For 424 reviews, this critic has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 1.6 points higher than other critics. (0-100 point scale)

John DeFore's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Before Midnight
Lowest review score: 10 I Kissed a Vampire
Score distribution:
  1. Negative: 33 out of 424
424 movie reviews
    • 78 Metascore
    • 70 John DeFore
    One of rock's underheralded pioneers gets his due in Beware of Mr. Baker, an affectionate but unfawning portrait that finds the drummer of Cream still keeping the beat despite hardships both institutional and self-inflicted (heavy on the latter).
    • 78 Metascore
    • 80 John DeFore
    The result is uniquely powerful, putting faces and human consequences to a political dispute that seemingly will never end.
    • 78 Metascore
    • 70 John DeFore
    Catherine Gund's Born to Fly works very well as a portrait of a maverick artistic sensibility, even if it will leave some viewers wanting more in terms of performance footage.
    • 78 Metascore
    • 80 John DeFore
    Throughout, the film's subjects convince us they're doing nothing more than being themselves, so much so that a cynical advisor told Sutton he should market his film as a documentary. That label would prepare potential viewers for Pavilion's lack of story, but it would make a lie of the movie's patient, finely drawn loveliness.
    • 78 Metascore
    • 70 John DeFore
    Beautifully put together in just about every way, it will be potent stuff on the small screen but deserves its moment in theaters.
    • 78 Metascore
    • 80 John DeFore
    More than most adaptations, this is a film true to Shakespeare's practice of employing all means at hand to keep the crowd entertained.
    • 78 Metascore
    • 80 John DeFore
    Overall, though, the project brings enough good into this rough corner of the world that viewers can walk out with honest cause to be hopeful for its inhabitants.
    • 77 Metascore
    • 70 John DeFore
    Honest and well made but lacking a strong hook.
    • 77 Metascore
    • 80 John DeFore
    Visually ravishing, thought-provoking and benefitting from just enough playfulness to set it apart from the nature-doc herd, the film is eco-relevant without being at all dominated by climate change, which is only one of many subjects discussed.
    • 77 Metascore
    • 80 John DeFore
    Few who see the picture will fail to be charmed.
    • 77 Metascore
    • 80 John DeFore
    The feel-good documentary is engaging enough to draw a respectable audience at arthouses, but distribs should work for exposure within communities like the ones this school serves.
    • 77 Metascore
    • 80 John DeFore
    Some of these trekkers are more resilient than others, but all seem to agree there's a high, maybe insurmountable barrier between them and civilians. However sympathetic we are, they say, we can hardly understand what they've been through. High Ground makes that difficult task a little easier.
    • 76 Metascore
    • 80 John DeFore
    A vital, gripping film.
    • 76 Metascore
    • 50 John DeFore
    Heartfelt but clumsy.
    • 76 Metascore
    • 70 John DeFore
    Sadly believable and benefiting from an unshowy performance by first-timer Gina Piersanti, it will have many viewers eager to see what Hittman does next.
    • 76 Metascore
    • 70 John DeFore
    Talking heads aside, the movie gets a big boost from the wealth of news footage and post-standoff reportage the filmmakers cull from archives.
    • 76 Metascore
    • 70 John DeFore
    Writer-director Richard Ayoade's feature debut is witty and quirky, with a gripping performance by Paddy Considine.
    • 76 Metascore
    • 70 John DeFore
    Ever-curious, self-deprecating about occasions in which his fumbling English keeps him from making questions clear, Gondry works with sweet earnestness to understand his subject and convey that understanding to us.
    • 76 Metascore
    • 70 John DeFore
    A chilly allegory whose antihero is both compelling and repulsive.
    • 76 Metascore
    • 60 John DeFore
    Less an investigation into or comprehensive summary of the Penn State sex-abuse scandal than a look at the feelings it elicited, Amir Bar-Lev's Happy Valley is more concerned with the phenomenon of team spirit than any single question of fact or moral judgment.
    • 75 Metascore
    • 70 John DeFore
    A class-conscious Scandinavian crime film whose impact is dulled by some extraneous subplots, DaniƩl Espinosa's Easy Money nevertheless makes a solid vehicle for Joel Kinnaman.
    • 75 Metascore
    • 80 John DeFore
    Frederic Jardin's gripping Sleepless Night maintains a consistently high pitch without growing monotonous.
    • 75 Metascore
    • 70 John DeFore
    The doc happily devotes most of its time to a stylish, energetic account of Hanna's career to date and the impact it has had on a generation of women.
    • 75 Metascore
    • 70 John DeFore
    A deceptively slight film that strikes the right balance between realist family drama and earnestness.
    • 75 Metascore
    • 90 John DeFore
    As funny as the first go-round, more beautiful to look at, and better conceived.
    • 75 Metascore
    • 80 John DeFore
    A trove of great stills and movie footage accompanies the colorful anecdotes, but the film's most consistent pleasure is the way interviewees recall the moments before the tape rolled on an immortal recording.
    • 75 Metascore
    • 70 John DeFore
    A documentary so stuffed with eye-soothing images one prays it can seduce a climate-change skeptic or two.
    • 75 Metascore
    • 60 John DeFore
    Matthew Akers' film is a personally revealing look at an artist most famous for maintaining stone-faced silence for three months.
    • 75 Metascore
    • 70 John DeFore
    The tale is surprising, and directors Carlos Aguilo and Mandy Jacobson blaze right through it -- recounting ins and outs across an entire continent in ways that will challenge most viewers in the West.
    • 74 Metascore
    • 70 John DeFore
    A broken-family melodrama with a minimum of histrionics, Scott McGehee's and David Siegel's What Maisie Knew begins from scenes that will be familiar to most viewers who've witnessed a custody battle. Things get pretty orchestrated from that familiar scenario onward, but never to the point of unbelievability.

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