Eddie Cockrell

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For 141 reviews, this critic has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 4.6 points higher than other critics. (0-100 point scale)

Eddie Cockrell's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Festival Express
Lowest review score: 10 Fascination
Score distribution:
  1. Positive: 84 out of 141
  2. Negative: 5 out of 141
141 movie reviews
    • 47 Metascore
    • 50 Eddie Cockrell
    Tale of an idealistic local caught in the crossfire of an illicit affair is too pat and pretty to connect with upscale audiences.
    • 72 Metascore
    • 50 Eddie Cockrell
    A so-so pic on an incendiary subject, Full Battle Rattle follows the training regimen of one battalion during engagement and occupation in one of 13 fake "villages" comprising a massive Iraq simulation somewhere in the Mojave Desert.
    • 40 Metascore
    • 50 Eddie Cockrell
    Schematically scripted tale revels in its multiple story arcs, but shows signs of battle fatigue in the later reels.
    • 68 Metascore
    • 50 Eddie Cockrell
    A deliberately coarse character style that's more Gumby than Gromit.
    • 74 Metascore
    • 50 Eddie Cockrell
    A stately, intermittently gripping, ultimately overlong drama.
    • 29 Metascore
    • 40 Eddie Cockrell
    Has the frustrating feel of a rousing, epic oater sadly compromised.
    • 53 Metascore
    • 40 Eddie Cockrell
    Bids to whip homoerotic iconography into something palatable for those suspicious of the cuisine.
    • 48 Metascore
    • 40 Eddie Cockrell
    It often resembles John Cassavetes' "A Woman Under the Influence," but just as often devolves into a series of bravura acting exercises strung together by an increasingly sketchy narrative theme.
    • 32 Metascore
    • 40 Eddie Cockrell
    Debuting helmer Vicente Amorim provides a determined forward movement, which, while lacking in cultural explanation, gives the saga uplift and punch.
    • 45 Metascore
    • 40 Eddie Cockrell
    Fiction writer and debuting helmer Mary Kuryla is clearly after a Big Statement on abuse and strength of character, but falls short by creating a self-destructive monster in lieu of a sympathetic protagonist.
    • 41 Metascore
    • 40 Eddie Cockrell
    Too often depends on salty, adolescent one-liners that provide shock value guffaws but grow cumulatively wearisome.
    • 45 Metascore
    • 40 Eddie Cockrell
    The serious subject of forced female circumcision becomes the stuff of predictable melodrama in God's Sandbox.
    • 37 Metascore
    • 40 Eddie Cockrell
    A seesaw chronology and generally chaotic approach plagues Haven, an overly ambitious, multicharacter love story-cum-underworld revenge drama set on a fleetingly exotic island.
    • 34 Metascore
    • 40 Eddie Cockrell
    What begins as a moderately interesting set of interconnected mysteries involving race and identity soon grows eye-rollingly laborious, not to mention increasingly derivative of Christopher McQuarrie's "Usual Suspects" script.
    • 30 Metascore
    • 40 Eddie Cockrell
    A labored screwball comedy about disenchanted people of privilege yearning for fulfillment, pic is full of leaden hijinx directed and played with all the subtlety of a myocardial infarction.
    • 62 Metascore
    • 40 Eddie Cockrell
    The miscalculated and overlong Julia proves a startling misfire for "The Dreamlife of Angels" writer-helmer Erick Zonca and dependably fearless actress Tilda Swinton.
    • 35 Metascore
    • 30 Eddie Cockrell
    Handsome but dramatically static drama.
    • 27 Metascore
    • 30 Eddie Cockrell
    A preposterously convoluted and exasperatingly sappy saga.
    • tbd Metascore
    • 30 Eddie Cockrell
    A blue chip cast is wasted in the painfully unfunny ensemble comedy Niagara Motel.
    • tbd Metascore
    • 20 Eddie Cockrell
    Aimless direction and subject's self-destructiveness add up to a long, unpleasant sit.
    • 13 Metascore
    • 10 Eddie Cockrell
    Glacially paced, self-consciously acted and narratively risible.

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