Eddie Cockrell
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For 140 reviews, this critic has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 5 points higher than other critics. (0-100 point scale)

Eddie Cockrell's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Festival Express
Lowest review score: 10 Fascination
Score distribution:
  1. Positive: 83 out of 140
  2. Negative: 5 out of 140
140 movie reviews
    • 68 Metascore
    • 50 Eddie Cockrell
    A deliberately coarse character style that's more Gumby than Gromit.
    • 51 Metascore
    • 50 Eddie Cockrell
    A little bit of Slovene philosopher Slavoj Zizek goes a long way. In the verbose profile documentary Zizek! there's a lot of esoteric, eccentric theories, and little context within his globetrotting life.
    • 44 Metascore
    • 50 Eddie Cockrell
    Playing like a moribund hybrid of "Thelma and Louise" and "The Trouble With Harry," lesbian-themed thriller Gasoline lacks sex drive.
    • 66 Metascore
    • 50 Eddie Cockrell
    An intermittently gripping story about an idealistic young boxer who becomes disillusioned with the Third Reich during his elite training, Napola is finally KO'd by an overdose of Nazi fetishism.
    • 45 Metascore
    • 40 Eddie Cockrell
    The serious subject of forced female circumcision becomes the stuff of predictable melodrama in God's Sandbox.
    • 32 Metascore
    • 40 Eddie Cockrell
    Debuting helmer Vicente Amorim provides a determined forward movement, which, while lacking in cultural explanation, gives the saga uplift and punch.
    • 29 Metascore
    • 40 Eddie Cockrell
    Has the frustrating feel of a rousing, epic oater sadly compromised.
    • 30 Metascore
    • 40 Eddie Cockrell
    A labored screwball comedy about disenchanted people of privilege yearning for fulfillment, pic is full of leaden hijinx directed and played with all the subtlety of a myocardial infarction.
    • 34 Metascore
    • 40 Eddie Cockrell
    What begins as a moderately interesting set of interconnected mysteries involving race and identity soon grows eye-rollingly laborious, not to mention increasingly derivative of Christopher McQuarrie's "Usual Suspects" script.
    • 41 Metascore
    • 40 Eddie Cockrell
    Too often depends on salty, adolescent one-liners that provide shock value guffaws but grow cumulatively wearisome.
    • 45 Metascore
    • 40 Eddie Cockrell
    Fiction writer and debuting helmer Mary Kuryla is clearly after a Big Statement on abuse and strength of character, but falls short by creating a self-destructive monster in lieu of a sympathetic protagonist.
    • 48 Metascore
    • 40 Eddie Cockrell
    It often resembles John Cassavetes' "A Woman Under the Influence," but just as often devolves into a series of bravura acting exercises strung together by an increasingly sketchy narrative theme.
    • 62 Metascore
    • 40 Eddie Cockrell
    The miscalculated and overlong Julia proves a startling misfire for "The Dreamlife of Angels" writer-helmer Erick Zonca and dependably fearless actress Tilda Swinton.
    • 53 Metascore
    • 40 Eddie Cockrell
    Bids to whip homoerotic iconography into something palatable for those suspicious of the cuisine.
    • 37 Metascore
    • 40 Eddie Cockrell
    A seesaw chronology and generally chaotic approach plagues Haven, an overly ambitious, multicharacter love story-cum-underworld revenge drama set on a fleetingly exotic island.
    • tbd Metascore
    • 30 Eddie Cockrell
    A blue chip cast is wasted in the painfully unfunny ensemble comedy Niagara Motel.
    • 27 Metascore
    • 30 Eddie Cockrell
    A preposterously convoluted and exasperatingly sappy saga.
    • 35 Metascore
    • 30 Eddie Cockrell
    Handsome but dramatically static drama.
    • tbd Metascore
    • 20 Eddie Cockrell
    Aimless direction and subject's self-destructiveness add up to a long, unpleasant sit.
    • 13 Metascore
    • 10 Eddie Cockrell
    Glacially paced, self-consciously acted and narratively risible.

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