For 605 reviews, this critic has graded:
  • 43% higher than the average critic
  • 3% same as the average critic
  • 54% lower than the average critic
On average, this critic grades 3 points higher than other critics. (0-100 point scale)

Joshua Rothkopf's Scores

  • Movies
Average review score: 62
Highest review score: 100 A Prophet
Lowest review score: 20 The Rite
Score distribution:
  1. Negative: 42 out of 605
605 movie reviews
    • 59 Metascore
    • 60 Joshua Rothkopf
    It all comes down to the Big Birthday Party and a furious bike ride, which he's clearly done before, in "The 40 Year Old Virgin."
    • 73 Metascore
    • 60 Joshua Rothkopf
    Tuschi leans too far into an admiring position, and you thirst for some commonsense critique. It's all a bit rich.
    • 78 Metascore
    • 60 Joshua Rothkopf
    The film's sociopolitical critique is as dull as a sledgehammer - and maybe on the money - but the truth is far more entertaining.
    • 82 Metascore
    • 60 Joshua Rothkopf
    Comfortable with subtle Proustian detachment, the director has taken another stab at colossal scope, this time getting lost in the cerebral folds.
    • 46 Metascore
    • 60 Joshua Rothkopf
    We might have all felt like lost children for a while, but ten years later, the innocence is shameless.
    • 66 Metascore
    • 60 Joshua Rothkopf
    Breathtaking imagery competes with a scary lack of human interest in this hypnotic, potentially alienating documentary.
    • 59 Metascore
    • 60 Joshua Rothkopf
    The effort - by Vedder & Co., as well as Crowe - is heroic, if not quite persuasive. Legends aren't made of longevity alone, and while you wouldn't wish Kurt Cobain's pain on anyone, you can't help but feel this band survived well past its meaning.
    • 57 Metascore
    • 60 Joshua Rothkopf
    Winterbottom's risks are welcome; it may be time, though, to invest more heart instead of head.
    • 82 Metascore
    • 60 Joshua Rothkopf
    This is textbook Kaurismäki, neither fresh nor unwelcome.
    • 56 Metascore
    • 60 Joshua Rothkopf
    The metafriction between these classic dupes and today's idiots chafes uneasily.
    • 86 Metascore
    • 60 Joshua Rothkopf
    No performances stand out, which is a shame given Affleck's track record with actors. Ultimately, it comes down to a chase to the airport, with a scary Revolutionary Guardsman at the gate.
    • 45 Metascore
    • 60 Joshua Rothkopf
    The film wants to be inspiring, when it might have been cosmic-a far greater ambition. Tossing boats and dreamers, the huge waves perform beautifully.
    • 54 Metascore
    • 60 Joshua Rothkopf
    It's almost cruel to criticize something so essentially lighthearted and disposable, but it must be said that a lot of these jokes feel distinctly recycled, mainly from "Broadway Danny Rose."
    • 67 Metascore
    • 60 Joshua Rothkopf
    Hipsters is also a musical (in an intentionally naive "Absolute Beginners" vein), and while everything looks glinty and gorgeous, the story's political edge is dulled by excessive levity.
    • 46 Metascore
    • 60 Joshua Rothkopf
    "Amadeus" it's not, but as light transitional music, the film-which has Pete Postlethwaite's final performance, as a swishy landlord-is tuneful enough.
    • 64 Metascore
    • 60 Joshua Rothkopf
    West holds your interest with material that should feel like a rip-off of The Shining. If this is mere placeholding until something more ambitious comes along for the rising director, it'll do.
    • 73 Metascore
    • 60 Joshua Rothkopf
    No matter how sincere, Marston's effort also suffers from the lack of a burning lead as he had in Maria's Catalina Sandino Moreno. Fierce acting is a virtue you don't have to travel the world to find - or to lose sight of.
    • 83 Metascore
    • 60 Joshua Rothkopf
    Director Paul Greengrass remains a genius of claustrophobia, yet his better films — "Bloody Sunday," "United 93" and "The Bourne Ultimatum" — all beat with a stronger sense of central identification. He doesn’t have as much to work with this time, and his solution is to slow down the pace. The result is more clarity, but also more monotony.
    • 71 Metascore
    • 60 Joshua Rothkopf
    A middling entry in the growing genre of tragic, never-quite-made-it rocker docs, this doesn't have a bona fide genius at its core (The Devil and Daniel Johnston), nor a compelling clash of Spinal Tap–ready egos (Anvil! The Story of Anvil).
    • 60 Metascore
    • 60 Joshua Rothkopf
    When a movie is this predicated on aping the Coen brothers (effectively, it should be added, in fits and starts), surprise won't be its strong suit.
    • 73 Metascore
    • 60 Joshua Rothkopf
    There's a more courageous profile waiting to be made by someone who understands the man better.
    • 66 Metascore
    • 60 Joshua Rothkopf
    Cigarettes are sucked hungrily by all involved, old and young, in the trashscape of this depressing Australian crime film - a movie that heaps so much dank atmosphere on its suburbanites, you can't help but sigh with relief when events turn to serial killing (finally?).
    • 63 Metascore
    • 60 Joshua Rothkopf
    You watch Dafoe's intelligent hands skillfully setting traps, building fires and squeezing triggers, and wonder if an entire movie might be made of such manly components. Probably not.
    • 72 Metascore
    • 60 Joshua Rothkopf
    The documentary feels preprogrammed when it could have been a real-life Black Swan.
    • 52 Metascore
    • 60 Joshua Rothkopf
    The oddest thing about the movie - and perhaps the asset that will tip it over into the plus column for you - is that it's a bona fide scuzz-Western.
    • 53 Metascore
    • 60 Joshua Rothkopf
    Dreams like Garriott's shouldn't be available only to the highest bidder. If you end up taking the kid in your life to go see it, urge them to start saving their allowance.
    • 65 Metascore
    • 60 Joshua Rothkopf
    The movie looks beautiful, its sublime b&w cinematography signaling a fading dream. And there are touching moments here that you rarely see in docs about professional musicians or celebrities in general.
    • 53 Metascore
    • 60 Joshua Rothkopf
    Sinister has so much going for it - adult psychology, a great bitchfest of a marital meltdown - that you wince when it finally makes some rather dull choices involving the supernatural.
    • 60 Metascore
    • 60 Joshua Rothkopf
    It exists in fits and starts: a Blade Runner–esque moment of rainy contemplation on a hotel balcony; some weird sexual tension with a lizard girl (statuesque Svetlana Khodchenkova) who steals away Wolverine’s healing powers.
    • 86 Metascore
    • 60 Joshua Rothkopf
    How can a movie so steeped in post-Katrina imagery eschew even the smallest comment about social responsibility? Maybe that was deemed too earnest, a decision that makes zero sense when a twinkling score is ladled on like instant pathos. Real people aren't beasts, nor do they require starry-eyed glorification. Bring your liberal pity.