For 567 reviews, this critic has graded:
  • 65% higher than the average critic
  • 4% same as the average critic
  • 31% lower than the average critic
On average, this critic grades 4 points lower than other critics. (0-100 point scale)

Joe Leydon's Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Knocked Up
Lowest review score: 0 Movie 43
Score distribution:
  1. Negative: 77 out of 567
567 movie reviews
    • 64 Metascore
    • 70 Joe Leydon
    Riveting portrait of a straight-talking, tough-loving Benedictine nun in charge of a South Bronx home for recovering substance abusers.
    • 64 Metascore
    • 70 Joe Leydon
    Has some genuinely amusing moments of dumb and dumber silliness.
    • 64 Metascore
    • 80 Joe Leydon
    The performances are perfectly attuned to the material, with Koechner dominating his every scene as a kind of demented ringmaster, and Healy adroitly demonstrating the potential for both humor and horror in a character with nothing left to lose.
    • 64 Metascore
    • 80 Joe Leydon
    Intelligent, involving and intricately plotted thriller.
    • 64 Metascore
    • 70 Joe Leydon
    Filmmakers Andrew Cohn and Davy Rothbart uncover and illuminate a strain of stoic resilience that could be the last best defense against bottomless despair. Unfortunately, as Medora repeatedly suggests, that invaluable resource may not be inexhaustible.
    • 64 Metascore
    • 70 Joe Leydon
    Richardson, who gracefully sways through a memorable drunk scene, and Quaid, whose megawatt smile has never been more dazzling, are disarmingly charming as the parents. And that's important; if the actors were any less engaging, the audience might not be so forgiving of their characters.
    • 64 Metascore
    • 70 Joe Leydon
    The biggest laughs and most intriguing revelations are provided offstage in this slickly produced documentary, as O'Brien -- often pushing himself to the point of exhaustion before, during and after performances -- plays for keeps while playing for laughs.
    • 64 Metascore
    • 60 Joe Leydon
    Even though Frakes is back, Star Trek: Insurrection plays less like a stand-alone sci-fi adventure than like an expanded episode of "Star Trek: The Next Generation."
    • 64 Metascore
    • 80 Joe Leydon
    It's meant as high praise to say that, very early in Robots, the extraordinary starts to seem perfectly ordinary.
    • 64 Metascore
    • 50 Joe Leydon
    The picture's dialogue-heavy stretches and ambiguous finale could leave ticketbuyers impatient for less chatter and more chomping.
    • 63 Metascore
    • 70 Joe Leydon
    Brimming with heart and humor -- Drumline is a formulaic crowdpleaser set in the competitive world of university marching bands at predominantly black universities.
    • 63 Metascore
    • 60 Joe Leydon
    The tone of Reel Injun is respectfully serious, though well short of angry, while focusing on how the stereotypical depictions of marauding redskins affected the self-images of Native Americans.
    • 63 Metascore
    • 50 Joe Leydon
    Sarah Silverman: Jesus Is Magic showcases the comic-actress in her familiar on-stage persona as a blithely self-involved Jewish American Princess whose penchant for perky vulgarity can be explosively funny or unnervingly shocking.
    • 63 Metascore
    • 30 Joe Leydon
    Has the unmistakable look and feel of a micro-budget indie produced for a small circle of friends, many of whom are listed in the credits.
    • 63 Metascore
    • 50 Joe Leydon
    There's a potentially fascinating and appreciably more concise 60-minute documentary to be found somewhere amid the uneven and unfocused 88-minute hodgepodge that is Echotone.
    • tbd Metascore
    • 50 Joe Leydon
    Unmistakably sympathetic but mostly even-handed documentary.
    • 63 Metascore
    • 50 Joe Leydon
    Good intentions can't breathe fresh life into cliches or dispel the overall impression of schematic didacticism.
    • 62 Metascore
    • 70 Joe Leydon
    Slickly entertaining documentary.
    • 62 Metascore
    • 60 Joe Leydon
    Martin hits all the right notes while subtly conveying both the appealing sophistication and the purposeful reserve of Ray. But he cannot entirely avoid being overshadowed by Dane's endearingly vulnerable, emotionally multifaceted and fearlessly open performance.
    • 62 Metascore
    • 80 Joe Leydon
    Harvests a bumper crop of laughs.
    • 62 Metascore
    • 70 Joe Leydon
    Fitfully amusing and two leads generate engaging chemistry.
    • 62 Metascore
    • 70 Joe Leydon
    By turns whimsically humorous and intelligently sentimental, but also infused with a pungent air of working-class realism.
    • 62 Metascore
    • 50 Joe Leydon
    Result: An undeniably clever commingling of a new cast (and spoken dialogue) with a silent classic. But pic fails to engage consistently on its own terms, and begins to coast on novelty value around the midway point.
    • 62 Metascore
    • 70 Joe Leydon
    Although it's very much a contemporary yarn, there's a distinctly '70s feel to much of Beautiful Boy.
    • 62 Metascore
    • 50 Joe Leydon
    Sincere but unexceptional.
    • 62 Metascore
    • 80 Joe Leydon
    Smartly written and sprightly played, Sky High satisfies with a clever commingling of spoofy superheroics, school-daze hijinks, and family friendly coming-of-age. dramedydramedy.
    • 62 Metascore
    • 70 Joe Leydon
    Oswald's Ghost impresses as a concise, intelligent and rigorously well-researched piece of work.
    • 62 Metascore
    • 50 Joe Leydon
    A potentially gripping story of empowerment through armed resistance is almost totally undermined by studied, self-conscious storytelling.
    • 61 Metascore
    • 50 Joe Leydon
    A wildly uneven drama, by turns sincere and synthetic.
    • 61 Metascore
    • 70 Joe Leydon
    Ingeniously nasty and often shockingly funny as it incrementally worsens a very bad situation, then provides a potent payoff with the forced feeding of just desserts.

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