For 329 reviews, this critic has graded:
  • 62% higher than the average critic
  • 7% same as the average critic
  • 31% lower than the average critic
On average, this critic grades 0.3 points higher than other critics. (0-100 point scale)

Gary Goldstein's Scores

  • Movies
Average review score: 59
Highest review score: 100 Aliyah
Lowest review score: 0 Don Peyote
Score distribution:
  1. Negative: 52 out of 329
329 movie reviews
    • 71 Metascore
    • 70 Gary Goldstein
    Although not exactly even-handed, the movie proves a deft look at a reluctant crusader and how financial sway and political override can so effectively trump the power of the average citizen.
    • 71 Metascore
    • 80 Gary Goldstein
    It's the offbeat love story at the heart of Liebling's resurrection that provides the film's most powerful - and touching - surprise.
    • 71 Metascore
    • 60 Gary Goldstein
    Only the Young rarely coalesces into anything more meaningful than a casual collection of moments. Maybe that's the point.
    • 71 Metascore
    • 70 Gary Goldstein
    As one observer here aptly - and non-hyperbolically - sums it up, White is "a founding father of the current state of pop art."
    • 70 Metascore
    • 70 Gary Goldstein
    The doc flags toward the end, but it remains an absorbing snapshot of a daring time.
    • 70 Metascore
    • 80 Gary Goldstein
    Director Scott Thurman presents a largely even-handed recounting, wisely letting folks - and events - speak for themselves. It's riveting stuff.
    • 70 Metascore
    • 70 Gary Goldstein
    A vivid reminder of the hand-in-glove importance of right actor/right role — and the indispensability of those casting mavens who helped make movie history. Good stuff.
    • 70 Metascore
    • 60 Gary Goldstein
    What emerges is a vague, often chilling impression of an unpredictable opportunist and provocateur who may not even be sure himself.
    • 70 Metascore
    • 60 Gary Goldstein
    Producer-director Markus Imhoof tackles a hugely vital subject, but the film's loose structure and lack of a specific through-line don't make for the clearest intake of its, well, swarm of information.
    • 70 Metascore
    • 50 Gary Goldstein
    Boy
    Writer-director and co-star Taika Waititi ("Eagle vs Shark") never builds much momentum for his largely uneventful if sometimes inventive story.
    • 69 Metascore
    • 80 Gary Goldstein
    The ambitious Peepli Live manages to mine substantial dark humor from this tragic situation while offering pointed - and sometimes poignant - social commentary in the process.
    • 69 Metascore
    • 60 Gary Goldstein
    The result is a kind of quiet Scandinavian cousin (OK, twice removed) to "Home Alone," in which patient viewers will find sporadic rewards.
    • 69 Metascore
    • 80 Gary Goldstein
    A crafty, brainy and uniquely stirring concoction.
    • 69 Metascore
    • 90 Gary Goldstein
    It's unique, powerful stuff.
    • 69 Metascore
    • 70 Gary Goldstein
    This ambitious first feature film about the period made entirely by Rwandans (shot in a remarkable 16 days), while hardly an all-inclusive look at this complex conflict, paints a heartfelt, fairly restrained picture of a nation under siege.
    • 69 Metascore
    • 70 Gary Goldstein
    For all its emotional roller-coastering and wild intrigue, the film's purpose — as well as its title character — feels more symbolic than specific. Still, this well-shot and -designed picture is a mostly compelling, intrepid ride.
    • 68 Metascore
    • 50 Gary Goldstein
    As for the so-called "food compositions" seen here, like the film itself, they're more impressionistic and artistic than enticing. For a far more satisfying cinematic meal, check out the similarly themed "Jiro Dreams of Sushi."
    • 68 Metascore
    • 90 Gary Goldstein
    The filmmakers vividly illustrate the power and depth of the long-spiraling problem of "food insecurity" by immersing us in the hardscrabble lives of a cross section of our nation's poor.
    • 68 Metascore
    • 80 Gary Goldstein
    Winston Churchill: Walking With Destiny nonetheless serves as an informative look back at one of the 20th century's most celebrated figures. (Nov 4, 2010)
    • 68 Metascore
    • 60 Gary Goldstein
    Unfortunately, Dylan Mohan Gray's slow and steady exposé never quite manages the propulsive gut punch its incendiary subject demands.
    • 68 Metascore
    • 80 Gary Goldstein
    As the filmmaker unfurls the harsh, essential facts, both past and present, about America's complex relationship with drugs — along with tobacco and alcohol's longtime place in the equation — the movie gains serious power and momentum.
    • 68 Metascore
    • 90 Gary Goldstein
    If this all sounds fairly rote, it's far from it. That's because the filmmaker largely eschews done-to-death family dynamics, forced obstacles and predictable responses for authentic interaction, organic humor and a hopeful vitality.
    • 68 Metascore
    • 90 Gary Goldstein
    The wildlife documentary One Life is a visually gorgeous, at times astonishing screen experience.
    • 68 Metascore
    • 60 Gary Goldstein
    The young filmmaker rarely digs beneath the harsh environment's many fraught surfaces. He simply lets his cameras be his guide.
    • 68 Metascore
    • 60 Gary Goldstein
    While often affecting and absorbing, the film proves intellectually and contextually light. This is especially true given a leisurely running time that could have easily accommodated more dimensional probing.
    • 67 Metascore
    • 70 Gary Goldstein
    It's not all doom and gloom. This crisply shot picture also offers stirring views of these industrious little creatures, their complex habitats and the rich amber goodness they create. Some jaunty animation enlivens things as well.
    • 67 Metascore
    • 70 Gary Goldstein
    It's all presented with equal parts humor and sensitivity, though Buford doesn't much delve into the potential landmines here - racism, classism, exploitation - allowing the power of assimilation and opportunity to carry the day.
    • 67 Metascore
    • 80 Gary Goldstein
    The Wall is a remarkably involving film, especially given its brave, self-imposed limitations.
    • 67 Metascore
    • 90 Gary Goldstein
    [A] captivating documentary.
    • 67 Metascore
    • 70 Gary Goldstein
    Campbell Scott's strong narration (well-written by Allentuck) and fun vintage musical selections effectively round out this provocative portrait.