Joe Morgenstern

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For 2,086 reviews, this critic has graded:
  • 42% higher than the average critic
  • 2% same as the average critic
  • 56% lower than the average critic
On average, this critic grades 1 point lower than other critics. (0-100 point scale)

Joe Morgenstern's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Incendies
Lowest review score: 0 The Last Airbender
Score distribution:
2086 movie reviews
    • 42 Metascore
    • 30 Joe Morgenstern
    Still, the action is ponderous too. Mr. Morel is no Kubrick, or Tarantino, just as Mr. Travolta's caricature of John Travolta is no Travolta.
    • 57 Metascore
    • 30 Joe Morgenstern
    Won't kill you, but it could bore you half to death.
    • Wall Street Journal
    • 57 Metascore
    • 30 Joe Morgenstern
    For precursors of Guy's perversity, one would have to go back to W.C. Fields, who made antic art out of his characters' abhorrence of children.
    • 47 Metascore
    • 30 Joe Morgenstern
    There's nothing wrong with the structure of Heartbreakers, but David Mirkin's direction is woefully clumsy -- and the movie's tone is nasty.
    • Wall Street Journal
    • 54 Metascore
    • 30 Joe Morgenstern
    You may wonder if this screen version of the book of the same name is as unfunny and strangely mushy as it seems, but trust your instincts.
    • 45 Metascore
    • 30 Joe Morgenstern
    A saga of static set pieces and strenuously clever notions, this is a fiasco of a film if ever there was one.
    • Wall Street Journal
    • 53 Metascore
    • 30 Joe Morgenstern
    Heart-breakingly awful -- slow, lugubrious, and misconceived to the point of baffling amateurism.
    • Wall Street Journal
    • 44 Metascore
    • 30 Joe Morgenstern
    Stepping is everything in Stomp the Yard, and, dare I say it, a stepping stone to DJ's redemption. The movie itself is redeemed -- slightly -- by its almost touching devotion to the hoary Hollywood traditions of college movies with battling frats, as well as its earnest endorsement of education.
    • Wall Street Journal
    • 48 Metascore
    • 30 Joe Morgenstern
    Penelope was in a trough of trouble before the oink on the script was dry.
    • 45 Metascore
    • 30 Joe Morgenstern
    The IMAX print I saw was so murky as to make you give thanks for the few scenes shot in simple sunlight, the 3-D wasn't worth the bother, and never before have I wanted to chloroform an entire orchestra.
    • 39 Metascore
    • 30 Joe Morgenstern
    Less than the sum of its parts, which were problematic to begin with.
    • 33 Metascore
    • 30 Joe Morgenstern
    No one comes out of Mooseport unscathed -- not Rip Torn, as the president's campaign manager, not Christine Baranski as his avaricious ex-wife. It's a democracy of mediocrity, or worse.
    • Wall Street Journal
    • 33 Metascore
    • 30 Joe Morgenstern
    Five months after Sept. 11, the movie inevitably echoes those events, but in a loud and extremely cheesy way.
    • Wall Street Journal
    • 52 Metascore
    • 30 Joe Morgenstern
    This children's entertainment-grownups beware!-is preoccupied by squishy stuff that includes mud and poop, as well as by syrup that oozes from cabinet drawers.
    • 65 Metascore
    • 30 Joe Morgenstern
    When bad movies happen to good people, the first place to look for an explanation is the basic idea. That certainly applies to My Week With Marilyn, a dubious idea done in by Adrian Hodges's shallow script and Simon Curtis's clumsy direction.
    • 37 Metascore
    • 30 Joe Morgenstern
    Johnny Depp's Tonto wears a dead crow on his head in The Lone Ranger. The star himself carries a dead movie on his shoulders.
    • 68 Metascore
    • 30 Joe Morgenstern
    Mr. Jarecki undercuts his own case -- not just undercuts but carpet-bombs it -- by using the same propaganda techniques he professes to abhor.
    • Wall Street Journal
    • 55 Metascore
    • 30 Joe Morgenstern
    Edge of Darkness was one of the most enthralling, intricate and genuinely thrilling productions in the history of the small screen. The big-screen version--directed by Martin Campbell, who did the original--offers an example of why the studios' numbers often add up, and why, at the same time, so many of today's Hollywood movies leave us cool if not downright cold.
    • 32 Metascore
    • 30 Joe Morgenstern
    Another dim adaptation of a bright comic novel.
    • Wall Street Journal
    • 43 Metascore
    • 30 Joe Morgenstern
    Adam Green's Frozen explores a tiny idea exhaustively, and I mean exhaustively.
    • 51 Metascore
    • 30 Joe Morgenstern
    This clumsy comedy, written and directed by Nancy Meyers, turns an implausible but intriguing premise into a tale of generational collision that reflects dimly on old and young alike.
    • 56 Metascore
    • 30 Joe Morgenstern
    The drama is repetitive rather than resonant, an over-calculated, under-ventilated studio production -- even paranoid thrillers need to breathe -- whose plot machinery grinds grim and coarse.
    • 57 Metascore
    • 30 Joe Morgenstern
    The story is rooted in a political past that never comes to life, and its structure is so cockeyed that we don't even get to see Nick's reaction to a climactic surprise that takes place off-screen. The film was shot by an excellent cinematographer, Adriano Goldman, though you'd never know it from the lighting, which is as flat as the writing.
    • 47 Metascore
    • 30 Joe Morgenstern
    Katherine Heigl carries 27 Dresses when all else fails, which it does with great regularity.
    • 61 Metascore
    • 30 Joe Morgenstern
    A train wreck of mind-numbing proportions.
    • Wall Street Journal
    • 47 Metascore
    • 30 Joe Morgenstern
    The movie's leisurely, elegant setup makes its action payoff seem, by contrast, particularly mechanical, cynical and grotesque.
    • Wall Street Journal
    • 43 Metascore
    • 30 Joe Morgenstern
    The remake has no grace notes, or grace, no nuance, no humanity, no character quirks, no surprises in the dialogue and no humor.
    • 42 Metascore
    • 30 Joe Morgenstern
    Go in with lowered expectations, and expect to have them dashed.
    • Wall Street Journal
    • 33 Metascore
    • 30 Joe Morgenstern
    YEEEEE HAAAAW! They've gone and done it. The feature version of The Dukes Of Hazzard turns a sow's ear into a bigger sow's ear.
    • Wall Street Journal
    • 38 Metascore
    • 30 Joe Morgenstern
    Mr. Gooding is out there in almost every scene, and the destruction of his once-promising career proceeds apace.
    • Wall Street Journal

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