For 1,169 reviews, this critic has graded:
  • 26% higher than the average critic
  • 2% same as the average critic
  • 72% lower than the average critic
On average, this critic grades 10.8 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
  • TV
Average review score: 49
Highest review score: 100 Blackfish
Lowest review score: 0 I'm Still Here
Score distribution:
1,169 movie reviews
    • 26 Metascore
    • 20 Joe Neumaier
    Director James Keach's movie is so annoyingly dipsy-doodle that TV veteran Bilson, trying hard to look haunted and angsty, is boxed in.
    • 53 Metascore
    • 20 Joe Neumaier
    This is perhaps for Shakespeare completists only.
    • 36 Metascore
    • 20 Joe Neumaier
    I Am Number Four, with its gangly title, seems like a dimwitted cousin to those hipper properties - a Superman-come-lately tale of puppy love, extraordinary powers and puberty that's duller than a chalkboard and less powerful than an extraneous Jonas brother.
    • 43 Metascore
    • 20 Joe Neumaier
    Faith-based audiences may find comfort here, but the film's heavy-handedness is a burden it can't overcome.
    • 29 Metascore
    • 20 Joe Neumaier
    The amazingly awful dramatic thriller Red Riding Hood could, with tweaks, be enjoyably bad in a "Plan 9 From Outer Space" kind of way. Instead, it's M. Night Shyamalan-style bad, which means despite all the unintentional snickers, you feel trapped.
    • 63 Metascore
    • 20 Joe Neumaier
    There's a reason potboiler paperbacks don't make good movies - there's too much outlandish plot, even for Hollywood.
    • 60 Metascore
    • 20 Joe Neumaier
    Trust - a drama about the dangers of teen sexting and online predators - plays as prurient, ham-handed and amateurish.
    • 36 Metascore
    • 20 Joe Neumaier
    This Arthur is missing a soul.
    • 23 Metascore
    • 20 Joe Neumaier
    Alba certainly tries her best at portraying not just a beauty but also a beautiful mind, yet very few things add up despite director Marilyn Agrelo's efforts.
    • 45 Metascore
    • 20 Joe Neumaier
    Any way you slice it, writer-director Spencer Susser's movie is bad company, full of wanna-be-outrageous anecdotes from the fringe.
    • 61 Metascore
    • 20 Joe Neumaier
    This is what happens when the Norwegians try to make their own "Blair Witch Project": We get three-headed trolls that hate Vitamin D and references to "Deliverance."
    • 36 Metascore
    • 20 Joe Neumaier
    Well-meaning but dreadfully executed movie.
    • 62 Metascore
    • 20 Joe Neumaier
    Director Michel Leclerc's comedy plays like one of those foreign-movie spoofs Jerry and the gang would go to see on a "Seinfeld" episode. Only here, there's no "young girl's journey from Milan to Minsk" - just from madcap to moronic.
    • 53 Metascore
    • 20 Joe Neumaier
    Has raw action and urgent performances, but loses power due to an amateur approach.
    • 30 Metascore
    • 20 Joe Neumaier
    A children's comedy about talking animals that feels as if it were written by children or, perhaps, by talking animals.
    • 38 Metascore
    • 20 Joe Neumaier
    Carpenter's economical but mundane chiller is possessed more by previous ghoul-friend flicks than it is by his better work.
    • 66 Metascore
    • 20 Joe Neumaier
    Alas, this learned woman of letters - her expertise became the work of Dostoyevsky, whose major novels Geier nicknames "the five elephants" - is ill served by a trudging approach and dry-as-dust, procedural style.
    • 82 Metascore
    • 20 Joe Neumaier
    The result is a dull, high-minded soap opera.
    • 36 Metascore
    • 20 Joe Neumaier
    With the most growling and grunting of any movie this summer - and that includes those apes perched atop the box office - Conan the Barbarian seems at times to have actually been made by barbarians.
    • 49 Metascore
    • 20 Joe Neumaier
    As clichés trot through their sessions - it's like "In Treatment" as bedroom farce - we check out. Huppert, though, is as fearless as ever.
    • 28 Metascore
    • 20 Joe Neumaier
    These World Wrestling Entertainment-produced movies are a world unto themselves: Cliché-ridden B-flicks anchored by monstrously huge grapplers giving acting their all.
    • 55 Metascore
    • 20 Joe Neumaier
    3
    Rois has moments of desperate urgency and depth, but Twyker's love of parallels is finally done in by artsy shots of the threesome au naturel against stark white backdrops.
    • 25 Metascore
    • 20 Joe Neumaier
    A ridiculously cheesy confection filled with unthrilling thrills, bored-looking adults and a comically overstuffed backstory.
    • 41 Metascore
    • 20 Joe Neumaier
    Broomfield's point that Palin followers threaten her enemies, though, is worthy of a different documentary - perhaps one about American fanaticism.
    • 28 Metascore
    • 20 Joe Neumaier
    It should surprise no one that visually quirky, graphic-novelish, pulp-noir action flicks rarely come through the sausage machine intact.
    • 49 Metascore
    • 20 Joe Neumaier
    Rote, dull and point-blank obvious.
    • 53 Metascore
    • 20 Joe Neumaier
    Sadly, for 99% of its running time, this muddled sci-fi drama is filled with enough overplotting, bad acting and riddle-speak dialogue to stop a clock.
    • 17 Metascore
    • 20 Joe Neumaier
    Finding a fresh setting for a comedy is difficult, but a Renaissance fair is too broad a target.
    • 33 Metascore
    • 20 Joe Neumaier
    Though this family film is slick and well-intentioned, it comes off as shallow as a prom committee meeting.
    • 57 Metascore
    • 20 Joe Neumaier
    Though Julia Leigh's surprisingly dull debut is meant to present the mysteries of a troubled young woman, you're more likely to wonder why its star, Emily Browning, is drawn to such demeaning roles.