For 1,976 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 5.2 points higher than other critics. (0-100 point scale)

David Sterritt's Scores

  • Movies
Average review score: 65
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
1,976 movie reviews
    • Metascore: 94
    • David Sterritt 100
    Not a masterpiece, but definitely one of the year's most entertaining movies.
    • Metascore: 89
    • David Sterritt 100
    This is epic filmmaking on a profoundly human scale, directed to perfection and magnificently acted by everyone in sight.
    • Metascore: 92
    • David Sterritt 100
    This is as challenging as movies come, alluding to everything from philosopher Thomas Hobbes to the history of Western music.
    • Metascore: 85
    • David Sterritt 100
    Superb acting and authentic details energize this rare Iran/Iraq coproduction.
    • Metascore: 86
    • David Sterritt 100
    It's an ideal match, and Eastwood deserves accolades as both director and star of this powerfully made picture.
    • Metascore: 87
    • David Sterritt 100
    This is a lively, life-affirming documentary no viewer is likely to forget.
    • Metascore: 89
    • David Sterritt 100
    It's great, fantastical fun.
    • Metascore: 61
    • David Sterritt 100
    This thriller is ingeniously woven with motifs suggesting the difficulty of seeing and understanding truth, and substitutes psychological chills for commonplace gore.
    • Metascore: 68
    • David Sterritt 100
    A scrupulously balanced look at the subject outlined in the title. Packed with historical, sociological, and cultural context.
    • Metascore: 52
    • David Sterritt 100
    Imaginatively acted, endlessly atmospheric.
    • Metascore: 71
    • David Sterritt 100
    A major treat for the eyes.
    • Metascore: 92
    • David Sterritt 100
    Masterly by any measure.
    • Metascore: 74
    • David Sterritt 100
    This superbly filmed Italian drama stands with Bellocchio's best work. Originally titled "Ora di religione."
    • Metascore: 82
    • David Sterritt 100
    A riveting re-creation of three world-changing collapses: those of the Nazi party, of militarized Germany as a whole, and of the Führer who guided them into self-destructive ruin.
    • Metascore: 67
    • David Sterritt 100
    Filmed in a leisurely, understated style, this dark comedy is downright entrancing. A spectacular directorial debut.
    • Metascore: 78
    • David Sterritt 100
    Always hard-hitting and often grimly, revealingly satirical.
    • Metascore: 70
    • David Sterritt 100
    Illuminating, disturbing, evenhanded.
    • Metascore: 76
    • David Sterritt 100
    Gentle, humanistic, delicious.
    • Metascore: 68
    • David Sterritt 100
    Scott has the courage to let the imaginative story unfold at its own leisurely pace, and it's not surprising that the acting is excellent, considering that he's among the very best American screen actors.
    • Metascore: 66
    • David Sterritt 100
    Visually stunning animation.
    • Metascore: 61
    • David Sterritt 100
    This wry comedy drama has excellent acting and surprises galore.
    • Metascore: 72
    • David Sterritt 100
    If it weren't so smartly filmed and acted, this might add up to an over-the-top mess. But watch how inventively Mr. Antal keeps the action moving and you'll see why his picture has won a passel of prizes.
    • Metascore: 59
    • David Sterritt 100
    As quietly dazzling as a small, very precious stone.
    • Metascore: 53
    • David Sterritt 100
    Like all this adventurous filmmaker's work, it's truly one of a kind.
    • Metascore: 82
    • David Sterritt 100
    Spellbinding.
    • Metascore: 72
    • David Sterritt 100
    Quiet, mysterious, sometimes violent, ultimately close to sublime.
    • Metascore: 75
    • David Sterritt 100
    Superbly cast, evocatively directed.
    • Metascore: 74
    • David Sterritt 100
    This thoughtful, troubling drama is leagues above the sensationalistic stuff Araki peddled in earlier films.
    • Metascore: 76
    • David Sterritt 100
    A triumph of psychological drama, owing as much to Ms. Bier's sensitive style as to Anders Thomas Jensen's smart screenplay, based on Bier's own story idea.
    • Metascore: 84
    • David Sterritt 100
    It's hugely ambitious, with a sweeping range of character types, frequently shifting moods, stylistic flourishes of many kinds, and some mighty wry satire, aimed largely at the world of psychotherapy.