For 424 reviews, this critic has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 1.6 points higher than other critics. (0-100 point scale)

John DeFore's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Before Midnight
Lowest review score: 10 Raze
Score distribution:
  1. Negative: 33 out of 424
424 movie reviews
    • 77 Metascore
    • 80 John DeFore
    Visually ravishing, thought-provoking and benefitting from just enough playfulness to set it apart from the nature-doc herd, the film is eco-relevant without being at all dominated by climate change, which is only one of many subjects discussed.
    • 83 Metascore
    • 80 John DeFore
    A deeply satisfying pop biopic whose subject's bifurcated creative life lends itself to an unconventional structure.
    • 72 Metascore
    • 80 John DeFore
    A thoughtful, emotionally tricky debut benefitting from two strong lead performances.
    • 67 Metascore
    • 80 John DeFore
    A very funny Kiwi take on vampire lore and its application to the modern world.
    • 77 Metascore
    • 80 John DeFore
    Few who see the picture will fail to be charmed.
    • 78 Metascore
    • 80 John DeFore
    Berg's film is very tightly focused, examining just one arena of abuse and dutifully addressing only cases in which an accuser is willing to appear on camera.
    • 61 Metascore
    • 80 John DeFore
    A quiet stunner of a drama.
    • 90 Metascore
    • 70 John DeFore
    Grim backwoods tale takes its time building momentum.
    • 85 Metascore
    • 70 John DeFore
    In-depth account of Army deployment in an Afghanistan hotspot shows soldiering at its most rugged.
    • 73 Metascore
    • 70 John DeFore
    Horror and cold humor commingle in Dogtooth, a Greek import whose screenwriters approach scenario construction like misanthropic social scientists planning an experiment -- one whose result suggests that governments might want to rethink policies allowing parents to home-school their children.
    • 56 Metascore
    • 70 John DeFore
    Though Carell and Rudd are both saddled with characters that just aren't as interesting as many they've played in the past, the movie benefits from having drawn many gifted comedians to supporting roles.
    • 70 Metascore
    • 70 John DeFore
    Convincingly argued and extremely polished, it has theatrical potential for auds whose reservoir of worry about humanity's future hasn't already run dry.
    • 62 Metascore
    • 70 John DeFore
    Centurion delivers some large-scale action but plays almost like a Roman-era Western in its depiction of a few soldiers trying to get home alive after the slaughter of their comrades.
    • 65 Metascore
    • 70 John DeFore
    Jaw-dropping and surprisingly kind-hearted considering the circumstances.
    • 56 Metascore
    • 70 John DeFore
    A clever DIY comedy that could be this year's "Humpday" for art house audiences in search of characters they recognize from their own lives.
    • 63 Metascore
    • 70 John DeFore
    Entertaining and comprehensive in its account of the man's career.
    • 52 Metascore
    • 70 John DeFore
    Successful to a point (though seemingly unaware of the chuckles it produces in between shrieks), the movie has strong prospects with genre audiences but won't spawn a phenomenon resembling the filmmakers' previous franchise.
    • 55 Metascore
    • 70 John DeFore
    A portrait of the short-lived artist that will move fans while letting the uninitiated witness enough onstage highlights to leave them wanting more.
    • 60 Metascore
    • 70 John DeFore
    A risky bet that pays off solidly, Jodie Foster's much-delayed The Beaver survives its life/art parallels -- thanks to its star, Mel Gibson -- to deliver a hopeful portrait of mental illness that is quirky, serious and sensitive.
    • 76 Metascore
    • 70 John DeFore
    Writer-director Richard Ayoade's feature debut is witty and quirky, with a gripping performance by Paddy Considine.
    • 64 Metascore
    • 70 John DeFore
    One of the things making Goon so enjoyable is its fairy-tale suggestion that all humanity's violent impulses can be exorcized in a Zamboni-groomed ice rink.
    • 72 Metascore
    • 70 John DeFore
    Following up "Humpday" with another low-rent charmer, Lynn Shelton moves from two- to three-character dynamics.
    • 45 Metascore
    • 70 John DeFore
    Moves at an absurd pace and dares anyone above 25 to keep up, yet the stream of genre-hopping jokes and sight gags makes the movie an entertaining ride.
    • 62 Metascore
    • 70 John DeFore
    Nicholas Stoller and Jason Segel's latest collaboration offers a more relatable rom-com scenario while generating laughs that should still satisfy "Forgetting Sarah Marshall" fans.
    • 78 Metascore
    • 70 John DeFore
    Beautifully put together in just about every way, it will be potent stuff on the small screen but deserves its moment in theaters.
    • 64 Metascore
    • 70 John DeFore
    Following the template of documentaries bent on scaring viewers silly, Oasis winds up with a segment pointing to glimmers of hope, one of which addresses the marketing challenge of convincing citizens that recycled waste water is safe for drinking.
    • 70 Metascore
    • 70 John DeFore
    Portrait of Wally may be too narrowly focused for some viewers, but offers an engaging narrative and high-profile subject that should attract audiences at fests and in specialized theatrical bookings.
    • 54 Metascore
    • 70 John DeFore
    Redlegs marks the promising directorial debut of film critic Brandon Harris.
    • 66 Metascore
    • 70 John DeFore
    It's easy to imagine exhibitors running scared from the documentary, but audiences who find it will be rewarded with a serious and provocative film.
    • 66 Metascore
    • 70 John DeFore
    An eye-opener about what it's like to live with a variety of mental illnesses, including obsessive-compulsive disorder -- and, however tenuously, to recover from them.

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