James Mottram
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For 60 reviews, this critic has graded:
  • 61% higher than the average critic
  • 5% same as the average critic
  • 34% lower than the average critic
On average, this critic grades 7.4 points higher than other critics. (0-100 point scale)

James Mottram's Scores

  • Movies
  • TV
Average review score: 67
Highest review score: 100 Looper
Lowest review score: 40 The Other Woman
Score distribution:
  1. Positive: 27 out of 60
  2. Negative: 0 out of 60
60 movie reviews
    • 84 Metascore
    • 100 James Mottram
    The best sci-fi movie since "Moon." The best time-travel yarn since "12 Monkeys." And one of the best films of 2012. You'll immediately want to see it again.
    • 75 Metascore
    • 100 James Mottram
    Utterly gripping. Aided by two punchy lead turns, an Oscar-worthy script and stunning in-car footage, Howard’s race film delivers top-gear drama. A piston- and heart-pumping triumph.
    • 96 Metascore
    • 100 James Mottram
    A stunning space saga that takes off for new technical frontiers without leaving its humanity behind.
    • 37 Metascore
    • 80 James Mottram
    Leaner, meaner, and far superior to 2010's Clash cock-up. From top-grade 3D to a multitude of monsters and a welcome influx of acting talent, this is pure popcorn pleasure.
    • 81 Metascore
    • 80 James Mottram
    The finale, as Ai's Twitter tirades lead to a serious human-rights breach, will make your blood boil.
    • 73 Metascore
    • 80 James Mottram
    Even if it lacks a stand-out turn it's still a grippingly authentic slice of life.
    • 67 Metascore
    • 80 James Mottram
    Smart, literate and romantic, it's this year's (500) Days Of Summer, but with a few more shadows. Like Calvin, you'll find it hard to resist Ms Sparks.
    • 84 Metascore
    • 80 James Mottram
    A surreal head-scratcher that'd make Luis Buñuel smile, it may not be perfectly formed, but there's no denying its fierce originality.
    • 50 Metascore
    • 80 James Mottram
    A superior thriller, with Cruise and McQuarrie slotting together like a bullet in a clip. Like Reacher on the firing range, the aim isn't always true – but the misses are fractional.
    • 58 Metascore
    • 80 James Mottram
    To The Wonder doesn’t quite live up to the sky-high expectations set by his earlier films. But it’s still a brave, soul-stirring and sensitive work.
    • 72 Metascore
    • 80 James Mottram
    Utterly assured, breathtakingly executed and riotously funny, this is a delight.
    • 73 Metascore
    • 80 James Mottram
    Dolan never flinches across this bold, brassy piece; it’s confidently directed, stylishly shot, passionately acted and evocatively scored.
    • 62 Metascore
    • 80 James Mottram
    Funny, twisty and thrilling, this is shellhead’s most entertaining solo flight to date. It’s also an impressive pace-setter for this summer’s barrage of big movies.
    • 60 Metascore
    • 80 James Mottram
    Kneel before shannon. His primal, powerhouse turn drives this criminal biopic. the film won’t win any prizes for originality, but its star proves he’s a real man of steel.
    • 66 Metascore
    • 80 James Mottram
    Smartly executed, endlessly quotable and machine-gun quick, this is one of the funniest films of 2013. Accessible for Partridge novices and hugely rewarding for the faithful.
    • 68 Metascore
    • 80 James Mottram
    If the Collette/Carell reunion suggests Little Miss Sunshine, it’s not quite that crowd-pleasing. But, crafted with much TLC and sympathy, it’s perfectly tailored to the tongue-tied teen in us all.
    • 74 Metascore
    • 80 James Mottram
    Capturing the essence of the source novel, this is a superior adult drama. Harrowing, heartbreaking but utterly compelling.
    • 81 Metascore
    • 80 James Mottram
    Full of ear-pleasing lines and obscure R&B tunes, it’s colourful, casual and full of flavour. An unexpected treat.
    • 56 Metascore
    • 80 James Mottram
    With McAvoy acting as if his life depends on it, Filth is the Irvine Welsh film we’ve been waiting years for. Tastier than a deep-fried Mars Bar.
    • 73 Metascore
    • 80 James Mottram
    The result? An accomplished, bittersweet drama that's more bitter than sweet.
    • 77 Metascore
    • 80 James Mottram
    Maverick director James Toback (Fingers) and Alec Baldwin front this frequently hilarious insider doc.
    • 36 Metascore
    • 80 James Mottram
    Gormican’s script is the film’s big strength; the dialogue fizzes while the set-pieces pay off handsomely.
    • 69 Metascore
    • 80 James Mottram
    Denis’ sparse story delivers details on a need-to-know basis, right up to the finale. Strong on atmos, thanks to Tindersticks’ score, it’ll chill you to the core.
    • 63 Metascore
    • 80 James Mottram
    Ozon keeps the melodrama at bay to deliver a typically subversive study of growing pains. And in Vacth he’s found a real star-in-waiting.
    • 85 Metascore
    • 80 James Mottram
    As their early fights give way to growing respect, it’s a beautifully calibrated relationship, with small moments gradually building into something much bigger. A gem.
    • 46 Metascore
    • 80 James Mottram
    Not as groundbreaking as the original, nor as expansive as all the best sequels are. But with some excellent cast additions, and Miller on murky form, this still sizzles to the touch.
    • 55 Metascore
    • 80 James Mottram
    Rude, crude and packed with more laughs than Jay’s had lovers (6,004, apparently), Inbetweeners fans will lap this up. All this, and a killer twist at the end.
    • 69 Metascore
    • 60 James Mottram
    With Hill on co-scripting duties with Scott Pilgrim scribe Michael Bacall, 21 Jump Street was always going to live or die by its gags. Fortunately, it boasts that sweet-yet-dirty comedy that Hill revels in.
    • 63 Metascore
    • 60 James Mottram
    Reversing his "Take Shelter" role, Michael Shannon convinces as her grounded husband and "Mad Men's" John Slattery offers good support as a fellow vet. But this is Cardellini's film, and she dominates with a terrific, tough-minded turn.
    • 55 Metascore
    • 60 James Mottram
    With Yakin's all-action plot operating like clockwork, an on-song Statham proves anything but expendable in a genre he dominates. Predictable, sure, but equally pleasurable.