For 416 reviews, this critic has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 1.4 points higher than other critics. (0-100 point scale)

John DeFore's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Before Midnight
Lowest review score: 10 Gut
Score distribution:
  1. Negative: 32 out of 416
416 movie reviews
    • 77 Metascore
    • 80 John DeFore
    Some of these trekkers are more resilient than others, but all seem to agree there's a high, maybe insurmountable barrier between them and civilians. However sympathetic we are, they say, we can hardly understand what they've been through. High Ground makes that difficult task a little easier.
    • 80 Metascore
    • 80 John DeFore
    Thorny, blood-boiling and finely made.
    • 81 Metascore
    • 80 John DeFore
    Though certainly not for everyone (and not for kids of any age), the regret-tinged film displays a distinctive voice and will be embraced by devotees of offbeat animation.
    • 79 Metascore
    • 80 John DeFore
    The birds are not only gorgeous but, as they poke for food and rustle around, entertaining.
    • 67 Metascore
    • 80 John DeFore
    The effective documentary makes her attitudes and techniques look unarguably commonsensical, for the most part; while many distributors will shy away from such graphic material, the film may thrive in niche bookings and will benefit from enthusiastic word-of-mouth on video.
    • 58 Metascore
    • 80 John DeFore
    Park's unsettling visuals and his handling of the cast make the occasional holes in Wentworth Miller's script practically irrelevant.
    • 57 Metascore
    • 80 John DeFore
    A character-driven take on true-crime fare, Alex Karpovsky's Rubberneck marks a solid dramatic turn for a filmmaker best known for playing comedic parts in indie films like "Tiny Furniture."
    • 78 Metascore
    • 80 John DeFore
    More than most adaptations, this is a film true to Shakespeare's practice of employing all means at hand to keep the crowd entertained.
    • 78 Metascore
    • 80 John DeFore
    Throughout, the film's subjects convince us they're doing nothing more than being themselves, so much so that a cynical advisor told Sutton he should market his film as a documentary. That label would prepare potential viewers for Pavilion's lack of story, but it would make a lie of the movie's patient, finely drawn loveliness.
    • 79 Metascore
    • 80 John DeFore
    Costa's inquiry into that life offers a deeply felt angle on the broader realities of life in Paraguay during the '80s; while the intimate film is unlikely to expand beyond niche theatrical bookings, it will affect many who see it.
    • 68 Metascore
    • 80 John DeFore
    Batmanglij balances emotional tension with practical danger nicely, a must in a story whose activist protagonists can make no distinction between the personal and the political.
    • 76 Metascore
    • 80 John DeFore
    A vital, gripping film.
    • 60 Metascore
    • 80 John DeFore
    Pure joy for Beatles fans and, one guesses, charming enough to seduce some viewers who wouldn't mind never hearing "She Loves You" ever again.
    • 66 Metascore
    • 80 John DeFore
    The good-looking, easygoing doc settles in with its two subjects, offering not just an intimate perspective on the playwright's biography but some touching reflections on the comforts and perils of long-term friendship.
    • 75 Metascore
    • 80 John DeFore
    A trove of great stills and movie footage accompanies the colorful anecdotes, but the film's most consistent pleasure is the way interviewees recall the moments before the tape rolled on an immortal recording.
    • 68 Metascore
    • 80 John DeFore
    A thrill-stuffed sports doc whose daredevil subject will quickly endear himself even to viewers who've never heard his name.
    • 73 Metascore
    • 80 John DeFore
    A mournful testament to a vibrant piece of global film history almost entirely wiped out of existence.
    • 57 Metascore
    • 80 John DeFore
    Choosing it for his debut as director, Bateman demonstrates the same knack for timing and fine shadings of attitude as he does onscreen.
    • 71 Metascore
    • 80 John DeFore
    Steph Green's first feature has more going for it than a solid dramatic turn by Will Forte.
    • 65 Metascore
    • 80 John DeFore
    The ritualized presentation of these disasters... adds up to a kind of unsettling spiritual experience, a communion with the dead that demands the quiet participation of a group
    • 68 Metascore
    • 80 John DeFore
    Very funny at the outset and escalating steadily for most of its brisk running time, the film represents a big win for neophyte screenwriters Andrew J. Cohen and Brendan O'Brien.
    • 72 Metascore
    • 80 John DeFore
    A powerful documentary that reminds those of us who've moved on to other worries that this one is far from finished -- and that a government that proclaimed outrage during the summer of 2010 has seemingly done little to prevent or prepare for another such catastrophe.
    • 70 Metascore
    • 80 John DeFore
    Carbone's script doesn't tell a story so much as watch the fluctuations in emotional energy here, quietly observing activities both directly and indirectly related to the loss. As a director he's patient but never sluggish, taking time to appreciate the still landscapes his characters move through.
    • 64 Metascore
    • 80 John DeFore
    Katz has a clear investment in Healy's character and convincingly depicts his choices as inevitable even when they become anything but.
    • 67 Metascore
    • 80 John DeFore
    Funny, fascinating, and packing a surprisingly poignant twist, the doc will get plenty of free publicity and, for unsqueamish moviegoers, will live up to the hype.
    • 83 Metascore
    • 80 John DeFore
    An elegant meditation on one of the most distinctive bodies of work in contemporary art.
    • 66 Metascore
    • 80 John DeFore
    What moviegoers do get is a film both thoughtful and convincing, sympathetic but not flattering to a man who had just three years after this period's end to make himself immortal.
    • 71 Metascore
    • 80 John DeFore
    It's laugh-packed, self-aware in a manner that lets everyone in on the joke, and goofily satisfying in the action department.
    • 50 Metascore
    • 80 John DeFore
    Sometimes tender, sometimes frantic and always funny, the film's surprising coherence is exemplified in a climactic scene that pairs credible heartbreak with pure slapstick.
    • 52 Metascore
    • 80 John DeFore
    Though some plot elements are pushily therapeutic, they're offset by others whose novelty distinguishes Rudderless from movies of its sort.

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