For 416 reviews, this critic has graded:
  • 32% higher than the average critic
  • 2% same as the average critic
  • 66% lower than the average critic
On average, this critic grades 9.2 points lower than other critics. (0-100 point scale)

Hank Stuever's Scores

  • TV
Average review score: 55
Highest review score: 100 Breaking Bad: Season 4
Lowest review score: 0 The Mob Doctor: Season 1
Score distribution:
  1. Negative: 77 out of 416
416 tv reviews
    • 72 Metascore
    • 80 Hank Stuever
    This plot sounds laughably bizarre, but Hit & Miss has a strikingly strong sense of pace and character.
    • 65 Metascore
    • 80 Hank Stuever
    Political Animals verges right up to the edge of ludicrous with the right combination of salty-sweet and silly-smart.
    • 64 Metascore
    • 80 Hank Stuever
    The mind reels with possibility, and even hope, which is why we keep coming back to stories like these.
    • 80 Metascore
    • 80 Hank Stuever
    It's all so real it verges on the mundane, but the show is also strong and necessary medicine for these times.
    • 67 Metascore
    • 80 Hank Stuever
    People who think the Kennedy cake has been overfrosted surely won't fall for it, even though the film is undeniably moving. No one in the film tells all, certainly not Ethel.
    • 74 Metascore
    • 80 Hank Stuever
    Most of History of the Eagles is rich in detail and bemused reflection, perhaps because sobriety has worked wonders on some of the band members’ sense of recall. Frey, Walsh and Don Henley are wonderful storytellers.
    • 66 Metascore
    • 80 Hank Stuever
    Bates Motel turns out to be a worthy reimagining of the Norman Bates story.
    • 70 Metascore
    • 80 Hank Stuever
    One girds oneself for some serious hammer time when an opening fight scene of History’s compelling and robust new drama series, Vikings, delivers all the expected gore and blood spatter.
    • 76 Metascore
    • 80 Hank Stuever
    In the Flesh skillfully navigates several genres at once, all of them heavy, none of them comic.
    • 86 Metascore
    • 80 Hank Stuever
    It’s mainly an intelligent crime drama, and a real step forward for Sundance, which is bringing more original programming to its slate. As slow as it seems to go at first, you’ll be surprised at how quickly you’re addicted.
    • 80 Metascore
    • 80 Hank Stuever
    A fresh and even stirring reminiscence.
    • 79 Metascore
    • 80 Hank Stuever
    A fascinating new PBS documentary.
    • 77 Metascore
    • 80 Hank Stuever
    It has a seamless and almost hypnotic quality to its narrative, and it’s easily one of the best debuts this year.
    • 92 Metascore
    • 80 Hank Stuever
    It is a uniquely rendered creepshow that specializes in meaningful silences, emotional stress and dour moods. In so doing, it takes its place among recent miniseries that artfully elude their genres.
    • 73 Metascore
    • 80 Hank Stuever
    An engaging, hour-long documentary.
    • 62 Metascore
    • 80 Hank Stuever
    I think the show is a fitting document for our times, good or bad. Mostly (oddly) good.
    • 77 Metascore
    • 80 Hank Stuever
    We have to take the good things about Boardwalk Empire (the acting, the authenticity in its exquisite details and most of the writing) along with the bad (the repetitiveness, the plodding).
    • 71 Metascore
    • 80 Hank Stuever
    Our Nixon is mainly a collage of images and sounds that tell a familiar story in an entirely new and mesmerizing way.
    • 88 Metascore
    • 80 Hank Stuever
    The Flag is precisely the sort of film we should be making and watching at this particular distance from the attacks.
    • 81 Metascore
    • 80 Hank Stuever
    Burton and Taylor is intelligently winnowed down to a moment in time, firmly planting itself in the last days of disco.
    • 88 Metascore
    • 80 Hank Stuever
    The first five episodes of Season 2 are as good or better as what we saw in Season 1.
    • 40 Metascore
    • 80 Hank Stuever
    I admit to being underwhelmed by some of Lilley’s previous efforts, but Ja’mie is an enjoyably sick wallow in the evil that lurks in adolescence, as well as a formidable exercise in extreme portraiture.
    • 72 Metascore
    • 80 Hank Stuever
    Weirdly enough, Getting On (adapted from the original BBC series) is a witheringly efficient work of satire, easily confident about the humanity and absurdity it’s trying to portray.
    • 77 Metascore
    • 80 Hank Stuever
    Vikings exceeds expectations, so long as those expectations aren’t up in “Game of Thrones” territory. What could be a silly exercise in quasi-historical swordplay is instead an earnest, tightly told family drama.
    • 71 Metascore
    • 80 Hank Stuever
    Review is one of Comedy Central’s most effortless and truly funny new shows in a while.
    • 65 Metascore
    • 80 Hank Stuever
    The show delivers on an exceedingly intriguing premise, with some of the most beguilingly morose performances delivered this year. It’s a strange but good wallow.
    • 62 Metascore
    • 80 Hank Stuever
    You’re the Worst immediately finds what all comedies hope for: character chemistry and a certain zing to the writing, transcending its naughtiest nature with a disarming taste of sweetness.
    • 76 Metascore
    • 80 Hank Stuever
    Though not as artfully constructed as Penny Lane’s excellent documentary “Our Nixon,” which aired last year on CNN, Nixon by Nixon is similarly judicious in its use of visuals and old footage.
    • 64 Metascore
    • 75 Hank Stuever
    Even with a lavish two-hour premiere, Terra Nova could stand to slow down and admire the world it has taken us to--Earth, 85 million years ago. Still and all, it's a dazzling debut, with a variety of compelling mysteries to get itself going.
    • 70 Metascore
    • 75 Hank Stuever
    Suburgatory displays a polished sense of humor and a better cast than it deserves, which makes it worth a look.