For 430 reviews, this critic has graded:
  • 54% higher than the average critic
  • 1% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 9.6 points lower than other critics. (0-100 point scale)

Glenn Garvin's Scores

Average review score: 55
Highest review score: 100 Arrested Development: Season 1
Lowest review score: 0 Three Wishes: Season 1
Score distribution:
430 tv reviews
    • 75 Metascore
    • 30 Glenn Garvin
    This is essentially CSI without the microscopes, petri dishes or Marg Helgenberger. Yawn. [26 Sep 2002]
    • Miami Herald
    • 67 Metascore
    • 30 Glenn Garvin
    Sheen and Cryer breathe some life into this thing, but a mercy killing might have been simpler. [22 Sept 2003, p.4E]
    • Miami Herald
    • 61 Metascore
    • 30 Glenn Garvin
    The Unit hits more false notes than an American Idol tryout.
    • 46 Metascore
    • 30 Glenn Garvin
    Sadly truncated.
    • 59 Metascore
    • 30 Glenn Garvin
    Watching seven characters sit around week after week in endless discussions of the ramifications of the fact that two of them have kissed may have been fun in the seventh grade. But, like the spinning teacups at Disney World or throwing up after drinking a jug of Ripple, it's an experience that doesn't wear well with time.
    • 57 Metascore
    • 30 Glenn Garvin
    [It] often sounds less like a television drama than a Criminal Procedures 101 lecture delivered at an offshore law school.
    • 50 Metascore
    • 30 Glenn Garvin
    The jibes quickly wear thin and predictable, and there's simply not much to Help Me Help You.
    • 27 Metascore
    • 30 Glenn Garvin
    Where The Class is warm and charming, Emergency is crude and overdrawn.
    • 59 Metascore
    • 30 Glenn Garvin
    Psych is a one-trick pony that quickly deteriorates into a rather humdrum mystery once the novelty of watching Spencer fake his psychic revelations wears off.
    • 38 Metascore
    • 30 Glenn Garvin
    The hacky writing is interchangeable with any of CBS' police procedurals, and the boy-band good looks of Alex O'Loughlin as the detective, Mick St. John, inspire neither fear nor dark sexual longings
    • 66 Metascore
    • 30 Glenn Garvin
    The show's boorishness is exceeded only by its dissimulation; not one frame of this thing--from the diners who seem not to notice that their table is surrounded by camera crews to the melodramatically villainous managers--is remotely believable.
    • 68 Metascore
    • 30 Glenn Garvin
    This can be dryly funny in small doses, but Conchords really feels less like a sitcom than a Saturday Night Live sketch stretched out to about six times its shelf-life.
    • 35 Metascore
    • 30 Glenn Garvin
    Kath & Kim originated in Australia, which shares the British affection for slobby class humor, but here it falls about as flat as food-court champagne.
    • 61 Metascore
    • 30 Glenn Garvin
    CBS' new comedy-drama The Ex List is a descent to the most profound levels of Chick Flick Hell, where the damned and those with Y chromosomes cry out in agony through all eternity.
    • 58 Metascore
    • 30 Glenn Garvin
    JoAnna Garcia's overcaffeinated cuteness--the sort of thing that made otherwise decent people want to run Sally Field through with a pitchfork back in her Gidget and Flying Nun days--as a Palm Beach governess to trust-fund teen trash is nigh unbearable.
    • 58 Metascore
    • 30 Glenn Garvin
    Just about everybody is having sex with everybody else: Kings is one giant raging id of a show.
    • 21 Metascore
    • 30 Glenn Garvin
    Do Not Disturb is apparently trying for an upstairs/downstairs feel, but it comes across more as above-the-waist/below-the-waist.
    • 41 Metascore
    • 30 Glenn Garvin
    A hacky remake of a mediocre 1971 film of a pulp-science 1969 novel, this miniseries (it concludes Tuesday, if you must waste two nights of your life) is a poster child for generational decline: Whatever few IQ points were present in the original have long since leached away.
    • 47 Metascore
    • 30 Glenn Garvin
    It's hard to enjoy characters in such dire need of a hard slapping.
    • 58 Metascore
    • 30 Glenn Garvin
    Its essential shallowness is on display from the very start, when 11 contestants for a junior editor's job at the fashion magazine Elle are issued their first challenge: Bring the boss breakfast.
    • 60 Metascore
    • 30 Glenn Garvin
    If you think "SpongeBob Squarepants" would be funnier if it added a couple of hookers and a cross-dressing junkie, this is the show for you. Everybody else should take a pass.
    • 39 Metascore
    • 30 Glenn Garvin
    On Tuesday night, we're going to see if you can get it from television, with three shows that--intentionally or otherwise--document seriously disturbed minds, with results ranging from riveting to revolting. Tending toward the latter is Mental.
    • 50 Metascore
    • 30 Glenn Garvin
    Virtually everything in Accidentally on Purpose is some kind of cheap sexual crack or double entendre. The essential sweetness Elfman showed in Dharma & Greg and the later, unfortunately little-watched Courting Alex curdles into mean self-parody as she scorns her new boy-toy as an intellectual and economic inferior even as she grovels before his bedroom skills.
    • 45 Metascore
    • 30 Glenn Garvin
    Dismal and disoriented, under-plotted and over-allegorized, the six-hour Prisoner miniseries that debuts on AMC Sunday night is an exercise in full-tilt dramatic tedium that will appall anybody who remembers the original and bewilder anyone who doesn't: What was the big deal about that?
    • 61 Metascore
    • 30 Glenn Garvin
    Watching this dismal intragenerational cluster of families is sort of like seeing a Roots for the cannibal gangs in The Road.
    • 42 Metascore
    • 30 Glenn Garvin
    Mostly lost in the Technicolor goo of the fabulously exotic mutilations and lacerations is Miami Medical's purported dramatic theme, the psychological toll taken on doctors whose professional diet consists solely of grotesquely lethal cases.
    • 36 Metascore
    • 30 Glenn Garvin
    There's an unfortunate whiff of Marie Antoinette about Grammer's breezily ungrounded Hank.
    • 57 Metascore
    • 30 Glenn Garvin
    As drama, Memphis Beat is a dreary failure, a formulaic cop show distinguished only by its poor execution.
    • 64 Metascore
    • 30 Glenn Garvin
    What it does have is a sleek but shallow cast that cannot lend any weight to the lighter-than-air writing.
    • 69 Metascore
    • 30 Glenn Garvin
    Louie is so low-key that it has no discernible pulse. To say it's unfunny is accurate (profoundly so) but also beside the point: It's un-anything.

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