Joshua Rothkopf
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For 699 reviews, this critic has graded:
  • 44% higher than the average critic
  • 3% same as the average critic
  • 53% lower than the average critic
On average, this critic grades 3.1 points higher than other critics. (0-100 point scale)

Joshua Rothkopf's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Gett: The Trial of Viviane Amsalem
Lowest review score: 20 Antichrist
Score distribution:
  1. Negative: 44 out of 699
699 movie reviews
    • 63 Metascore
    • 60 Joshua Rothkopf
    You watch Dafoe's intelligent hands skillfully setting traps, building fires and squeezing triggers, and wonder if an entire movie might be made of such manly components. Probably not.
    • 56 Metascore
    • 60 Joshua Rothkopf
    The metafriction between these classic dupes and today's idiots chafes uneasily.
    • 72 Metascore
    • 60 Joshua Rothkopf
    The documentary feels preprogrammed when it could have been a real-life Black Swan.
    • 64 Metascore
    • 60 Joshua Rothkopf
    Still, the problem that often fells these documentaries - humorlessness - has been licked: Jack Black makes an exuberant cameo pitching recycled toilet water (his fake brand is called Porcelain Springs). Sound gross? Open wide, because it's on the menu for all of us.
    • 55 Metascore
    • 60 Joshua Rothkopf
    Burton, as usual, is great on atmosphere and comic timing (these are his weirdest moments since Ed Wood), but less so at reining in an overcomplicated plot and dimly lit action scenes.
    • 72 Metascore
    • 60 Joshua Rothkopf
    Safety Not Guaranteed doesn't quite know what kind of comedy it wants to be; the humor works best in its first hour, when the news-of-the-weird plot takes on a suggestive dimension of romantic desperation.
    • 66 Metascore
    • 60 Joshua Rothkopf
    The movie strays too far into fantasy - Abe suffers mightily - but Solondz still has an ear and an eye for a specific hell in the real world.
    • 65 Metascore
    • 60 Joshua Rothkopf
    The script, partly credited to Lost's Damon Lindelof, is so filled with talky lectures about divinity (and boner plot holes) that you realize, with embarrassment, that Scott, at age 74, wants to join the cosmic company of Terrence Malick. Does he not think that making a drum-tight horror film was ambitious enough?
    • 66 Metascore
    • 60 Joshua Rothkopf
    The general takeaway, occasionally swaddled in pot clouds and boisterous laughter, is that verse-slinging requires serious thought and planning.
    • 54 Metascore
    • 60 Joshua Rothkopf
    It's almost cruel to criticize something so essentially lighthearted and disposable, but it must be said that a lot of these jokes feel distinctly recycled, mainly from "Broadway Danny Rose."
    • 60 Metascore
    • 60 Joshua Rothkopf
    Predictably, the documentary got a rousing reception at hipster-laden SXSW; real people might find it a touch easy.
    • 86 Metascore
    • 60 Joshua Rothkopf
    How can a movie so steeped in post-Katrina imagery eschew even the smallest comment about social responsibility? Maybe that was deemed too earnest, a decision that makes zero sense when a twinkling score is ladled on like instant pathos. Real people aren't beasts, nor do they require starry-eyed glorification. Bring your liberal pity.
    • 64 Metascore
    • 60 Joshua Rothkopf
    Best are the film's tender ghostly visitations from Dad, evoked with a minimum of artiness, and the authentic, impoverished locations.
    • 66 Metascore
    • 60 Joshua Rothkopf
    On the whole, it's passable stuff, a surprise, given how mechanical the masked character seemed.
    • 57 Metascore
    • 60 Joshua Rothkopf
    Winterbottom's risks are welcome; it may be time, though, to invest more heart instead of head.
    • 80 Metascore
    • 60 Joshua Rothkopf
    Director Lauren Greenfield has a catty eye, but she's not after simple schadenfreude as the Siegels' time-share hotels are foreclosed, the kids have to fly coach [gasp], and poops go unscooped by a phalanx of laid-off servants.
    • 79 Metascore
    • 60 Joshua Rothkopf
    So why is this songwriter, so articulate on vinyl, so vague and spacey in current-day interviews? Something happened here, deeper than an aborted quest for fame, and the documentary hasn't gotten to it.
    • 62 Metascore
    • 60 Joshua Rothkopf
    For all its episodic, gleeful inappropriateness, the movie Klown most resembles - not that it tries to or anything - is Alexander Payne's half-soused flight from maturity, "Sideways."
    • 50 Metascore
    • 60 Joshua Rothkopf
    There's no suspense, even as Galifianakis's bone-dry earnestness sometimes kicks the movie into a realm of stealth drama.
    • 61 Metascore
    • 60 Joshua Rothkopf
    Renner and scientist Rachel Weisz are sympathetic enough (although lacking in Matt Damon's all-American approachability), and the movie flies along briskly.
    • 65 Metascore
    • 60 Joshua Rothkopf
    The images wash over you - lush, gorgeous, impeccably framed - just as they did in Ron Fricke's wordless meditation "Baraka" (1992).
    • 55 Metascore
    • 60 Joshua Rothkopf
    Schepisi is deft with the social-strata stuff, introducing a large Gosford Park–like ensemble to tease out the central trio's dysfunction. So it's a shame that both book and film tilt away from the tart-tongued exchanges, giving increasing weight to a buried trauma that feels a little soggy.
    • 86 Metascore
    • 60 Joshua Rothkopf
    I'd trade much of The Master for one extraordinary moment played by the ever-improving Amy Adams, in front of the bathroom mirror with Hoffman.
    • 55 Metascore
    • 60 Joshua Rothkopf
    There's too much going on here - of a winning, thoughtful nature - to dismiss Josh Radnor's back-to-college romance as the nostalgia bath it mainly is.
    • 66 Metascore
    • 60 Joshua Rothkopf
    This film could have done with a few more mouth beats and unlikely moments of extracurricular celebrity.
    • 66 Metascore
    • 60 Joshua Rothkopf
    The film feels naive for an audience that's ready for some harder truths.
    • 86 Metascore
    • 60 Joshua Rothkopf
    No performances stand out, which is a shame given Affleck's track record with actors. Ultimately, it comes down to a chase to the airport, with a scary Revolutionary Guardsman at the gate.
    • 71 Metascore
    • 60 Joshua Rothkopf
    To be sure, the film as a whole feels like a creaky vehicle, belabored with plot strands and stereotypes that only serve to highlight Winstead's ragged commitment to something real.
    • 84 Metascore
    • 60 Joshua Rothkopf
    Holy Motors is aggressively "wild," a puzzle that tweaks the mind but doesn't nourish.
    • 53 Metascore
    • 60 Joshua Rothkopf
    Sinister has so much going for it - adult psychology, a great bitchfest of a marital meltdown - that you wince when it finally makes some rather dull choices involving the supernatural.

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