For 635 reviews, this critic has graded:
  • 78% higher than the average critic
  • 2% same as the average critic
  • 20% lower than the average critic
On average, this critic grades 17.1 points higher than other critics. (0-100 point scale)

Eric Kohn's Scores

  • Movies
  • TV
Average review score: 77
Highest review score: 100 The Duke of Burgundy
Lowest review score: 25 The Devil's Double
Score distribution:
  1. Negative: 10 out of 635
635 movie reviews
    • 64 Metascore
    • 83 Eric Kohn
    The movie isn't political so much as philosophical, trashing the notion of the American dream as anything more than fodder for an endless rat race.
    • 75 Metascore
    • 83 Eric Kohn
    There are moments when Tragos and Palermo run the risk of transforming their subjects into tools exploited for the sake of the movie's artistic vision, but the best part of Rich Hill is that its participants rise above the limitations of the material.
    • 61 Metascore
    • 83 Eric Kohn
    Artistically, however, the movie delivers on a surprisingly effective scale, no matter how Lonergan sees it. Alternately perceptive, subversive, tragic and profound.
    • 90 Metascore
    • 83 Eric Kohn
    Story comes second to Russell over the rhythms of well-timed bickering, which is a blessing and a curse in American Hustle.
    • 77 Metascore
    • 83 Eric Kohn
    A personal work not because the director chooses to make himself a part of the story, but rather because he implicates all of us in it.
    • 78 Metascore
    • 83 Eric Kohn
    With each new twist, Sorrentino is always one step ahead of his audience, building a narrative that skips along at an enthralling pace.
    • 65 Metascore
    • 83 Eric Kohn
    The resulting adrenaline-packed vehicle delivers a multi-directional sugar rush. It moves so quickly that the bells and whistles blur together.
    • 70 Metascore
    • 83 Eric Kohn
    Helms plays angelic insurance agent Tim Lippe with gentle nobility and hilarious naivete.
    • 73 Metascore
    • 83 Eric Kohn
    The Forgiveness of Blood examines the barriers of ritual and the passage from youth to adulthood in Albanian society with the perceptive detail of a grand literary feat. At the same time, it retains the simplicity of a parable.
    • 69 Metascore
    • 83 Eric Kohn
    He's still cultivating his storytelling abilities, but Wheatley has clearly found his sweet spot: a darkly funny place with serious potential.
    • 74 Metascore
    • 83 Eric Kohn
    Brainy and exciting at the same time, Interstellar invalidates the need for mindless Hollywood product. No matter its shortcomings, the movie achieves an impressive balancing act. It turns the mysteries of the universe into a cinematic playground, but for every profound or visually arresting moment, it also encourages you to to think.
    • 53 Metascore
    • 83 Eric Kohn
    The suspense comes and goes, but A Single Shot always maintains a firm grip on its sad, deteriorating environment.
    • 64 Metascore
    • 83 Eric Kohn
    Savagely assaulting the desperate state of a blue collar family man, the comedic thriller Cheap Thrills establishes a ridiculous premise early on and takes it to various extremes, again and again, until you just have to accept the crazy venture on its own terms or simply give up.
    • 74 Metascore
    • 83 Eric Kohn
    Joe
    If Joe marks a new beginning for some of its characters, the same description applies to its director and star.
    • 58 Metascore
    • 83 Eric Kohn
    More blatantly an exercise in style than anything on par with the director's crowning achievements, and suffers to some degree from the predictability of its premise.
    • 67 Metascore
    • 83 Eric Kohn
    As the portrait of a relationship meltdown involving two eccentric creative types prone to self-doubt, July's sophomore feature bears a strong resemblance to husband Mike Mills's upcoming "Beginners," although July's version of the story has a more experimental edge.
    • 81 Metascore
    • 83 Eric Kohn
    Rock's savage wit comes through in the wry screenplay, which is loaded with topicality as it pokes fun at subjects ranging from Tyler Perry movies to Angry Birds.
    • 54 Metascore
    • 83 Eric Kohn
    This admittedly uneven first feature stands out for the way it sneaks up on you.
    • 55 Metascore
    • 83 Eric Kohn
    Loaded to the gills with thrill-inducing mayhem, Hobo with a Shotgun feels almost tribal in its commitment to violence.
    • 60 Metascore
    • 83 Eric Kohn
    While the contradiction of punk rock parenthood may not have a solution, The Other F Word successfully has fun with the mystery.
    • 81 Metascore
    • 83 Eric Kohn
    Going Clear delivers an efficient overview of Scientology's dark history with a cohesive focus on the precision of its corrupt motives.
    • 76 Metascore
    • 83 Eric Kohn
    Slickly paced and carried by mature performances, Flight embodies one of the finer strains of Hollywood filmmaking in recent years.
    • 76 Metascore
    • 83 Eric Kohn
    While We're Young is a clear-eyed satire of intergenerational tension that derives much of its comedy from a series of moments in which its mid-forties couple attempt to mesh with a younger crowder.
    • 86 Metascore
    • 83 Eric Kohn
    Equally a slick political thriller, intelligent period piece and sly Hollywood satire, Ben Affleck's Argo maintains a careful balance between commentary and entertainment value.
    • 77 Metascore
    • 83 Eric Kohn
    A Band Called Death lacks the thrill of mystery but makes up for it with pathos.
    • 85 Metascore
    • 83 Eric Kohn
    Fruitvale is largely sustained by Jordan's career-making performance and the way Coogler uses it to analyze his subject...It's a fascinating investigation into the contrast between media perception and intimate truths.
    • tbd Metascore
    • 83 Eric Kohn
    Krisha snaps into focus whenever Shults' camera remains trained on his extraordinary lead, whose fierce commitment easily recalls a similar portrait of middle-aged alcoholism in "A Woman Under the Influence" — and, at under 90 minutes, matches its intensity in half the time.
    • 79 Metascore
    • 83 Eric Kohn
    Baring all and radiating an affability that defines the movie's tone, Hunt delivers her finest performance since "As Good As It Gets."
    • 84 Metascore
    • 83 Eric Kohn
    Even when that story drags, Moonrise Kingdom could be appreciated on mute.
    • 71 Metascore
    • 83 Eric Kohn
    Make no mistake: Mickle wants to make you jump and scream, but death only arrives in this movie once its world comes to life, which makes each sudden turn all the more intense.

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