Jeannette Catsoulis

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For 1,133 reviews, this critic has graded:
  • 50% higher than the average critic
  • 3% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 4.5 points lower than other critics. (0-100 point scale)

Jeannette Catsoulis' Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 My King
Lowest review score: 0 Tied to a Chair
Score distribution:
1133 movie reviews
    • 60 Metascore
    • 70 Jeannette Catsoulis
    Everybody loves a do-over, but this could become tedious were it not for the undeniable chemistry of the two leads, whose dialogue crackles like cellophane.
    • 63 Metascore
    • 70 Jeannette Catsoulis
    In Kit’s world the absent father (a familiar theme from girls' novels including "Little Women" and "A Little Princess") is an epidemic, and the picture makes this the impetus for children's resourcefulness and emotional development.
    • tbd Metascore
    • 70 Jeannette Catsoulis
    Interweaving Inuit life today with re-enactments of the culture 100 years ago, People of a Feather warmly portrays a cold, uncertain present and a worrying future.
    • 52 Metascore
    • 70 Jeannette Catsoulis
    Though powerfully acted and dazzlingly shot (by Walter Carvalho) in heavenly black and white, Heleno is a feverish opera that, like its doomed antihero, loses vitality much too soon.
    • tbd Metascore
    • 70 Jeannette Catsoulis
    An unusually perceptive scrutiny of absence and emptiness.
    • 68 Metascore
    • 70 Jeannette Catsoulis
    Patiently and delicately, Ms. Trachtman teases out the tricky dynamics of a family dealing with a disabled child.
    • 73 Metascore
    • 65 Jeannette Catsoulis
    Starring flying debris and surging walls of water, The Impossible takes the template of the old-timey disaster movie, strips it to the bone and pumps what's left up to 11.
    • 61 Metascore
    • 65 Jeannette Catsoulis
    A surpassingly silly monster movie with a side helping of satire, Trollhunter beckons mainly for its stunning Norwegian scenery and slyly effective government-bashing.
    • 69 Metascore
    • 65 Jeannette Catsoulis
    Somber and insubstantial, October nevertheless suggests that the Vega brothers are developing a careful, painterly style. Whether they will be able to match it with narrative depth remains to be seen.
    • 79 Metascore
    • 65 Jeannette Catsoulis
    For all its dazzling allure, Darren Aronofsky's Black Swan, a feverishly psycho thriller set in the hermetic world of classical ballet, proves a meaningless exercise in Grand Guignol exhibitionism.
    • 72 Metascore
    • 60 Jeannette Catsoulis
    By ignoring Israeli voices and focusing only on the immigrants, Mr. Haar has produced a documentary filled with immediacy but free of analysis, a fascinating but ultimately unenlightening record of their plight.
    • 52 Metascore
    • 60 Jeannette Catsoulis
    Knowing but never jaded, Hollywood Dreams is driven by Ms. Frederick's no-boundaries commitment to her broken character, a performance that's as startling as it is touching. In Mr. Jaglom's maverick hands, the appeal of illusion over reality is both fatal and irresistible.
    • 75 Metascore
    • 60 Jeannette Catsoulis
    The plot matters only inasmuch as it allows the returning director, Chad Stahelski, to stage his spectacular fight sequences in various stunning Roman locations, where they unfold with an almost erotic brutality.
    • 59 Metascore
    • 60 Jeannette Catsoulis
    Sarah Silverman burns through the indie drama “I Smile Back” without making the slightest move to gain our sympathy.
    • 51 Metascore
    • 60 Jeannette Catsoulis
    Poking the bear of repression has consequences beyond Mr. Zahedi's immediate artistic goals, as this layered, intermittently fascinating documentary makes abundantly clear.
    • tbd Metascore
    • 60 Jeannette Catsoulis
    Messy in parts and at least 15 minutes too long, Personal Tailor is also cunningly acted and lushly photographed (by Zhao Xiaoshi) in dazzling candy-bright colors.
    • 49 Metascore
    • 60 Jeannette Catsoulis
    The actors are so relaxed and personable that the film’s occasional glibness — and its over-reliance on coincidence to further the cross-pollinating narrative — is easy to let slide.
    • 62 Metascore
    • 60 Jeannette Catsoulis
    Unearthing a decent sample of these former members, as well as a wealth of archival film and photographs, the directors elicit testimony that’s diversely sharp, spacey, nostalgic and heartbreaking.
    • 62 Metascore
    • 60 Jeannette Catsoulis
    What could have been a very funny short film about self-control and befriending your id instead becomes a rambling commentary on father-son dysfunction and the limits of proctology.
    • 54 Metascore
    • 60 Jeannette Catsoulis
    This weirdly engaging tale of banking and bad behavior makes 19th-century China look uncomfortably like 21st-century America.
    • 59 Metascore
    • 60 Jeannette Catsoulis
    A little wan but a lot likable, Gustavo Ron’s Ways to Live Forever is a forthright and surprisingly buoyant drama about facing death before you have really lived.
    • 54 Metascore
    • 60 Jeannette Catsoulis
    Good Dick surmounts its indie-movie quirkiness with exceptional acting and a sincere belief in the salvation of its wounded characters.
    • 48 Metascore
    • 60 Jeannette Catsoulis
    Simon Dennis’s photography is glossy and crisp, and a lengthy foot chase — making excellent use of the National Gallery — is inventively choreographed. And if the villains are little more than fireplugs in balaclavas, the violence they provoke is satisfyingly vicious.
    • 65 Metascore
    • 60 Jeannette Catsoulis
    Mr. Hardy, however, would rather busy himself with reminders of earlier creature features.... Luckily, John Nolan’s old-school effects are wicked good, and Martijn van Broekhuizen’s mossy photography is pleasingly sinister.
    • 37 Metascore
    • 60 Jeannette Catsoulis
    Battling a preposterous plot and second-tier performances that are, at best, serviceable, this roll-along thriller from Scott Mann works its keister off to turn beef jerky into chateaubriand.
    • 33 Metascore
    • 60 Jeannette Catsoulis
    The shocks are short and sharp, the acting is strongest where it counts, and the director of photography, Adam Marsden, washes everything in a swampy green that makes spooks pop.
    • 62 Metascore
    • 60 Jeannette Catsoulis
    Driven less by civic duty than by the need to escape his dreary life, Zebraman is a tragic, touching figure too often obscured by Kankurou Kudo’s hyperactive screenplay and a special-effects team drunk on alien slime.
    • 61 Metascore
    • 60 Jeannette Catsoulis
    Unfolding like a medieval horror movie, Delta is sometimes laughable but often admirable.
    • 55 Metascore
    • 60 Jeannette Catsoulis
    An oddly sterile documentary inspired by a particularly fecund imagination, American: The Bill Hicks Story recounts a bright-burning life while leaving us mostly in the dark.
    • 53 Metascore
    • 60 Jeannette Catsoulis
    Little more than a showcase for Mr. Quint - whose acting is almost as toneless as his playing is sublime - this trite, sunny drama pins lengthy musical interludes onto the flimsiest of narratives and hopes for the best.

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