Jeff Korbelik

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For 157 reviews, this critic has graded:
  • 78% higher than the average critic
  • 2% same as the average critic
  • 20% lower than the average critic
On average, this critic grades 7.3 points higher than other critics. (0-100 point scale)

Jeff Korbelik's Scores

Average review score: 74
Highest review score: 100 Marvel's Luke Cage: Season 1
Lowest review score: 16 Secrets and Lies: Season 1
Score distribution:
  1. Negative: 9 out of 157
157 tv reviews
    • 76 Metascore
    • 100 Jeff Korbelik
    The series is fun, scary and a perfect tribute to the era, including the spot-on hairdos and clothes.
    • 67 Metascore
    • 100 Jeff Korbelik
    Netflix has been hit (“Master of None”) and miss (“The Ranch”) with its comedies. This one falls in the former category, and will leave you “hungry” for more episodes.
    • 57 Metascore
    • 100 Jeff Korbelik
    The comedy pokes appropriate fun at the superhero genre and is one of the freshest sitcoms to come along in a long time.
    • 82 Metascore
    • 100 Jeff Korbelik
    The third season picks up right where the the other two left off, with more suspenseful tales “exploring themes of contemporary techno paranoia.”
    • 70 Metascore
    • 100 Jeff Korbelik
    The good news is the limited series is just as entertaining.
    • 91 Metascore
    • 91 Jeff Korbelik
    There are times when the dialogue is rough and doesn’t flow quite right, but not enough to overshadow the humor. Ansari has a gem of a show here.
    • 79 Metascore
    • 91 Jeff Korbelik
    Aldon is a hoot. Her character Sam is rough around the edges, which makes her extremely relatable. The series hits its stride in episode two when Sam speaks at her middle daughter’s school about female empowerment.
    • 72 Metascore
    • 91 Jeff Korbelik
    The comedy, and there’s a bunch of it, comes from the support group members--as you can imagine, nobody believes their stories--and the aliens, who generate some very, very funny and spot-on workplace humor in a spaceship setting.
    • 61 Metascore
    • 83 Jeff Korbelik
    This one’s worth watching for Richard Dreyfus’ performance as the scheming con man, Bernie Madoff.
    • 75 Metascore
    • 83 Jeff Korbelik
    Bloodline unfolds like a good novel. It’s so well acted, that like a good book, it’s hard to stay away from it
    • 69 Metascore
    • 83 Jeff Korbelik
    Burns gives us a good old-fashioned crime tale, just the kind of thing we need to end our summer.
    • 61 Metascore
    • 83 Jeff Korbelik
    It’s creepy, especially when the children talk to the unseen Drill.
    • 64 Metascore
    • 83 Jeff Korbelik
    This is over-the-top. And extremely fun. And here’s hoping Wyle recurs often.
    • 54 Metascore
    • 83 Jeff Korbelik
    While action scenes from such military fare as “The Last Ship” come off as a bit hokey, that’s not the case with Six. The combat looks and feels real. That’s a credit to the Broyles. With TV veterans Goggins and Sloane, the acting’s on par with action.
    • 67 Metascore
    • 83 Jeff Korbelik
    What Cuse and Tucker have done best is maintain the eerie tone and feel from the original.
    • 74 Metascore
    • 83 Jeff Korbelik
    Like “Mars,” part of iZombie’s appeal is the banter among the characters.
    • 69 Metascore
    • 83 Jeff Korbelik
    The series is an examination of wealth-and-power politics, with Lewis and Giamatti playing their roles devilishly well, with an emphasis on the devil part. It’s juicy good fun.
    • 60 Metascore
    • 83 Jeff Korbelik
    It’s been a “24”-like thrill ride so far, with baddies coming at the ship right and left to get their hands on the doc and the in-the-works cure.
    • 81 Metascore
    • 83 Jeff Korbelik
    The draw here is watching how unraveling the mystery results in Dory finding herself and taking charge of her life. She just needed a little prompting.
    • 51 Metascore
    • 83 Jeff Korbelik
    It’s entertaining, mainly because all the characters are just so darn likable. Earl, particularly, is a hoot.
    • 73 Metascore
    • 83 Jeff Korbelik
    It has the look and feel of a sweeping “Game of Thrones” kind of epic filled with romance, intrigue and violence.
    • 69 Metascore
    • 83 Jeff Korbelik
    The thrill comes not from the actual computer building, but the people doing the building. These characters are complex and well-developed, especially Pace’s fiery exec, who is a mesmerizing manipulator.
    • 52 Metascore
    • 83 Jeff Korbelik
    StartUp is a thinking-person’s thriller, along the lines of USA’s “Mr. Robot.” Ketai delves into greed, corruption, violence and more, and none of his characters are immune to any of it.
    • 83 Metascore
    • 83 Jeff Korbelik
    While the first episode lacks development of any of the characters outside of Kunta Kinte, a young man taken from Africa and sold into slavery in the United States, it still resonates. It’s a story that needs to be told again.
    • 65 Metascore
    • 83 Jeff Korbelik
    In “Fargo,” Thornton’s character was pure evil, but in Goliath he's just flawed--despicable at times, but with a good heart that shows often as he pursues justice against his old law firm and partner. This one’s quite bingeworthy.
    • 37 Metascore
    • 83 Jeff Korbelik
    George is the reason to tune in. She’ll be the reason why you keep coming back.
    • 65 Metascore
    • 83 Jeff Korbelik
    The humor results from its realism and the blossoming relationship between father and son. Here's hoping this one sticks around.
    • 61 Metascore
    • 83 Jeff Korbelik
    Turn is a heart-racer at times. That’s the sign of a thriller done well.
    • 55 Metascore
    • 83 Jeff Korbelik
    What’s extremely effective is the relationship (and chemistry) between Sequoyah and McLaughlin. You will find yourself rooting for them and hoping nothing comes between them.
    • 56 Metascore
    • 83 Jeff Korbelik
    There are lots of sight gags here, with many of them involving the very funny Rhys Darby.

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