For 232 reviews, this critic has graded:
  • 67% higher than the average critic
  • 2% same as the average critic
  • 31% lower than the average critic
On average, this critic grades 0.3 points higher than other critics. (0-100 point scale)

Diane Werts' Scores

  • TV
Average review score: 64
Highest review score:
Lowest review score:
Critic Score 0
Score distribution:
  1. Negative: 41 out of 232
232 tv reviews
    • Metascore: 93
    • Diane Werts 100
    Wallops don't get more walloping than the one that arrives at the end of the premiere of FX's adult cop show The Shield. Won't tell you what it is, and don't you dare read other reviews in case they blab it. This is one of those punch-in-the-stomach moments of TV you'll want to remember being stunned by. Although The Shield looks pretty dang good to that point - or pretty %@$#! good, as its characters would swear - the show suddenly becomes flat-out brilliant. [12 Mar 2002, p.B27]
    • Metascore: 90
    • Diane Werts 100
    Man, is this a good show...Boomtown is so good, it single-handedly restores your faith in broadcast networks. They can compete with the "freedom" of premium cable. All it takes is creative smarts. And NBC's Boomtown has plenty of those. [27 Sept 2002, p.B02]
    • Metascore: 94
    • Diane Werts 100
    "Galactica" is so beautifully designed, shot, edited and acted that you can practically smell and taste its emotional validity.
    • Metascore: 82
    • Diane Werts 100
    Best show of the season? Call me crazy, but it's a loopy-twisted-serpentine whodunit revolving around a whip-smart teenage girl...So let's recap. Engaging star, cool characterizations, witty scripts, meaty backstory. What's not to like? Only that networks always cancel deliciously offbeat gems like this. Let's hope UPN doesn't actually want to be a "real" network, after all. [22 Sept 2004, p.C01]
    • Metascore: 85
    • Diane Werts 100
    Party Down took awhile to jell, but it has hit its stride as one of TV's most finely observed comedies.
    • Metascore: 79
    • Diane Werts 100
    Even film school snobs like me can learn a thing or 10 from Moguls & Movie Stars. The breadth and depth of information rushing through each hour is astonishing.
    • Metascore: 81
    • Diane Werts 100
    For a show forever detonating bombs, it's surprising how sweet and frothy Tara feels. Just a half-hour long, it doesn't waste a second, pulling a gun within the first few and no punches ever.
    • Metascore: 78
    • Diane Werts 100
    As real as real gets, invaluably adding human understanding to a hot-button topic.
    • Metascore: 91
    • Diane Werts 100
    Showtime lets them take their time to spin serpentine story lines, gradually pulling us deep into one very sticky, scary web of intrigue.
    • Metascore: 61
    • Diane Werts 100
    The first three episodes totally nail it.
    • Metascore: 81
    • Diane Werts 100
    They [directors John Dorsey and Andrew Stephan] know how much to say, and show, to viscerally deliver the sights, sounds and even smells, without scaring us away.
    • Metascore: 75
    • Diane Werts 91
    Garcia's single-camera editing amplifies the comedy inherent, rather than being a crutch to create it. And the casting here is as good as "Earl," which is saying something--even if Leachman goes a bit off the rails as wacked-out "mamaw."
    • Metascore: 74
    • Diane Werts 91
    Producer Beers' team is the gold standard in male-aimed reality, and these guys have grit to burn.
    • Metascore: 69
    • Diane Werts 91
    With two shopping trips in each half-hour, TLC's latest hit is so fast-paced--and such giddy consumerism--that it's fairly irresistible. Also educational.
    • Metascore: 63
    • Diane Werts 91
    The soul of the show, though, is its conflicted "heroes," truly tortured, in palpable ways, recalling the best, early days of NBC's ill-fated Monday comic book. There's no cartoonery here. Just adult adventure and angst.
    • Metascore: 79
    • Diane Werts 91
    This evocative hour doesn't lionize Steinem, but simply lays out what happened.
    • Metascore: 65
    • Diane Werts 91
    Fascinating documentary--and extremely effective commercial.
    • Metascore: 49
    • Diane Werts 91
    The show's core relationship is appealingly relaxed. It dares to suggest successful coupledom lies less in heated passion than in being able to dress down and screw up and know you're still loved.
    • Metascore: 68
    • Diane Werts 91
    It all adds up to one solid nail-biter, with a profusion of clever clues that seems to cast suspicion on everyone.
    • Metascore: 58
    • Diane Werts 91
    You can see Neverland as sly philosophical discourse, or you can see it as fantastically produced adventure. Just make sure you see it.
    • Metascore: 78
    • Diane Werts 91
    No matter where you stand on the death-penalty debate, this is must-watch revelation--and, thanks to Herzog, tense and suspenseful drama.
    • Metascore: 78
    • Diane Werts 91
    [These women make] instant impact, of course, with their stories but also through sheer personality.
    • Metascore: 56
    • Diane Werts 91
    Strong personalities evoke the hold of the old, the tug of the new, and that intersection's human fireworks.
    • Metascore: 47
    • Diane Werts 91
    Bracing and tasty.
    • Metascore: 67
    • Diane Werts 91
    Sincere host, unguarded participants, sensitive treatment. And more cool stuff!
