore
    • 90 Dana Stevens
    (Spielberg) tells the story slowly and films it with lucid, mesmerizing objectivity, creating a mood as layered, dissonant and strange as John Williams's unusually restrained. modernist score.
    • 82 Metascore
    • 90 Dana Stevens
    Like so many European pictures these days, Read My Lips seems destined to be remade in Hollywood, and it is unlikely to be improved by the addition of vainer actors, a simpler screenplay and flashier direction.
    • 75 Metascore
    • 90 Dana Stevens
    At the end, when they have created a vibrant new theater program for their school, their sense of triumph is infectious. " 'Our Town' Is Ghetto!" one of them exults. Thornton Wilder, wherever he is, would understand and take it as a compliment.
    • 77 Metascore
    • 90 Dana Stevens
    In an era whose culture was defined by what the literary critic Richard Poirier called the performing self, Mr. Ali's persona was one of the greatest performances of all.
    • 86 Metascore
    • 90 Dana Stevens
    To call The Son a masterpiece would be to insult its modesty. Like the homely, useful boxes Olivier teaches his prodigals to build, it is sturdy, durable and, in its downcast, unobtrusive way, miraculous.
    • 84 Metascore
    • 90 Dana Stevens
    Like the great films of the 1930's and early 40's, it is at once artful and unpretentious, sophisticated and completely accessible, sure of its own authority and generous toward characters and audience alike -- a movie whose intended public is the human race.
    • 80 Metascore
    • 90 Dana Stevens
    Enough drama, humor and unfiltered nail-biting suspense to put all the thrill-mongering screenwriters in Hollywood to shame.
    • 71 Metascore
    • 90 Dana Stevens
    One of the few recent movies I have seen that plunged me into that rare, giddy state of pleasurable confusion, of not knowing what would happen next, which I associate with the reading and moviegoing experiences of my own childhood. But there is no reason that children should have a monopoly on this primal, wonderful experience.
    • 66 Metascore
    • 90 Dana Stevens
    Heist is a pleasure to watch, and the greatest pleasure is to watch Mr. Lindo and Mr. Hackman steal it.
    • 70 Metascore
    • 90 Dana Stevens
    Since her character wears no historical costumes and suffers from no debilitating ailment, it is likely that Ms. Curtis will be overlooked when Oscar season rolls around. This is a shame, since it is unlikely that any other actress this year will match the loose, energetic wit she brings to this delightful movie.
    • 80 Metascore
    • 90 Dana Stevens
    A brilliant feat of rug-pulling, sure to delight fans of movies like "The Usual Suspects" and "Pi."
    • 64 Metascore
    • 90 Dana Stevens
    There is nothing quite like this movie, and I'm not altogether sure there is much more to it than its lovely peculiarity. But at a moment when so many films strive to be obvious and interchangeable as possible, it is gratifying to find one that is puzzling, subtle and handmade.
    • 73 Metascore
    • 90 Dana Stevens
    An astute and surprisingly gripping drama not only about the ethics of magazine writing, but also, more generally, about the subtle political and psychological dynamics of modern office culture.
    • 91 Metascore
    • 90 Dana Stevens
    May be the oddest movie of the year, by turns sweet and sinister, insouciant and grotesque, invitingly funny and forbiddingly dark. It may also be one of the best, a tour de force of ink-washed, crosshatched mischief and unlikely sublimity.
    • 83 Metascore
    • 90 Dana Stevens
    Osama's unvarnished vulnerability, along with the director's combination of tough-mindedness and lyricism, prevents the movie from becoming at all sentimental; instead, it is beautiful, thoughtful and almost unbearably sad.
    • 78 Metascore
    • 90 Dana Stevens
    Stringent, clinical and almost unbearably moving.
    • 85 Metascore
    • 90 Dana Stevens
    An exquisitely simple movie. Mr. Kim manages to isolate something essential about human nature and at the same time, even more astonishingly, to comprehend the scope of human experience.
    • 76 Metascore
    • 90 Dana Stevens
    Fascinating. Anyone interested in the challenges and techniques of acting -- which is really to say, anyone interested in human behavior -- should turn off E! and head down to Mr. Almereyda's film.
    • 82 Metascore
    • 90 Dana Stevens
    It seems almost unthinkable that such a charismatic, generous and lively man could be gone. It also makes you understand what it means for a country like Haiti to lose a citizen like Jean Dominique.
    • 83 Metascore
    • 90 Dana Stevens
    Better than its predecessor, and also superior to most other comic-book-based movies. It has a more credible (and more frightening) villain, a more capacious and original story and a self-confidence based not only on the huge success of the first "Spider-Man" but also on Mr. Raimi's intuitive and enthusiastic grasp of the material.
    • 74 Metascore
    • 90 Dana Stevens
    You realize you are witnessing a psychodrama of novelistic intricacy and epic scope.
    • 76 Metascore
    • 90 Dana Stevens
    A political thriller that manages to be at once silly and clever, buoyantly satirical and sneakily disturbing, but he (Demme) has recovered some of the lightness and sureness of touch that had faded from his movies after "The Silence of the Lambs."
    • 82 Metascore
    • 90 Dana Stevens
    Has a quiet, cumulative magic, whose source is hard to identify. Its simple, meticulously composed frames are full of mystery and feeling; it's an action movie that stands perfectly still.
    • 75 Metascore
    • 90 Dana Stevens
    Mr. Bernal's soulful, magnetic performance notwithstanding, the real star of the film is South America itself, revealed in the cinematographer Eric Gautier's misty green images as a land of jarring and enigmatic beauty.