For 542 reviews, this critic has graded:
  • 65% higher than the average critic
  • 3% same as the average critic
  • 32% lower than the average critic
On average, this critic grades 3.7 points lower than other critics. (0-100 point scale)

Joe Leydon's Scores

  • Movies
Average review score: 55
Highest review score: 100 Knocked Up
Lowest review score: 0 Movie 43
Score distribution:
  1. Negative: 75 out of 542
542 movie reviews
    • tbd Metascore
    • 70 Joe Leydon
    A low-key charmer that's bound to enchant small children and amuse their parents during many hours of repeat viewings.
    • tbd Metascore
    • 70 Joe Leydon
    Sometimes shaky, sometimes smooth handheld DV lensing (by Drews and Krybus) gives the pic an immediacy that greatly enhances its dramatic and emotional impact.
    • 68 Metascore
    • 80 Joe Leydon
    Key to drama's success is the artful underplaying by Kurt Russell in the lead role of Herb Brooks.
    • 68 Metascore
    • 70 Joe Leydon
    The final destination is entirely predictable — right down to the deus ex machina reappearance of an erstwhile antagonist — but the trip itself is never less than pleasant, and often extremely funny.
    • 68 Metascore
    • 90 Joe Leydon
    Imagine a live-action version of the "Dilbert" comic strip with a touch of Hal Hartley's deadpan absurdism, and you're ready for the frequently uproarious "Office Space."
    • 67 Metascore
    • 70 Joe Leydon
    Segel makes an engaging impression throughout Forgetting Sarah Marshall, gamely making himself the butt of many jokes that involve Peter's non-macho proclivities.
    • 67 Metascore
    • 60 Joe Leydon
    A beautifully lensed but ploddingly paced tribute.
    • 67 Metascore
    • 80 Joe Leydon
    Koepp does a masterful job of grounding his intimations of the supernatural in a totally persuasive down-to-earth context.
    • 67 Metascore
    • 70 Joe Leydon
    The Prisoner is in many ways a justifiably angry film, simmering with moral outrage. But it is also -- surprisingly, maybe even amazingly -- hopeful.
    • 66 Metascore
    • 80 Joe Leydon
    An ingeniously twisted mockumentary.
    • 66 Metascore
    • 70 Joe Leydon
    Skillfully entwines stories of three young women drifting in and out of a Jersey City juvenile detention center.
    • 66 Metascore
    • 80 Joe Leydon
    Slight but lively sequel. Aimed squarely at moppets with piddling attention spans.
    • 66 Metascore
    • 80 Joe Leydon
    Exceptional performances by two femme leads and sensitive but unsentimental storytelling throughout.
    • 66 Metascore
    • 40 Joe Leydon
    This stunningly shameless follow-up to the 2002 theatrical sleeper (and homdevid mega-seller) offers more of the same -- a lot more -- while repeatedly upping the ante in terms of offensiveness. Which, of course, should greatly -- and profitably -- please is target aud.
    • 66 Metascore
    • 90 Joe Leydon
    Equal parts audacious dark comedy, wish-fulfillment fantasy and over-the-top, tongue-in-cheek action-adventure.
    • 65 Metascore
    • 50 Joe Leydon
    Strong performances, a few dramatically potent scenes and a vividly specific evocation of locale barely offset hackneyed and muddled elements in a script that plays like a first draft.
    • 65 Metascore
    • 70 Joe Leydon
    Sascha Paladino's overlong but engaging doc about banjo virtuoso Bela Fleck's harmonious journey through four African countries.
    • 65 Metascore
    • 80 Joe Leydon
    Intelligent, informative and unusually entertaining documentary errs only when it yanks too insistently on heartstrings while focusing on worst-case scenarios involving desperate debtors driven to suicide.
    • 65 Metascore
    • 70 Joe Leydon
    Deftly maneuvering through audacious mood swings and tonal shifts, The Matador emerges as a quirky yet commercial commingling of black comedy, seriocomic psychodrama, heart-tugging sudser and buddy-movie farce.
    • 65 Metascore
    • 80 Joe Leydon
    Deftly interlaces heart and humor in a witty, warm and well-observed comedy about the unexpected and inconvenient blooming of romance at the weekend gathering of an extended family.
    • 65 Metascore
    • 60 Joe Leydon
    Small children who will accept it as rock-'em, sock-'em excitement with a touch of gender-specific empowerment, and hipper teens and grown-ups who can appreciate the whole thing as a semisatirical hoot.
    • 64 Metascore
    • 50 Joe Leydon
    So insubstantial that it practically evaporates on screen, Pooh's Heffalump Movie likely will play best with toddlers and pre-schoolers easily amused by bright colors, merry songs and lovable, huggable toon animals.
    • 64 Metascore
    • 70 Joe Leydon
    Slow-burning buildup, lack of explicit mayhem and overall low-tech approach may strike cineastes as amusingly quaint.
    • 64 Metascore
    • 70 Joe Leydon
    Riveting portrait of a straight-talking, tough-loving Benedictine nun in charge of a South Bronx home for recovering substance abusers.
    • 64 Metascore
    • 70 Joe Leydon
    Has some genuinely amusing moments of dumb and dumber silliness.
    • 64 Metascore
    • 80 Joe Leydon
    Intelligent, involving and intricately plotted thriller.
    • 64 Metascore
    • 70 Joe Leydon
    Filmmakers Andrew Cohn and Davy Rothbart uncover and illuminate a strain of stoic resilience that could be the last best defense against bottomless despair. Unfortunately, as Medora repeatedly suggests, that invaluable resource may not be inexhaustible.
    • 64 Metascore
    • 80 Joe Leydon
    The performances are perfectly attuned to the material, with Koechner dominating his every scene as a kind of demented ringmaster, and Healy adroitly demonstrating the potential for both humor and horror in a character with nothing left to lose.
    • 64 Metascore
    • 70 Joe Leydon
    Richardson, who gracefully sways through a memorable drunk scene, and Quaid, whose megawatt smile has never been more dazzling, are disarmingly charming as the parents. And that's important; if the actors were any less engaging, the audience might not be so forgiving of their characters.
    • 64 Metascore
    • 70 Joe Leydon
    The biggest laughs and most intriguing revelations are provided offstage in this slickly produced documentary, as O'Brien -- often pushing himself to the point of exhaustion before, during and after performances -- plays for keeps while playing for laughs.