For 473 reviews, this critic has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 1.7 points higher than other critics. (0-100 point scale)

John DeFore's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Before Midnight
Lowest review score: 10 I Kissed a Vampire
Score distribution:
  1. Negative: 35 out of 473
473 movie reviews
    • 79 Metascore
    • 80 John DeFore
    Rising well above the typical making-of feature, the documentary will fascinate buffs when shown alongside the operas themselves.
    • 79 Metascore
    • 80 John DeFore
    Costa's inquiry into that life offers a deeply felt angle on the broader realities of life in Paraguay during the '80s; while the intimate film is unlikely to expand beyond niche theatrical bookings, it will affect many who see it.
    • 79 Metascore
    • 70 John DeFore
    Metalhead is uninterested in caricature or easy laughs, and its embodiment of guitar-hero obsession is one much more closely resembling someone you knew in high school, albeit someone who's had an exceptionally hard time dealing with childhood trauma.
    • 79 Metascore
    • 80 John DeFore
    The birds are not only gorgeous but, as they poke for food and rustle around, entertaining.
    • 79 Metascore
    • 80 John DeFore
    Funny, dark, and riding a very fine line in its depiction of mental illness, it may be the best thing we could hope would emerge from the side of Wiig that gave us Gilly.
    • 78 Metascore
    • 70 John DeFore
    Though it doesn't answer every question it raises and may occasionally confuse the uninitiated, the polished film easily stirs indignation.
    • 78 Metascore
    • 80 John DeFore
    Berg's film is very tightly focused, examining just one arena of abuse and dutifully addressing only cases in which an accuser is willing to appear on camera.
    • 78 Metascore
    • 70 John DeFore
    One of rock's underheralded pioneers gets his due in Beware of Mr. Baker, an affectionate but unfawning portrait that finds the drummer of Cream still keeping the beat despite hardships both institutional and self-inflicted (heavy on the latter).
    • 78 Metascore
    • 80 John DeFore
    The result is uniquely powerful, putting faces and human consequences to a political dispute that seemingly will never end.
    • 78 Metascore
    • 70 John DeFore
    Catherine Gund's Born to Fly works very well as a portrait of a maverick artistic sensibility, even if it will leave some viewers wanting more in terms of performance footage.
    • 78 Metascore
    • 80 John DeFore
    Throughout, the film's subjects convince us they're doing nothing more than being themselves, so much so that a cynical advisor told Sutton he should market his film as a documentary. That label would prepare potential viewers for Pavilion's lack of story, but it would make a lie of the movie's patient, finely drawn loveliness.
    • 78 Metascore
    • 70 John DeFore
    Beautifully put together in just about every way, it will be potent stuff on the small screen but deserves its moment in theaters.
    • 78 Metascore
    • 70 John DeFore
    A perfectly chosen cast sells this unhurried comedy, which flows unconventionally but is still, by a long stretch, the most mainstream-friendly picture Bujalski has made.
    • 78 Metascore
    • 80 John DeFore
    More than most adaptations, this is a film true to Shakespeare's practice of employing all means at hand to keep the crowd entertained.
    • 78 Metascore
    • 80 John DeFore
    Overall, though, the project brings enough good into this rough corner of the world that viewers can walk out with honest cause to be hopeful for its inhabitants.
    • 77 Metascore
    • 70 John DeFore
    Honest and well made but lacking a strong hook.
    • 77 Metascore
    • 80 John DeFore
    Visually ravishing, thought-provoking and benefitting from just enough playfulness to set it apart from the nature-doc herd, the film is eco-relevant without being at all dominated by climate change, which is only one of many subjects discussed.
    • 77 Metascore
    • 70 John DeFore
    A chilly allegory whose antihero is both compelling and repulsive.
    • 77 Metascore
    • 70 John DeFore
    A thoroughly entertaining doc that serves also as a primer on Brand's shockingly successful comedy career and an introduction to his singular personality.
    • 77 Metascore
    • 80 John DeFore
    The feel-good documentary is engaging enough to draw a respectable audience at arthouses, but distribs should work for exposure within communities like the ones this school serves.
    • 77 Metascore
    • 80 John DeFore
    Some of these trekkers are more resilient than others, but all seem to agree there's a high, maybe insurmountable barrier between them and civilians. However sympathetic we are, they say, we can hardly understand what they've been through. High Ground makes that difficult task a little easier.
    • 76 Metascore
    • 70 John DeFore
    Coon and Skousen supply just enough information about the boys' post-Raiders lives to satisfy our curiosity.
    • 76 Metascore
    • 80 John DeFore
    A vital, gripping film.
    • 76 Metascore
    • 50 John DeFore
    Heartfelt but clumsy.
    • 76 Metascore
    • 70 John DeFore
    Sadly believable and benefiting from an unshowy performance by first-timer Gina Piersanti, it will have many viewers eager to see what Hittman does next.
    • 76 Metascore
    • 70 John DeFore
    Talking heads aside, the movie gets a big boost from the wealth of news footage and post-standoff reportage the filmmakers cull from archives.
    • 76 Metascore
    • 70 John DeFore
    Writer-director Richard Ayoade's feature debut is witty and quirky, with a gripping performance by Paddy Considine.
    • 76 Metascore
    • 70 John DeFore
    Ever-curious, self-deprecating about occasions in which his fumbling English keeps him from making questions clear, Gondry works with sweet earnestness to understand his subject and convey that understanding to us.
    • 76 Metascore
    • 60 John DeFore
    Less an investigation into or comprehensive summary of the Penn State sex-abuse scandal than a look at the feelings it elicited, Amir Bar-Lev's Happy Valley is more concerned with the phenomenon of team spirit than any single question of fact or moral judgment.
    • 75 Metascore
    • 70 John DeFore
    A class-conscious Scandinavian crime film whose impact is dulled by some extraneous subplots, DaniƩl Espinosa's Easy Money nevertheless makes a solid vehicle for Joel Kinnaman.

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