Gary Goldstein
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For 352 reviews, this critic has graded:
  • 62% higher than the average critic
  • 7% same as the average critic
  • 31% lower than the average critic
On average, this critic grades 0.2 points lower than other critics. (0-100 point scale)

Gary Goldstein's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Heli
Lowest review score: 0 Don Peyote
Score distribution:
  1. Negative: 55 out of 352
352 movie reviews
    • 90 Metascore
    • 90 Gary Goldstein
    Director Judy Chaikin, who co-wrote the film with its deft editor, Edward Osei-Gyimah, infuses this fine portrait with grace, nostalgia and a well-calibrated dose of social commentary.
    • 85 Metascore
    • 90 Gary Goldstein
    Despite the pain, sadness and vast emotional upheaval depicted here, Bridegroom is also a movie filled with hope and passion, dignity and pride, and many stirring pockets of joy.
    • 84 Metascore
    • 80 Gary Goldstein
    It's a provocative, absorbing — and at times dicey — study.
    • 83 Metascore
    • 70 Gary Goldstein
    Blackfish, named after the Native American term for orcas, remains decidedly one-sided. But when that "side" is such a vital, convincing proponent for the greater protection and understanding of such evolved and majestic creatures, it can't help but win.
    • 82 Metascore
    • 80 Gary Goldstein
    Vividly captures a year in the life of eastside Detroit's Engine Company 50.
    • 81 Metascore
    • 80 Gary Goldstein
    Thanks to the residual love and attraction between the pair, this cocktail-fueled reunion never descends into a "Virginia Woolf"-like grudge match but, rather, remains an equitable, tender, sometimes surprising game of hard truth-telling.
    • 81 Metascore
    • 60 Gary Goldstein
    Though it's a decidedly arty piece, Leviathan, named after the biblical sea creature, also lacks much in the way of traditional beauty or splendor. However, the immersive shots of those swooping and circling sea gulls are quite something.
    • 81 Metascore
    • 90 Gary Goldstein
    With its startling mix of 16-millimeter-shot, handmade animation styles using stop-motion, sketches, collages and models, along with uncensored characters often resembling cadaverous marionettes, this twisted look at life in a faded Appalachian town is one decidedly idiosyncratic ride.
    • 79 Metascore
    • 90 Gary Goldstein
    A haunting, immersive portrait of a romance between two men, one that's marked - and marred - by both drug dependency and emotional codependency. Not unlike last year's gay-themed drama, "Weekend," it proves an important and mature piece of business.
    • 78 Metascore
    • 80 Gary Goldstein
    Writer-director Jay Bulger combines warts-heavy interview footage of Baker with vivid archival bits, concert clips, jaunty animation and chats with various musical greats to paint a lively portrait of yet another brilliant but wildly self-destructive artist.
    • 78 Metascore
    • 70 Gary Goldstein
    What you see is pretty much what you get. Fortunately, what we see is often vivid and lovely.
    • 77 Metascore
    • 80 Gary Goldstein
    Though much of the movie was shot in secret to protect the filmmakers, Bailey and Thompson managed to create a remarkably vivid portrait of a land and its people, while bringing us two unforgettable heroes in Campbell and Freeth.
    • 76 Metascore
    • 90 Gary Goldstein
    Proves a highly auspicious feature debut for Moors and Porto as well as a much-deserved return to the limelight for Washington. Don't miss it.
    • 76 Metascore
    • 70 Gary Goldstein
    "Ain't in It" offers a warm and largely satisfying look at a man and his music and, for some, the end of an era.
    • 76 Metascore
    • 80 Gary Goldstein
    This expertly constructed film follows the curious and tragic life of the troubled chess icon as he went from child prodigy to global legend to paranoid recluse.
    • 75 Metascore
    • 80 Gary Goldstein
    Director Greg "Freddy" Camalier skillfully, unhurriedly unfurls a wealth of classic music-biz tales as told by a who's who of R&B, soul and rock 'n' roll royalty and various other players and purveyors.
    • 75 Metascore
    • 70 Gary Goldstein
    While the movie's second half feels more consequential - and more impressively action-packed - than its first part, it also loses some of its initial charm and quirk via a protracted, often dizzying descent into a kind of booty-centric game of hot potato.
    • 75 Metascore
    • 90 Gary Goldstein
    Graceland is a tense, twisty cinematic artichoke brimming with moral complexity and intriguing shades of gray.
    • 75 Metascore
    • 90 Gary Goldstein
    Guitarist-composer Bill Frisell's wall-to-wall, bluesy-jazzy soundtrack beautifully reflects and unifies the visuals while also helping to personalize this distinct endeavor. It's a terrific achievement.
    • 74 Metascore
    • 70 Gary Goldstein
    Although enjoyable, the movie is perhaps best suited to cinéastes already intimate with Bergman's venerated body of work as well as with Ullmann's many acclaimed screen roles.
    • 74 Metascore
    • 70 Gary Goldstein
    It's predictable, painless, occasionally amusing fluff perked up by a clever visual interplay with the book text and John Cleese's avuncular narration.
    • 74 Metascore
    • 80 Gary Goldstein
    Although Gruber's personal life and latter accomplishments are mostly addressed via a few closing sentences, "Ahead" remains a fleet and fitting tribute.
    • 73 Metascore
    • 90 Gary Goldstein
    It's exhausting, exhilarating, riveting stuff that fans of high-octane filmmaking should not miss.
    • 73 Metascore
    • 70 Gary Goldstein
    Fortunately, Pajot and Swirsky don't overdo the minutiae (this is a movie even non-gamers can enjoy), offering just enough insight into the creative process to feel enlightening.
    • 73 Metascore
    • 70 Gary Goldstein
    Ultimately, more than 800 demonstrators died amid countless displays of bravery and commitment. Uprising is a vital and valuable tribute to these courageous men and women - and to love of country.
    • 72 Metascore
    • 80 Gary Goldstein
    The estimable James Cromwell splendidly anchors this tender, true-life tale.
    • 72 Metascore
    • 100 Gary Goldstein
    Tense, smartly crafted and highly resonant, Aliyah is one of the best films so far this year.
    • 72 Metascore
    • 70 Gary Goldstein
    [An] amusing, freewheeling documentary.
    • 72 Metascore
    • 80 Gary Goldstein
    As Madeleine Sackler's absorbing, often tender documentary The Lottery shows, when it comes to the world of charter education, no seemingly good deed may go unpunished -- or at least undercut.
    • 72 Metascore
    • 80 Gary Goldstein
    A harrowing picture of the casualties of war — and the unchecked madness that may drive those entrusted to defend us.