David Hinckley
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For 1,245 reviews, this critic has graded:
  • 46% higher than the average critic
  • 4% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 4.7 points lower than other critics. (0-100 point scale)

David Hinckley's Scores

Average review score: 60
Highest review score: 100 Californication: Season 1
Lowest review score: 0 How to Get the Guy: Season 1
Score distribution:
1,245 tv reviews
    • 83 Metascore
    • 80 David Hinckley
    It’s all done with brilliant imagery and crisp production that differs from Sagan’s primarily because the technology just keeps getting better.
    • 74 Metascore
    • 80 David Hinckley
    With impressive clips and first-rate commentators like Hamill, Jonathan Schwartz, Terry Teachout and John Lahr, Gibney has explained why, like him or not, Sinatra mattered so much.
    • 56 Metascore
    • 80 David Hinckley
    After an episode or two, when you sort out the characters and how their lives bang together in the dark, elegant shadows of late-1950s Miami Beach, you'll find rich drama, well written and beautifully styled.
    • 73 Metascore
    • 80 David Hinckley
    What sets Mozart apart from MTV shows, though, is that here we have a handful of twentysomethings and a lot of older folks, not vice versa. It plays this fresh turf well, on both sides.
    • 72 Metascore
    • 80 David Hinckley
    The show's long break seems to have rejuvenated its story lines, in which intense, rapid-fire action plays out against the backdrop of a complex, methodical geopolitical chess game.
    • 70 Metascore
    • 80 David Hinckley
    The best new cop drama of a TV season that has more police than a presidential motorcade. Blue Bloods doesn't have the best time slot on TV, but it's got some of the strongest characters and performances.
    • 69 Metascore
    • 80 David Hinckley
    Very often, reality-show participants stop seeming like real people, as if being on TV makes them abstract characters. [Daughter] Bailey's bad moment here makes Downsized feel painfully real.
    • 85 Metascore
    • 80 David Hinckley
    This reincarnation of The Normal Heart raises all the right disturbing questions.
    • 73 Metascore
    • 80 David Hinckley
    The result is intelligent if occasionally dense tales that focus on the hardest part of a detective's job, which is trying to outthink someone whose thinking is already, by definition, off-center.
    • 71 Metascore
    • 80 David Hinckley
    ABC's new FlashForward requires concentration and endurance. It's well worth the investment of both.
    • tbd Metascore
    • 80 David Hinckley
    It’s just an entertaining story.
    • 75 Metascore
    • 80 David Hinckley
    It's now even easier to get so caught up in the dramas that you can forget this show is really funny.
    • 81 Metascore
    • 80 David Hinckley
    No, The Hour is unlikely to remind anyone of "Mad Men." Except that it's superior period drama with a deliberate pace.
    • 72 Metascore
    • 80 David Hinckley
    Kurt Sutter's epic tale of an outlaw California motorcycle club launches its fifth season Tuesday with the same visceral intensity that stamped season four.
    • tbd Metascore
    • 80 David Hinckley
    No TV special could fully capture how bleak the world felt for those 13 days, but this one does an outstanding job, simply by reciting what happened.
    • 84 Metascore
    • 80 David Hinckley
    Bryan Cranston's Walter remains one of the best-played characters on television, and he's surrounded by a strong cast that, knowingly or unknowingly, plays off his desperation.
    • 54 Metascore
    • 80 David Hinckley
    Those Who Kill can be a tough watch, because it has some intense scenes. Fortunately, they aren’t unduly extended, and for those who stick it out, there look to be rewards.
    • 59 Metascore
    • 80 David Hinckley
    Undercover Boss isn't spectacular TV. But its real appeal lies in the exercise itself: watching a CEO meet actual workers and realize they work hard at jobs often made harder by petty rules and policies.
    • 78 Metascore
    • 80 David Hinckley
    Manhattan dramatizes with a little extra dab of soap, but generally quite engagingly life in the secret World War II compound where the country's most brilliant scientists were tasked with creating a superbomb before the bad guy could.
    • 60 Metascore
    • 80 David Hinckley
    In the end, the movie transcends the legal chess match, defining itself instead by the sheer wattage of Spector’s personality and his high-level sparring with a woman whose brains match his own, minus the madness.
    • 68 Metascore
    • 80 David Hinckley
    Hatfields & McCoys doesn't just explain a feud, it humanizes the people on both sides and reminds us how differently some of our ancestors lived just a few generations back.

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