For 753 reviews, this critic has graded:
  • 59% higher than the average critic
  • 4% same as the average critic
  • 37% lower than the average critic
On average, this critic grades 7 points higher than other critics. (0-100 point scale)

Joe Williams' Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 Senna
Lowest review score: 25 Endless Love
Score distribution:
  1. Negative: 59 out of 753
753 movie reviews
    • 76 Metascore
    • 75 Joe Williams
    This Swedish sensation is a magic trick that jolts the murder-mystery genre back to life.
    • 75 Metascore
    • 88 Joe Williams
    Rango is iconic like a spaghetti Western, smart like a '70s conspiracy thriller and lively like a Coen brothers comedy.
    • 75 Metascore
    • 63 Joe Williams
    Although this Swedish vehicle is thoughtfully engineered and has some vivid streaks of color, it could use a jump start to escape the vanilla ice.
    • 75 Metascore
    • 63 Joe Williams
    While the rich people who violated a dead antagonist's wishes seem sleazy (especially when they refuse to be interviewed), transporting world-class artwork five miles to a bigger facility where more people can enjoy it hardly seems like the end of civilization as we know it.
    • 75 Metascore
    • 100 Joe Williams
    An exciting cloak-and-dagger thriller.
    • 75 Metascore
    • 88 Joe Williams
    He’s like a globe-trotting Richard Linklater. And with Winterbottom’s first-ever sequel, his “Trip” films now rival Linklater’s “Before” series in charting how a twosome evolves over time. Plus, they’re bloody hilarious.
    • 75 Metascore
    • 75 Joe Williams
    After we hear the hit parade that poured from rural Alabama and meet the men who led it to the top of the charts, we realize that Muscle Shoals could call itself Hitsville, USA.
    • 75 Metascore
    • 88 Joe Williams
    Kristen Wiig is the best sketch comic alive, and Bridesmaids should finally make her a movie star.
    • 75 Metascore
    • 75 Joe Williams
    The troupe's first film in more than a decade, is a more aggressively absurd antidote to what it calls "a hard, cynical world." Happily, it works.
    • 75 Metascore
    • 88 Joe Williams
    An evolutionary leap forward, a visually exquisite film that doesn't ignore the truths of pollution and predatory survival.
    • 75 Metascore
    • 63 Joe Williams
    The ingredients are in place for a potent finale, but “Catching Fire” is watered down.
    • 75 Metascore
    • 88 Joe Williams
    The most exhilarating film of the year is also the most exhausting.
    • 75 Metascore
    • 88 Joe Williams
    Co-directors Andrew Droz Palermo and Tracy Droz Tragos let the painful stories emerge naturally, without prodding questions or talking-head experts who place the boys’ grim lives in the larger context of the post-industrial economy.
    • 75 Metascore
    • 75 Joe Williams
    The macabre comedic undertones are reminiscent of a Coen brothers film like "Blood Simple." But a more apt comparison is to an obscure Canadian bank-heist flick called "The Silent Partner," in which teller Elliot Gould pockets some loot from thief Christopher Plummer. Both movies imitate an American idiom with a provincial accent.
    • 74 Metascore
    • 75 Joe Williams
    This deadpan police story produces unexpected chills.
    • 74 Metascore
    • 63 Joe Williams
    Like other so-called "mumblecore" movies, including Bronstein's own "Frownland," this is an unnervingly intimate glimpse of dysfunction, with a shaky-cam aesthetic and seemingly improvised dialogue.
    • 74 Metascore
    • 75 Joe Williams
    There are three sides to most love stories: his, hers and the truth. But on London's Fleet Street, the three sides are his, hers and the tabloids'.
    • 74 Metascore
    • 75 Joe Williams
    In a poignant and potentially depressing film, it’s redeeming to see that when they are with their kindred spirits, even the saddest skeletons can dance.
    • 74 Metascore
    • 75 Joe Williams
    While the big-headed, spindly puppets don't evoke enough emotion to make the movie a must-see, Burton's 3-D design team pours its heart into the monochrome surroundings, from the suburban décor to Victor's laboratory to the carnival midway.
    • 74 Metascore
    • 75 Joe Williams
    How could you not marvel at a movie that includes a revisionist explanation of the JFK assassination, a football stadium floating over the White House and the sight of Richard Nixon firing a .45 at a villain in a Christ-figure pose?
    • 74 Metascore
    • 75 Joe Williams
    Like "Gone, Baby, Gone," the French film Polisse succeeds by shifting the focus from the victims to the vigilant protectors.
    • 74 Metascore
    • 63 Joe Williams
    Christopher Nolan's "Memento" was a movie-lover's dream come true, a puzzle that was engaging both intellectually and emotionally. But his Inception is a wake-up call, a blaring reminder that cheap tricks can't compensate for personal investment.
    • 74 Metascore
    • 88 Joe Williams
    One part personal mystery and one part art-appreciation class.
    • 74 Metascore
    • 75 Joe Williams
    Although Tomboy is as tightly constructed as a short story and as seemingly straightforward as a documentary, the parable about a small fib that grows out of control is so rooted in the rich soil of sexual identity that it entangles us.
    • 74 Metascore
    • 75 Joe Williams
    When the smoke clears, heady Farewell stands tall among the movies that view the Cold War at close range.
    • 74 Metascore
    • 63 Joe Williams
    Bully is a good start to a necessary conversation, but its loving voice is likely to be drowned out by haters who hide their own wounded hearts behind Internet pseudonyms and broadcast microphones.
    • 74 Metascore
    • 63 Joe Williams
    For all its professionalism, I found it as cold as the ice rink at Rockefeller Center.
    • 74 Metascore
    • 75 Joe Williams
    The first half of the film dusts off some kitschy picket-fence footage and alarmist news reports to invoke an era when homosexual acts were illegal in 49 states, and gays were subjected to arrest, electroshock and sterilization.
    • 74 Metascore
    • 75 Joe Williams
    Because of some sentimental backspin, Affleck doesn't quite hit it out of the park, but he may provoke the green monster of envy in lesser directors.
    • 74 Metascore
    • 75 Joe Williams
    With his actors and crew hewing to the script, the director’s craft is impeccable. His low-light images are suitable for framing, and there’s scarcely a moment of modernity, let alone humor or loose ends, to disrupt the tragic trajectory.

Top Trailers