For 589 reviews, this critic has graded:
  • 78% higher than the average critic
  • 2% same as the average critic
  • 20% lower than the average critic
On average, this critic grades 17.4 points higher than other critics. (0-100 point scale)

Eric Kohn's Scores

  • Movies
  • TV
Average review score: 77
Highest review score: 100 A Girl Walks Home Alone at Night
Lowest review score: 25 Lovelace
Score distribution:
  1. Negative: 9 out of 589
589 movie reviews
    • 72 Metascore
    • 83 Eric Kohn
    Magic Mike casts a seriously entertaining spell.
    • 75 Metascore
    • 83 Eric Kohn
    While overlong and occasionally too reliant on a formulaic set of motives to drive the action forward, Easy Money retains its suave composure right through the engrossing finale.
    • 72 Metascore
    • 83 Eric Kohn
    If you've never heard of LCD Soundsystem or cared much for the group's work, Shut Up and Play the Hits still manages to explore the prospects of fame and contemporary rock music's lasting relevance.
    • 80 Metascore
    • 83 Eric Kohn
    Slickly made if not particularly stylish, the movie maintains its entertainment value for picking ideal models of American excess.
    • 81 Metascore
    • 83 Eric Kohn
    Recently released from jail, Ai's full story remains to be told, but Ai Weiwei: Never Sorry competently summarizes his lasting relevance, regardless of what may happen next.
    • 62 Metascore
    • 83 Eric Kohn
    With an eye for gritty, shameless fun, Friedkin unleashes the play's guilty pleasure center. Friedkin holds nothing back, but it's Letts' rambunctious plotting that enables the director to chart a path to the wild climax.
    • 79 Metascore
    • 83 Eric Kohn
    For a quarter of a century -- unbeknownst to most Americans, including Rodriguez's original producers -- the singer landed a massive following in the country where his humanitarian outlook provided an escape for many disgruntled youth struggling under apartheid, elevating him to the stature of a "South African Elvis."
    • 71 Metascore
    • 83 Eric Kohn
    Sleepwalk With Me calls to mind Judd Apatow's "Funny People" for its focus on the eccentric, obsessive nature of the wannabe comic's mind.
    • 67 Metascore
    • 83 Eric Kohn
    Robot and Frank succeeds where "Ted" fails because, unlike McFarlane, Schreier and Ford render the relationship between the human character and the robot in largely credible terms.
    • 69 Metascore
    • 83 Eric Kohn
    While visually scrumptious, the movie struggles to reach a greater profundity that it never quite obtains, but its childlike emulation of a grand tragedy is indelibly precious.
    • 82 Metascore
    • 83 Eric Kohn
    Produced by Keanu Reeves, this talking heads survey of the transition from shooting on film to digital video is against all odds an imminently watchable overview, and not only because Reeves has decent interview skills.
    • 70 Metascore
    • 83 Eric Kohn
    A gigantic physique hides the fragile man beneath and Matthiesen ably follows the journey of that persona as it tunnels through mounds of muscle to reach the surface. In essence, the lion finds his courage.
    • 67 Metascore
    • 83 Eric Kohn
    The closest Br├╝gger comes to explaining his style is an early statement on the duality of his mission to go "beyond all moral boundaries known to man while still being a respectable member of society." It's a goal enacted less with a coy wink than with a violent elbow jab to the ribs.
    • 79 Metascore
    • 83 Eric Kohn
    Sachs skillfully explores dangerous extremes -- not only drug addiction, but the slipperiness of attraction.
    • 86 Metascore
    • 83 Eric Kohn
    Equally a slick political thriller, intelligent period piece and sly Hollywood satire, Ben Affleck's Argo maintains a careful balance between commentary and entertainment value.
    • 74 Metascore
    • 83 Eric Kohn
    Burton's id explodes onto the screen with a plethora of demonic mutated critters.
    • 79 Metascore
    • 83 Eric Kohn
    In its finer moments, however, Lee translates the book's wondrous prose into grand visual conceits meant for the big screen. Posited as a story that "will make you believe in god," instead it has the power to confirm one's faith in the cinematic experience.
    • 77 Metascore
    • 83 Eric Kohn
    A personal work not because the director chooses to make himself a part of the story, but rather because he implicates all of us in it.
    • 76 Metascore
    • 83 Eric Kohn
    Slickly paced and carried by mature performances, Flight embodies one of the finer strains of Hollywood filmmaking in recent years.
    • 79 Metascore
    • 83 Eric Kohn
    Baring all and radiating an affability that defines the movie's tone, Hunt delivers her finest performance since "As Good As It Gets."
    • 72 Metascore
    • 83 Eric Kohn
    Beneath the pixelated gags, the stakes are relatively familiar. However, much of the humor in Wreck-It Ralph riffs on the nostalgia associated with real games.
    • 67 Metascore
    • 83 Eric Kohn
    Leave it to Walken to upstage Beethoven.
    • 57 Metascore
    • 83 Eric Kohn
    A surprisingly enjoyable tongue-in-cheek New York comedy from "Clueless" director Amy Heckerling, Vamps teeters on the brink of not quite working and yet still routinely lands its laughs.
    • 74 Metascore
    • 83 Eric Kohn
    The story retains an inscrutable tone that sometimes makes its emotional qualities feel remote, but it still delivers a powerful message about the challenge of self-diagnosis by rooting it in universal experience
    • 63 Metascore
    • 83 Eric Kohn
    Wright's extraordinary long takes draw you into the universe of Anna Karenina with a seamless approach that a straightforward literary adaptation could never accomplish.
    • 73 Metascore
    • 83 Eric Kohn
    Gibney's narrative drags to some extent when the focus widens to explore the Vatican's overall policy for covering up sex scandals, but he successfully demonstrates the systematic failure of a system designed work flawlessly on the basis of spirituality that never existed in the first place.
    • 73 Metascore
    • 83 Eric Kohn
    While its main characters are tough-minded, Rust and Bone is itself pure heart.
    • 78 Metascore
    • 83 Eric Kohn
    Beware of Mister Baker won the Grand Jury Prize at the SXSW Film Festival earlier this year, perhaps because it was the best embodiment of a recent trend in the non-fiction realm.
    • 52 Metascore
    • 83 Eric Kohn
    A bonafide family drama, proof that the noir has humanistic roots. It left me feeling thankful for persistent movie traditions.
    • 64 Metascore
    • 83 Eric Kohn
    The movie isn't political so much as philosophical, trashing the notion of the American dream as anything more than fodder for an endless rat race.

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