For 1,348 reviews, this critic has graded:
  • 27% higher than the average critic
  • 3% same as the average critic
  • 70% lower than the average critic
On average, this critic grades 13.1 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
  • TV
Average review score: 49
Highest review score: 100 Toy Story 3
Lowest review score: 0 Apollo 18
Score distribution:
1348 movie reviews
    • 81 Metascore
    • 60 Joe Neumaier
    Upstream Color is weird, but it’s worth the time.
    • 81 Metascore
    • 80 Joe Neumaier
    As in "Purple Rose," the film works best when tweaking the disparate worlds thrown together, though "Midnight" is frothier, and so Wilson shines.
    • 81 Metascore
    • 100 Joe Neumaier
    If a documentary can be both alarming and oddly reassuring, it's the gripping splash of cold cinematic water Racing Extinction.
    • 81 Metascore
    • 80 Joe Neumaier
    A memorable, monstrous fable that's consistently gripping.
    • 80 Metascore
    • 20 Joe Neumaier
    Like a worst-case-scenario, indie-movie cliché, Wendy and Lucy throws every bone it can at the screen.
    • 80 Metascore
    • 60 Joe Neumaier
    This unhurried, novelistic movie is worth looking into.
    • 80 Metascore
    • 60 Joe Neumaier
    Sadly suffers from more than a dollop of boredom. Like the ornate dollhouse that plays a part, "Arrietty" is lovely and well-appointed, but filled with only what you bring to it.
    • 80 Metascore
    • 60 Joe Neumaier
    Lars von Trier's end-of-days drama Melancholia feels as if it's something from another world...but even by his standards this remote yet lovely funereal dirge is in its own orbit.
    • 80 Metascore
    • 80 Joe Neumaier
    Filled with striking images and the ghosts of lives lived in hardship and war, Incendies is tough but impactful.
    • 80 Metascore
    • 60 Joe Neumaier
    This quiet drama is not for everyone. It may not even be for fans of Hungarian auteur Bela Tarr, whose spare, naturalistic films can be, well, trying. (The director has said that "Horse" will be his final film.)
    • 80 Metascore
    • 80 Joe Neumaier
    To capture the artistic process in this way is extraordinary, and in many ways unprecedented. The scenes are not shot in documentary style, but flow with bits of inspiration, conflict and nuance. We see and listen to some of the era’s greatest songs being made.
    • 80 Metascore
    • 80 Joe Neumaier
    A wonderfully entertaining, beautiful Western drama that lets the quirks of the genre gallop freely as it keeps a tight rein throughout.
    • 80 Metascore
    • 80 Joe Neumaier
    This macabre-yet-moving Argentinian drama from director Juan Jose Campanella is nuanced and full of intelligence and emotion; just when you think you have a bead on it, it gently swerves into richer places.
    • 80 Metascore
    • 80 Joe Neumaier
    Entertaining, smart and snappy, this terrific doc, a Sundance favorite, digs into the country's use of steroids and how it affects sports, pop culture and the self-image of young men.
    • 80 Metascore
    • 60 Joe Neumaier
    What Room 237 is really about is how movies inspire passion. Which is a great thing, even if it comes out in wack-job ways.
    • 80 Metascore
    • 40 Joe Neumaier
    Fans of Dario Argento and Mario Bava will appreciate the references. Even for newcomers, there are minor chords to enjoy. If only there were less screaming.
    • 80 Metascore
    • 60 Joe Neumaier
    Director Kiyoshi Kurosawa is better known for horror films; this is a movie where the horror is internalized, and hideously truthful.
    • 80 Metascore
    • 60 Joe Neumaier
    Though it’s more testimonial exhibit than movie, “Unjust” remains a crucial document.
    • 80 Metascore
    • 40 Joe Neumaier
    Certainly, the West Memphis 3 deserve more chances to detail how the justice system went nightmarishly awry. But take this as ultimately more personal journal than investigation.
    • 79 Metascore
    • 60 Joe Neumaier
    His years of success aren't as gripping as Kapadia, and Senna's legend, would have us believe. He had no demons besides fame, and no hurdles besides a recklessness that went with the territory.
    • 79 Metascore
    • 80 Joe Neumaier
    The deliberate pace Mungiu employs in this incredible work is so engrossing and quietly heartbreaking that its philosophical ending may come as a shock.
    • 79 Metascore
    • 60 Joe Neumaier
    It's strange to call a film with so much nudity and simulated sex "old-fashioned," but The Sessions nicely bridges that gulf.
    • 79 Metascore
    • 80 Joe Neumaier
    Oduye, especially, is utterly absorbing. Even in those few moments when the movie follows a slightly more straightforward line than it needs, she is always engagingly, beautifully real.
    • 79 Metascore
    • 60 Joe Neumaier
    If you're looking for an incisive portrait of self-generated stardom, you won't do better than this.
    • 79 Metascore
    • 80 Joe Neumaier
    Here, in his best performance since "Spider," Fiennes plays the snarling, entitled general Caius Martius Coriolanus, whose bloody brow and bald head are stained with what's left of his soldiers.
    • 79 Metascore
    • 100 Joe Neumaier
    Chandor (“All is Lost”) has made a movie that quietly but ferociously immerses us in a time and place, with atmosphere done in minimal yet evocative strokes.
    • 79 Metascore
    • 100 Joe Neumaier
    Fincher is a fearless filmmaker who understands his audience’s intelligence (not to mention their cinematic blood lust). By the end of Gone Girl, we feel like we’ve lived through about four movies, not just one. Good luck letting go of any of them.
    • 79 Metascore
    • 80 Joe Neumaier
    The finished "Ring" cycle, a combination of "myth, science and legend" made to order as Wagner imagined it, was unique to every viewer's eye. The making of it will be spellbinding to everyone.
    • 79 Metascore
    • 60 Joe Neumaier
    Scott Thomas breathes more emotion into Juliette's affectless, haunted demeanor than most actors do with pages of dialogue.
    • 79 Metascore
    • 80 Joe Neumaier
    By far the most rousing, expertly cast movie this year, David O. Russell's movie takes a roundabout way of telling its true story.

Top Trailers