For 1,348 reviews, this critic has graded:
  • 27% higher than the average critic
  • 3% same as the average critic
  • 70% lower than the average critic
On average, this critic grades 12.4 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
  • TV
Average review score: 49
Highest review score: 100 The Dark Knight
Lowest review score: 0 After Earth
Score distribution:
1348 movie reviews
    • 20 Metascore
    • 20 Joe Neumaier
    Irritating and clichéd.
    • 32 Metascore
    • 20 Joe Neumaier
    Paranoia’s twitchiness is like an actual twitch: it’s contrived and clunky, and you forget it in an instant.
    • 43 Metascore
    • 20 Joe Neumaier
    Faith-based audiences may find comfort here, but the film's heavy-handedness is a burden it can't overcome.
    • 52 Metascore
    • 20 Joe Neumaier
    This nothing-new-here documentary presents basketball’s onetime celebrity point guard in unguarded moments. But the result is banal and fawning, with Lin coming off as a pious, charmless subject.
    • 39 Metascore
    • 20 Joe Neumaier
    Thuddingly awful.
    • 25 Metascore
    • 20 Joe Neumaier
    Unfortunately, the whole movie seems constructed just to get the singer/actress into a knock-down catfight, shoehorning one of show business's sexiest entertainers into a scorned-woman role. And even then, the pay-off feels cheap.
    • 40 Metascore
    • 20 Joe Neumaier
    The film is put together too choppily to appreciate the bounce-off-walls athleticism of parkour. That’s a shame, since “District 13” star Belle is known as a founder of the sport.
    • 56 Metascore
    • 20 Joe Neumaier
    It’s slow, lethargic, utterly lacking in charm and undeserving of the Cold War setting that is its best trait.
    • 82 Metascore
    • 20 Joe Neumaier
    The result is a dull, high-minded soap opera.
    • 42 Metascore
    • 20 Joe Neumaier
    Peter Jackson siphoned out all the soulfulness that made the author's combination thriller/afterlife fantasy a best-seller. In its place is a gumball-colored potboiler that's more squalid than truly mournful.
    • 52 Metascore
    • 20 Joe Neumaier
    Its creepy atmosphere aside, Maggie is a slog of the living dead.
    • 68 Metascore
    • 20 Joe Neumaier
    Neighbors stakes its claim in suburban-property cliches. Given the dull, stale results, maybe the end of the world was a better fit.
    • 36 Metascore
    • 20 Joe Neumaier
    Willing as Campbell is to Shatner-ize himself, his movie will appeal only to true believers.
    • 31 Metascore
    • 20 Joe Neumaier
    This slovenly, self-indulgent riff on Charles Bukowski-like fringe-livers has all of the naked harshness of Bukowski with none of the poetry. At least Haas gives it a good shot.
    • 62 Metascore
    • 20 Joe Neumaier
    Jamie Bell gives a watchable performance in this self-conscious, coming-of-age drama, though the film's overall effect is best described as David Lynch lite.
    • 61 Metascore
    • 20 Joe Neumaier
    The result: a dangerously cracked creep flick.
    • 21 Metascore
    • 20 Joe Neumaier
    The movie’s gimmick is having the actors visually superimposed over sets created from actual Civil War photographs. But this collage effect, while striving for truthfulness, comes off like a View-Master version of a tale already told.
    • 22 Metascore
    • 20 Joe Neumaier
    Another preachy, overacted message film that owes its out-of-time structure to "21 Grams" and "Babel," except writer-director Charles Oliver uses the idea of restorative justice.
    • 44 Metascore
    • 20 Joe Neumaier
    This kind of thing requires a velvet touch, though director Stanley M. Brooks hits only hammer-heavy notes.
    • 53 Metascore
    • 20 Joe Neumaier
    Sadly, for 99% of its running time, this muddled sci-fi drama is filled with enough overplotting, bad acting and riddle-speak dialogue to stop a clock.
    • 44 Metascore
    • 20 Joe Neumaier
    The Losers is simply a lot of low blows, telegraphed each and every time.
    • 43 Metascore
    • 20 Joe Neumaier
    Frozen is good for five minutes of "What would you do if?" games. Then it's just stiff as a board.
    • 41 Metascore
    • 20 Joe Neumaier
    The movie even makes night-vision-goggle scares more irksome, a rare feat.
    • tbd Metascore
    • 20 Joe Neumaier
    Director John Polson's elliptical storytelling style quickly becomes an irritant.
    • 27 Metascore
    • 20 Joe Neumaier
    Someone forgot to put anything fantastic into Fantastic Four.
    • 33 Metascore
    • 20 Joe Neumaier
    This would-be satire earns an E for Effort for wanting to be to the advertising world what “Being There” was to television.
    • 42 Metascore
    • 20 Joe Neumaier
    The concept is the same, and just as tired as it was when the second, third and fourth sequels to “Paranormal Activity’s” 2009 first installment.
    • 32 Metascore
    • 20 Joe Neumaier
    If you're not an 11-year-old boy, or a grown-up in the mood to feel like one, the endless "wow!-that-car-is-now-a-deep-voiced-robot" scenes lack thrill. In fact, the action scenes, as in the previous films, are downright headache-inducing.
    • 29 Metascore
    • 20 Joe Neumaier
    Only natural spitfire Spacek, as the pickup-driving mom of the land, feels fresh. There's even a mouthy kid Garity is "taking care of" - guess whose son he is?
    • 39 Metascore
    • 20 Joe Neumaier
    A lot of Aftershock predictably involves screaming or shock cuts, and the movie features a blink-and-you-miss-it cameo from Selena Gomez.

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