    • Metascore: 78
    • Diane Werts 91
    It's less the Plot Events that ring true here than the well-played little side moments and background squabbles, the simmering resentments and recriminations, the emotional tugs-of-war.
    • Metascore: 80
    • Diane Werts 91
    Browncoats Unite keeps the focus on the work itself. And that's what keeps "Firefly" afloat.
    • Metascore: 73
    • Diane Werts 91
    A head-spinning, yet deeply humane, thrill ride.
    • Metascore: 57
    • Diane Werts 91
    There's humor, there's heart, you'll laugh when you don't expect to.
    • Metascore: 74
    • Diane Werts 90
    He's rude, sarcastic, bitter, brilliant and, delightfully, the most compelling character of the fall TV season. [14 Nov 2004, p.11]
    • Metascore: 87
    • Diane Werts 90
    The most intriguing thing, actually, is that Lost may not even need the hoodoo voodoo. Abrams and script creator Damon Lindelof ("Crossing Jordan") have already set up a pretty compelling cross- section of earthlings as a study of simply human behavior. [19 Sept 2004, p.11]
    • Metascore: 87
    • Diane Werts 90
    This stuff is good. No, superb.
    • Metascore: 64
    • Diane Werts 90
    Like Hugh Laurie's irascible "House" title character, star Ellen Pompeo's newly minted Dr. Grey conveys such substance that you simply can't stop watching. [25 March 2005, p.B33]
    • Metascore: 72
    • Diane Werts 90
    Layering such unnatural proceedings into the family-drama format only intensifies both story angles when you do it right. And Cassidy has, with strong casting, solid structure and a fine feel for what's most frightening.
    • Metascore: 64
    • Diane Werts 90
    It all flows from the heart in a way few shows do, unfolding with the ease of being surrounded by people you've known forever already.
    • Metascore: 78
    • Diane Werts 90
    [A] rewardingly seasoned new drama series that's practically indistinguishable from the acclaimed feature film, except that it's better.
    • Metascore: 78
    • Diane Werts 90
    This four-hour gem is exquisite from start to finish, rife with the texture of its place and time, rich with human understanding expressed in everyday articulation and small gestures.
    • Metascore: 74
    • Diane Werts 90
    The 10 hours of PBS' immersive miniseries Carrier are frank and intimate, hard-hitting and heart-rending, rocking (with hit songs) and rolling (when the ship pitches so sharply, planes can't land).
    • Metascore: 72
    • Diane Werts 83
    Caprica feels torn between soulfully mature ruminations and adolescent "accessibility" for gamers wondering where the space action went. Let's hope the pilot's spellbinding second hour points the way toward greatness.
    • Metascore: 64
    • Diane Werts 83
    These actors are serious sitcom pros, and their show is actually about something genuine--sibling bonding/rivalry, parental button-pushing, relationship-building. It's nice to see some emotional meat in a live-audience staging again, feeding off the energy and reactions of real people.
    • Metascore: 54
    • Diane Werts 83
    While critics like me count quibbles, kids of all ages should share my husband's assessment: "It's a superhero show. Superman flies. Give The Cape a little space."
    • Metascore: 59
    • Diane Werts 83
    Future episodes aren't as snappy or scenic. But Shahi & Show deliver win-win, anyway.
    • Metascore: 60
    • Diane Werts 83
    These stylish suits aren't empty, by any means. But we'll have to see if USA is truly willing to let its heroes' souls get emotionally naked.
    • Metascore: 66
    • Diane Werts 83
    There's texture galore in this city-shot cop hour, eyed by handheld lenses echoing "Homicide's" edge (and director Peter Berg's "Friday Night Lights" intimacy).
    • Metascore: 63
    • Diane Werts 83
    Science channel publicity materials call the show "a real-life Twilight Zone," and in terms of mood, that's on the mark.
    • Metascore: 51
    • Diane Werts 83
    Robbins means business, calmly prodding family members--and not just the apparent aggressors--to truly comprehend where others are coming from. She calls people on their bull, eliciting not just tears from stress but tears of realization.
    • Metascore: 66
    • Diane Werts 83
    Method makes a solid case for Lewis as underappreciated auteur.
    • Metascore: 85
    • Diane Werts 83
    A great concept, mostly divorced from reality, with superb execution, just might extend forever.
    • Metascore: 54
    • Diane Werts 83
    One thing you can say for USA: It knows what it's doing. It's got its shtick, and it's sticking to it.
    • Metascore: 70
    • Diane Werts 83
    The show has sneaky depth. The leads are pretty without being "pretty," refreshingly down-to-earth likable, and able to flesh out their youthful stereotypes with this weird thing called personality.
    • Metascore: 53
    • Diane Werts 83
    Thought I was going to hate "Total Blackout." Then couldn't help laughing out loud.
    • Metascore: 74
    • Diane Werts 83
    Bunheads seems to know exactly what it's doing.
    • Metascore: 65
    • Diane Werts 83
    The good Lord created sitcoms like The Soul Man as relaxing, relatable humor with heart, and Cedric's new creation isn't about to mess with His template.
    • Metascore: 66
    • Diane Werts 83
    The characters hold promise, the show looks swell, the stories reflect rich history and the makers have earned our trust.
    • Metascore: 65
    • Diane Werts 83
    Her shrewd, straightforward perspective and her semisweet, offhand attitude make her reflections fresh and relatable.