Gregory Weinkauf
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For 341 reviews, this critic has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this critic grades 2.5 points higher than other critics. (0-100 point scale)

Gregory Weinkauf's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Being John Malkovich
Lowest review score: 0 Rollerball
Score distribution:
  1. Negative: 46 out of 341
341 movie reviews
    • 90 Metascore
    • 100 Gregory Weinkauf
    A masterful film about the magic of performance and the foibles of the artists behind it.
    • 78 Metascore
    • 100 Gregory Weinkauf
    It's best appraised as a strong ensemble piece, a darkly dreamy slab of social commentary and definitely one of the year's best films.
    • 90 Metascore
    • 100 Gregory Weinkauf
    Smart people will relish its temerariousness, average people will smile awkwardly and comment that it's "kinda different," and dimly lit people may mistake it for the Elmo movie and drool quietly in the back rows. It's a movie for everyone.
    • 96 Metascore
    • 100 Gregory Weinkauf
    Kubrick's comic gem sparkles with enduring relevance.
    • Dallas Observer
    • 83 Metascore
    • 100 Gregory Weinkauf
    This is the breakout role for Sigourney (née Susan) Weaver, whose iconic presence still propels this ride beyond the scores of substandard imitations that followed. Why see it on the big screen? Because it's bloody brilliant.
    • 81 Metascore
    • 100 Gregory Weinkauf
    One of this year's best films--a classic, even, like a C.S. Forester "Hornblower" story on steroids.
    • 94 Metascore
    • 100 Gregory Weinkauf
    This film is a miracle, an extravaganza equal to its predecessors and in some ways more stunning. It is a profound testament to the extraordinary power of moving images and sound.
    • 88 Metascore
    • 100 Gregory Weinkauf
    In this bolder, longer new cut, characters are allowed to finish scenes previously left as DVD extras, effects are creepier, and the theories of "the Tangent Universe" are explored in greater depth. Friends and neighbors, this is a Great American Movie.
    • 73 Metascore
    • 100 Gregory Weinkauf
    Not to be missed.
    • 61 Metascore
    • 100 Gregory Weinkauf
    Awesome! Bravura! Captivating! Dazzling!
    • 93 Metascore
    • 100 Gregory Weinkauf
    One of the finest qualities of Amadeus is that it reminds us of those rare occasions when an Oscar sweep is actually merited.
    • 90 Metascore
    • 100 Gregory Weinkauf
    Coppola and Murch have balanced their new edit with grace notes of sweetness, elegance and eroticism, and the payoff is grand, providing both a reprieve from the multiple blitzkriegs and a break in the monotony of the cruise up the Nung.
    • 90 Metascore
    • 100 Gregory Weinkauf
    What we have here is an historical document of inestimable value, describing in no uncertain terms the terrible and beautiful times before AIDS.
    • 82 Metascore
    • 90 Gregory Weinkauf
    A big gob of fun.
    • 73 Metascore
    • 90 Gregory Weinkauf
    Finally, the man (Hanks) has delivered a moving, slightly unhappy, and ultimately hopeful story in which squishy love takes a backseat to the wondrous whirlwind of life. The season's most delightful surprise.
    • 88 Metascore
    • 90 Gregory Weinkauf
    The year's greatest adventure, and Jackson's limited but enthusiastic adaptation has made literature literal without killing its soul.
    • 88 Metascore
    • 90 Gregory Weinkauf
    Gleefully blurs the line between species. Vive la révolution!
    • 63 Metascore
    • 90 Gregory Weinkauf
    It's definitely an enchanting spectacular for Potter fans anxious to ride the Hogwarts Express toward a new year of magic and mischief.
    • 90 Metascore
    • 90 Gregory Weinkauf
    Amazingly, almost every note of every performance in Bloody Sunday rings true.
    • 68 Metascore
    • 90 Gregory Weinkauf
    A diverting mix of insight and spectacle, human and superhuman. This machine is built for kids, but rarely do words like "noble," "Hollywood" and "rawkin'" all apply to one movie.
    • 63 Metascore
    • 90 Gregory Weinkauf
    Funny, sad, moving and, above all, astute, making I Capture the Castle a fabulous film. Even the cars are tasty.
    • 91 Metascore
    • 90 Gregory Weinkauf
    An animated extravaganza of Gallic wit and soul that delivers more wild humanity than many of the year's live-action features. In a word: go.
    • 74 Metascore
    • 90 Gregory Weinkauf
    This is a powerhouse of a film, but not for the obvious reasons that it's about a female serial killer, scampering lesbians and whatever. The project's strength instead emerges from a sense of nobility and purpose in honoring its characters.
    • 94 Metascore
    • 90 Gregory Weinkauf
    This astonishingly gritty film maintains its strong niche between Roberto Rossellini's "Open City" and Paul Greengrass' "Bloody Sunday" as a pinnacle of war-torn neo-realist drama.
    • 49 Metascore
    • 90 Gregory Weinkauf
    This is a brilliant and unpretentious movie to raise the bar for contemporary popular entertainment, designed for the upper-tier thinkers at the multiplex.
    • 71 Metascore
    • 90 Gregory Weinkauf
    This may sound an eensy bit hyperbolic, but dig: Mayor of the Sunset Strip is the greatest rock-and-roll movie of all time.
    • 75 Metascore
    • 90 Gregory Weinkauf
    This roaring crowd-pleaser also boasts hilarious bits of business, insightful observations into the human condition, and geysers of kitschy computer-generated blood.
    • 64 Metascore
    • 90 Gregory Weinkauf
    Fry establishes himself as an inspired, world-class talent behind the camera and delivers my favorite film of the year thus far.
    • 75 Metascore
    • 90 Gregory Weinkauf
    Provides a smart, insightful prologue to the career of the man who continues to inspire countless people around the world.
    • 80 Metascore
    • 90 Gregory Weinkauf
    A beautiful and timeless achievement, Conrad Rooks' 1972 adaptation of Herman Hesse's appropriation of East Indian mythology still entrances.
    • New Times (L.A.)

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