Jeannette Catsoulis
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For 980 reviews, this critic has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 2.7 points lower than other critics. (0-100 point scale)

Jeannette Catsoulis' Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 Virunga
Lowest review score: 0 The Tiger and the Snow
Score distribution:
980 movie reviews
    • 70 Metascore
    • 60 Jeannette Catsoulis
    Before our eyes, Laura’s lengthening limbs and deepening introspection become the point of a movie that begins with a child and ends with a young woman.
    • 63 Metascore
    • 60 Jeannette Catsoulis
    This fairly rote tale of rural ghouls and their passing-through prey has its own hick charm, mostly because of performers who never overplay their hands.
    • 47 Metascore
    • 60 Jeannette Catsoulis
    Matty Beckerman’s Alien Abduction repackages ancient legend for modern audiences in a found-footage story of streamlined efficiency.
    • 48 Metascore
    • 60 Jeannette Catsoulis
    The approach is cheerfully candid and the humor often sly... Yet this midlife confessional could have reached beyond the maternal cravings of highly educated, urban-dwelling singletons had it plumbed people’s heads as thoroughly as Ms. Davenport’s birth canal.
    • 41 Metascore
    • 60 Jeannette Catsoulis
    Splinterheads gains traction from an eclectic cast that knows how to work a line.
    • 17 Metascore
    • 60 Jeannette Catsoulis
    Reveling in the vivid Bangkok locations, Geoff Boyle’s photography is crisp and bright, and Dion Lam’s action choreography unusually witty.
    • 77 Metascore
    • 60 Jeannette Catsoulis
    In stark contrast to their furry, blundering star, the makers of Paddington have colored so carefully inside the lines that any possibility of surprise or subversion is effectively throttled.
    • 66 Metascore
    • 60 Jeannette Catsoulis
    Though leaving us with many more questions than answers, this well-intentioned blur of accusations, advertising clips and pink-washed events nevertheless deserves to be seen.
    • 61 Metascore
    • 60 Jeannette Catsoulis
    Harnessing the twin virtues of drollness and economy, Mr. Tully keeps scenes brief and melodrama on the margins.
    • 37 Metascore
    • 60 Jeannette Catsoulis
    P2
    Swift and stealthy P2 is a canny exploitation of one of the urban woman’s greatest fears: the after-hours parking garage. Throw in a car that won’t start, a creepy security guard and a filmmaking team with perfect synchronicity, and the result is a minimalist nightmare.
    • 45 Metascore
    • 60 Jeannette Catsoulis
    The movie's lack of subtlety is countered by an unswerving commitment to impartiality.
    • 46 Metascore
    • 60 Jeannette Catsoulis
    Harks back to the drive-in classics of yesteryear with unapologetic nostalgia and undisguised affection.
    • 68 Metascore
    • 60 Jeannette Catsoulis
    That stink, like iffy contracts and child labor laws, remains unexplored. Filled with blind eyes and unspoken agreements, Girl Model opens a can of worms, then disdains to follow their slimy trails.
    • 56 Metascore
    • 60 Jeannette Catsoulis
    Filming over four years and tracking several cases, the Brazilian director Jorge W. Atalla favors a fevered shooting style that's repetitious and disorienting but also effortlessly dramatic.
    • 51 Metascore
    • 60 Jeannette Catsoulis
    The plot favors simplicity over rationality with a cheerful insouciance that’s hard to dislike.
    • 59 Metascore
    • 60 Jeannette Catsoulis
    As guileless and eager as the most avid fan, Gunnin’ is neither cautionary nor analytical, allowing its insights to occur organically and without fancy camera moves.
    • 57 Metascore
    • 60 Jeannette Catsoulis
    This witty first feature is a flawed but diverting meditation on finding inspiration while losing your soul.
    • 27 Metascore
    • 60 Jeannette Catsoulis
    Female-empowerment fantasy or just plain prurience, "Grave" is extremely efficient grindhouse. If there is any message here at all, it's don't mess with a novelist: being creative is her job.
    • 65 Metascore
    • 60 Jeannette Catsoulis
    Letters transforms a picture-postcard location and odd-couple narrative into a pretty, and pretty predictable, snooze. Yet the acting is flawless, the tone gentle and observational, and Leila's transformation, when it occurs, is unforced and unaccompanied by pious lecturing.
    • 57 Metascore
    • 60 Jeannette Catsoulis
    Kim Chapiron, proves an excellent choreographer of brutality...But without a strong political point (unlike its source material), Dog Pound feels hollow and hopeless.
    • 40 Metascore
    • 60 Jeannette Catsoulis
    Sharp yet overdetermined, Blumenthal doesn’t breathe naturally — it’s a comedy in a box. Just not a box that everyone will want to open.
    • 47 Metascore
    • 60 Jeannette Catsoulis
    The story is unremarkable, but its execution zings.
    • 55 Metascore
    • 60 Jeannette Catsoulis
    Part rockumentary, part howl of outrage, Screamers would have benefited from less concert film and more historical background.
    • 51 Metascore
    • 60 Jeannette Catsoulis
    A strange synergy of old and new, My Bloody Valentine 3D blends cutting-edge technology and old-school prosthetics to produce something both familiar and alien: gore you can believe in.
    • 44 Metascore
    • 60 Jeannette Catsoulis
    Drawing much of its energy from an eclectic and fully integrated soundtrack, Skills Like This gazes indulgently on 20-something aimlessness and the comfort of assigned roles. In Mr. Miranda's hands sloth can be more appealing than you might think.
    • 62 Metascore
    • 60 Jeannette Catsoulis
    Low-key and low-tech, Lunch coasts on the earned wisdom of pros who know how to work a room. Right up to the arrival of their separate checks.
    • 54 Metascore
    • 60 Jeannette Catsoulis
    Though the enjoyable prickliness of the film's early scenes soon dissolves into cozy solutions, a sturdy supporting cast - even Ron Leibman's scenery-chewing turn as Laura's blowhard father is more amusing than annoying - balances the scales.
    • 49 Metascore
    • 60 Jeannette Catsoulis
    One part hagiography and two parts psychotherapy. Together they showcase a talent both formidable and erratic, its bright and shining peaks sliding inexplicably into valleys of disaster.
    • tbd Metascore
    • 60 Jeannette Catsoulis
    Trying to gather too much into his net, Mr. Stewart gets a little lost, but his bottom line could not be clearer: When the oceans die, so do we.
    • 67 Metascore
    • 60 Jeannette Catsoulis
    A granola ode to natural childbirth that makes you want to hop into a tub of warm water and start pushing.

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