For 542 reviews, this critic has graded:
  • 65% higher than the average critic
  • 3% same as the average critic
  • 32% lower than the average critic
On average, this critic grades 3.7 points lower than other critics. (0-100 point scale)

Joe Leydon's Scores

  • Movies
Average review score: 55
Highest review score: 100 High Fidelity
Lowest review score: 0 Movie 43
Score distribution:
  1. Negative: 75 out of 542
542 movie reviews
    • 64 Metascore
    • 60 Joe Leydon
    Even though Frakes is back, Star Trek: Insurrection plays less like a stand-alone sci-fi adventure than like an expanded episode of "Star Trek: The Next Generation."
    • 64 Metascore
    • 80 Joe Leydon
    It's meant as high praise to say that, very early in Robots, the extraordinary starts to seem perfectly ordinary.
    • 64 Metascore
    • 50 Joe Leydon
    The picture's dialogue-heavy stretches and ambiguous finale could leave ticketbuyers impatient for less chatter and more chomping.
    • 63 Metascore
    • 70 Joe Leydon
    Brimming with heart and humor -- Drumline is a formulaic crowdpleaser set in the competitive world of university marching bands at predominantly black universities.
    • 63 Metascore
    • 60 Joe Leydon
    The tone of Reel Injun is respectfully serious, though well short of angry, while focusing on how the stereotypical depictions of marauding redskins affected the self-images of Native Americans.
    • 63 Metascore
    • 50 Joe Leydon
    Sarah Silverman: Jesus Is Magic showcases the comic-actress in her familiar on-stage persona as a blithely self-involved Jewish American Princess whose penchant for perky vulgarity can be explosively funny or unnervingly shocking.
    • 63 Metascore
    • 30 Joe Leydon
    Has the unmistakable look and feel of a micro-budget indie produced for a small circle of friends, many of whom are listed in the credits.
    • 63 Metascore
    • 50 Joe Leydon
    There's a potentially fascinating and appreciably more concise 60-minute documentary to be found somewhere amid the uneven and unfocused 88-minute hodgepodge that is Echotone.
    • tbd Metascore
    • 50 Joe Leydon
    Unmistakably sympathetic but mostly even-handed documentary.
    • 63 Metascore
    • 50 Joe Leydon
    Good intentions can't breathe fresh life into cliches or dispel the overall impression of schematic didacticism.
    • 62 Metascore
    • 70 Joe Leydon
    Slickly entertaining documentary.
    • 62 Metascore
    • 60 Joe Leydon
    Martin hits all the right notes while subtly conveying both the appealing sophistication and the purposeful reserve of Ray. But he cannot entirely avoid being overshadowed by Dane's endearingly vulnerable, emotionally multifaceted and fearlessly open performance.
    • 62 Metascore
    • 80 Joe Leydon
    Harvests a bumper crop of laughs.
    • 62 Metascore
    • 70 Joe Leydon
    Fitfully amusing and two leads generate engaging chemistry.
    • 62 Metascore
    • 70 Joe Leydon
    By turns whimsically humorous and intelligently sentimental, but also infused with a pungent air of working-class realism.
    • 62 Metascore
    • 70 Joe Leydon
    Although it's very much a contemporary yarn, there's a distinctly '70s feel to much of Beautiful Boy.
    • 62 Metascore
    • 50 Joe Leydon
    Sincere but unexceptional.
    • 62 Metascore
    • 80 Joe Leydon
    Smartly written and sprightly played, Sky High satisfies with a clever commingling of spoofy superheroics, school-daze hijinks, and family friendly coming-of-age. dramedydramedy.
    • 62 Metascore
    • 70 Joe Leydon
    Oswald's Ghost impresses as a concise, intelligent and rigorously well-researched piece of work.
    • 61 Metascore
    • 50 Joe Leydon
    A wildly uneven drama, by turns sincere and synthetic.
    • 61 Metascore
    • 70 Joe Leydon
    Ingeniously nasty and often shockingly funny as it incrementally worsens a very bad situation, then provides a potent payoff with the forced feeding of just desserts.
    • 61 Metascore
    • 50 Joe Leydon
    There's a pronounced lack of emotional pay-off that likely will derail any attempts to position Word Wars as an aud-friendly crowd-pleaser with breakout potential comparable to "Spellbound."
    • 61 Metascore
    • 80 Joe Leydon
    A lavishly mounted and appealingly old-fashioned swashbuckler with nary a trace of wink-wink irony or revisionist embellishment.
    • 61 Metascore
    • 80 Joe Leydon
    Sandler (never making a false step while maneuvering though vertiginous mood swings) and Cheadle (deftly commingling instinctive decency with quiet desperation) are individually excellent, and bring out the best in each other. And the picture itself transcends its real but relatively minor flaws to score a satisfyingly potent impact.
    • 61 Metascore
    • 30 Joe Leydon
    Freeway is roadkill. The directorial debut of screenwriter Matthew Bright ("Gun Crazy") is a sophomoric and morally repellent mix of fractured fairy tale, juvenile social satire, bloody mayhem and overstated B-movie melodrama.
    • 61 Metascore
    • 80 Joe Leydon
    Tureaud and Salzberg achieve their potent impact through the straightforward (but clearly admiring) observation of men who band together in battle and, in the film’s emotionally stirring final scenes, mourn their fallen comrades.
    • 60 Metascore
    • 50 Joe Leydon
    Mildly amusing but overly discursive.
    • 60 Metascore
    • 50 Joe Leydon
    Wildly uneven as it doggedly strives (sometimes with obvious strain) to sustain a free-wheeling, anything-goes air of exuberant junkiness.
    • 60 Metascore
    • 70 Joe Leydon
    Writer-director Ciaran Foy skillfully taps into primal fears and urban paranoia to keep his audience consistently unsettled in Citadel, an intensely suspenseful horror-thriller.
    • 60 Metascore
    • 70 Joe Leydon
    A frankly formulaic but raucously entertaining action comedy.