James Berardinelli
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For 2,796 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 5.9 points higher than other critics. (0-100 point scale)

James Berardinelli's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 The Untouchables
Lowest review score: 0 Feast
Score distribution:
2,796 movie reviews
    • 52 Metascore
    • 50 James Berardinelli
    Too much in Nacho Libre doesn't work to enable me to recommend it to anyone except a card-carrying member of the Jack Black fan club.
    • 49 Metascore
    • 50 James Berardinelli
    The sloppiness of the ending doesn't only damage The Black Dahlia, it sinks the project.
    • 49 Metascore
    • 50 James Berardinelli
    If movies were rated solely on the basis of style, The Quick and the Dead would score highly indeed. With its dazzling photography, inventive camera angles, and throbbing bass score, the film is an experience for the eyes and ears. Director Sam Raimi and cinematographer Dante Spinotti have woven a beautifully elaborate tapestry: colorful and evocative -- and depressingly two-dimensional.
    • 45 Metascore
    • 50 James Berardinelli
    The end result, while it provides moments of kinetic entertainment, is too repetitive and uneven to be satisfying.
    • 36 Metascore
    • 50 James Berardinelli
    It's amazing how a lifeless, pointless remake can provoke pangs of nostalgia about a mediocre movie.
    • 33 Metascore
    • 50 James Berardinelli
    We believe the dislike at the onset but not the romance at the payoff. And that's a major flaw.
    • 53 Metascore
    • 50 James Berardinelli
    There's nothing in The Guardian that audiences haven't previously been exposed to ad nauseam.
    • 51 Metascore
    • 50 James Berardinelli
    Someone please get director Ric Roman Waugh a tripod! Snitch might be a passable action-thriller but it's hard to say because every time an action scene comes along, the image shakes so badly it's impossible to keep anything in view or focus.
    • 45 Metascore
    • 50 James Berardinelli
    What a waste of a talented cast! There are times when it can be depressing to see so much acting potential wasted on a script unable to elicit the best from its stars, and this is one such occasion.
    • 42 Metascore
    • 50 James Berardinelli
    The story told by Jackson's The Lovely Bones is the same as the one related by Sebold, but it lacks the complexity and empathy evident in the book.
    • 56 Metascore
    • 50 James Berardinelli
    There's no shortage of candidates for the fatal flaw: the artificial storyline; the presence of a ridiculously cliched character; the lack of chemistry between illicit lovers. Blaming one of these problems is probably unfair. The movie's failure is likely based on a fusion of all these, and perhaps a few others.
    • 40 Metascore
    • 50 James Berardinelli
    If not for Bornedal's stylish approach to the material and a couple of effectively chilling sequences, Nightwatch would have been a complete waste of time and effort.
    • 47 Metascore
    • 50 James Berardinelli
    Instead of a satire, they give us a tired, tedious victory-for-the-underdog story, and the unevenness of Ferrell's comedy makes it less appealing.
    • 44 Metascore
    • 50 James Berardinelli
    The storyline is all over the place, with numerous unresolved subplots sprouting out of thin air and being left hanging (presumably to be resolved in future movies).
    • 56 Metascore
    • 50 James Berardinelli
    There are times when the story behind the making of a film is more interesting than the finished product. This is one of those occasions.
    • 44 Metascore
    • 50 James Berardinelli
    "Compelling" is a word one could apply to Jobs - he was a magnetic figure - but it doesn't describe this movie. "Average" might even be a stretch, and that's something of an insult to the man whose story it tells.
    • 30 Metascore
    • 50 James Berardinelli
    There's nothing in Alex Cross that argues another installment is warranted, but much will depend on whether Tyler Perry's audience crosses over and continues to follow him in this new, very different role.
    • 70 Metascore
    • 50 James Berardinelli
    From that point on, the movie becomes distressingly predictable, with nary a surprise to be found.
    • 27 Metascore
    • 50 James Berardinelli
    A sloppy, poorly focused comedy.
    • 50 Metascore
    • 50 James Berardinelli
    Jack Reacher has the distinction of being little more than it initially appears to be: a clumsily condensed mystery/thriller novel made into a movie that offers little more than every other clumsily condensed mystery/thriller novel made into a movie.
    • 56 Metascore
    • 50 James Berardinelli
    The problem with the movie, whose title compresses "religious" and "ridiculous" into a single word, isn't that it milks more than one sacred cow but that it does so with minimal subtlety and intelligence.
    • 37 Metascore
    • 50 James Berardinelli
    For those with a burning curiosity to know how "The Lord of the Rings" as directed by Michael Bay might look, Wrath of the Titans provides an idea. This is epic fantasy for teenage boys as only Hollywood can do it: with plenty of grotesque monsters and big explosions replacing characters and narrative.
    • 52 Metascore
    • 50 James Berardinelli
    "Labor" isn't just a word in the title of Jason Reitman's new film, it's a description of what it feels like to sit through the movie.
    • 45 Metascore
    • 50 James Berardinelli
    In the final analysis, The Expendables is little more than an ordinary, uninspired action feature.

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