Jeannette Catsoulis
Select another critic »
For 1,004 reviews, this critic has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 3.1 points lower than other critics. (0-100 point scale)

Jeannette Catsoulis' Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 The Dirties
Lowest review score: 0 The Abduction of Zack Butterfield
Score distribution:
1,004 movie reviews
    • 41 Metascore
    • 60 Jeannette Catsoulis
    That it eventually - if barely - succeeds is due more to the resilience of its actors than to the discipline of its makers.
    • 62 Metascore
    • 60 Jeannette Catsoulis
    Though at times too determined to avoid dramatic highs and lows, Little Girl strikes gold in the casting of the 2-year-old Asia Crippa.
    • 47 Metascore
    • 60 Jeannette Catsoulis
    The film leans almost exclusively on the focused performances of its two leads, who create a credibly barbed chemistry that goes a long way toward distracting us from the film's low-budget deficiencies.
    • 58 Metascore
    • 60 Jeannette Catsoulis
    Lads & Jockeys conveys first-race terrors and last-place humiliation with indulgent thoroughness.
    • 63 Metascore
    • 60 Jeannette Catsoulis
    Somehow the happy screams of children whirling above a neutered reactor sound a lot less comforting than they should.
    • tbd Metascore
    • 60 Jeannette Catsoulis
    Though speckled here and there with uneasy comedy, Toll Booth is a psychological pressure cooker that could blow its lid at any moment.
    • tbd Metascore
    • 60 Jeannette Catsoulis
    Ms. Howe is frequently riveting: a scene in which she repeatedly, and with waxing abuse, drunk-calls her former husband (an excellent Keith Allen) may make more than a few viewers squirm in recognition.
    • 53 Metascore
    • 60 Jeannette Catsoulis
    Little more than a showcase for Mr. Quint - whose acting is almost as toneless as his playing is sublime - this trite, sunny drama pins lengthy musical interludes onto the flimsiest of narratives and hopes for the best.
    • 63 Metascore
    • 60 Jeannette Catsoulis
    Moments of insight flare like fireflies and disappear, whether from underfinancing or overambition is unclear. Either way, this maddening mind game is likely to be more enthusiastically received in philosophy classrooms than in the multiplex.
    • 66 Metascore
    • 60 Jeannette Catsoulis
    Though leaving us with many more questions than answers, this well-intentioned blur of accusations, advertising clips and pink-washed events nevertheless deserves to be seen.
    • 54 Metascore
    • 60 Jeannette Catsoulis
    Documenting the vigorous strategies employed by the Dole Food Company to block the release of his 2009 film "Bananas!" - about a lawsuit brought by Nicaraguan workers who suspected the company's use of dangerous pesticides - the Swedish filmmaker Fredrik Gertten gains traction by taking the high road.
    • 68 Metascore
    • 60 Jeannette Catsoulis
    That stink, like iffy contracts and child labor laws, remains unexplored. Filled with blind eyes and unspoken agreements, Girl Model opens a can of worms, then disdains to follow their slimy trails.
    • 52 Metascore
    • 60 Jeannette Catsoulis
    Despite on-point performances (especially from the hilarious Mr. Wodianka), the story (by Tomasz Thomson, who also directs) is too pitted with holes and loose ends to permit the film a bump from meh to marvelous.
    • 69 Metascore
    • 60 Jeannette Catsoulis
    Augmented by a trove of archival footage reaching back to the 1930s, Jesse Feldman's buoyant cinematography merges political history and sports mania into a triumphant timeline.
    • 65 Metascore
    • 60 Jeannette Catsoulis
    In My Mother's Arms takes a distressing snapshot of an ongoing struggle.
    • 62 Metascore
    • 60 Jeannette Catsoulis
    Low-key and low-tech, Lunch coasts on the earned wisdom of pros who know how to work a room. Right up to the arrival of their separate checks.
    • 60 Metascore
    • 60 Jeannette Catsoulis
    This spare first feature from the Irish filmmaker Ciaran Foy (drawing on his own experiences) has an atavistic pulse, evoking a decaying society where elevators fail and bus drivers cower behind mesh grills.
    • 53 Metascore
    • 60 Jeannette Catsoulis
    This brisk reimagining of the 1984 slasher "Silent Night, Deadly Night" delivers the seasonal goods with admirable efficiency and not a little wit.
    • 51 Metascore
    • 60 Jeannette Catsoulis
    Poking the bear of repression has consequences beyond Mr. Zahedi's immediate artistic goals, as this layered, intermittently fascinating documentary makes abundantly clear.
    • 67 Metascore
    • 60 Jeannette Catsoulis
    A granola ode to natural childbirth that makes you want to hop into a tub of warm water and start pushing.
    • 71 Metascore
    • 60 Jeannette Catsoulis
    A documentary that yearns to be an adventure movie, Stolen Seas can't resist drowning its invaluable insights in thundering, drum-heavy music and flashing visuals. Magnificent in its thoroughness and nuance, this dense, multifaceted study of Somali piracy really needs to settle down.
    • 74 Metascore
    • 60 Jeannette Catsoulis
    Vividly depicting the indignities of the flesh, Porfirio offers a harshly sensual portrait of a man imprisoned by paralysis and the callousness of the state.
    • 48 Metascore
    • 60 Jeannette Catsoulis
    Simon Dennis’s photography is glossy and crisp, and a lengthy foot chase — making excellent use of the National Gallery — is inventively choreographed. And if the villains are little more than fireplugs in balaclavas, the violence they provoke is satisfyingly vicious.
    • 54 Metascore
    • 60 Jeannette Catsoulis
    Cheerless and voyeuristic, Clip (which was banned in Russia) seems a sincere attempt to portray a lost and disaffected generation. But the film’s brutally honest parade of callous behavior and casual, almost cruel sex has a depressing prurience that wears you down.
    • 57 Metascore
    • 60 Jeannette Catsoulis
    Kim Chapiron, proves an excellent choreographer of brutality...But without a strong political point (unlike its source material), Dog Pound feels hollow and hopeless.
    • 57 Metascore
    • 60 Jeannette Catsoulis
    This witty first feature is a flawed but diverting meditation on finding inspiration while losing your soul.
    • 62 Metascore
    • 60 Jeannette Catsoulis
    Unearthing a decent sample of these former members, as well as a wealth of archival film and photographs, the directors elicit testimony that’s diversely sharp, spacey, nostalgic and heartbreaking.
    • 39 Metascore
    • 60 Jeannette Catsoulis
    The violence is quick and occasionally inventive, with little of the attenuated nastiness that characterizes so many genre pictures, and the photography ranges from brightly sun-kissed to down-and-dirty.
    • 63 Metascore
    • 60 Jeannette Catsoulis
    This fairly rote tale of rural ghouls and their passing-through prey has its own hick charm, mostly because of performers who never overplay their hands.
    • 59 Metascore
    • 60 Jeannette Catsoulis
    A little wan but a lot likable, Gustavo Ron’s Ways to Live Forever is a forthright and surprisingly buoyant drama about facing death before you have really lived.

Top Trailers