For 451 reviews, this critic has graded:
  • 63% higher than the average critic
  • 11% same as the average critic
  • 26% lower than the average critic
On average, this critic grades 0.4 points higher than other critics. (0-100 point scale)

Katie Walsh's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 How to Survive a Plague
Lowest review score: 0 Natural Born Pranksters
Score distribution:
  1. Negative: 71 out of 451
451 movie reviews
    • 74 Metascore
    • 80 Katie Walsh
    Lovesong is a character study of this relationship, casually yet carefully sketched out by Kim in subtle but meaningful gestures and glances. Much is communicated through the eyes, searching for answers in the void of what’s not said, but felt.
    • 67 Metascore
    • 80 Katie Walsh
    The film is a true dramedy that wrestles with the darker, sadder elements of life in a frank, funny and deeply relatable way.
    • 85 Metascore
    • 80 Katie Walsh
    The young actress Haas is riveting in a performance far beyond her years. Princess takes its time, but patience pays off in this sensitive slow burn of a story.
    • 60 Metascore
    • 80 Katie Walsh
    For all its bloody and violent genre trappings, Pilgrimage — directed by Brendan Muldowney and written by Jamie Hannigan — is a gorgeously shot film that carefully renders the details of this fascinating historical period.
    • 64 Metascore
    • 80 Katie Walsh
    XX
    It’s fascinating to observe how the feminine perspectives of XX create four powerfully compelling and original horror tales that operate within the genre while testing the boundaries of traditional storytelling and style.
    • 59 Metascore
    • 80 Katie Walsh
    Rozema has a careful but unflinching eye when it comes to presenting the physical and emotional traumas the sisters experience. Even when some of the events escalate to operatic, nearly mystical levels, the direction feels assured and solidly rooted.
    • 69 Metascore
    • 80 Katie Walsh
    The story of Captain Underpants is funny, fresh and frantic, playing with format and genre, adding meta, self-reflective winks. The film is propelled by its hyperactive energy and quirky style...and the combustible chemistry between the two leads.
    • 70 Metascore
    • 80 Katie Walsh
    With simple storytelling, the film allows its star, Velasquez, to shine, and with her endless reserves of positive energy, eloquent speaking and willingness to be vulnerable, it's no wonder millions of people have already found her inspirational.
    • 59 Metascore
    • 80 Katie Walsh
    It's illuminating to see Huppert and Depardieu in a different mode, and Huppert brings a delicate physical and emotional fragility to her role. These two are fantastic, and they're fantastic together.
    • 74 Metascore
    • 80 Katie Walsh
    Filmmaking duo Olivier Ducastel and Jacques Martineau have crafted a film that articulates the ability for sex to produce just a little bit more love in the world, for a moment or an eternity.
    • 79 Metascore
    • 80 Katie Walsh
    It's a sweetly funny, charming and poignant depiction of this very specific time in life — at once universal and specific — when anything seems possible. And with killer pop tunes to boot.
    • tbd Metascore
    • 80 Katie Walsh
    It’s a maddening but ultimately uplifting tale about a fearless woman who fought tirelessly for her people.
    • 71 Metascore
    • 80 Katie Walsh
    Equal Means Equal is a lot to process, but offers an unflinching look at the fight for equal civil rights for all.
    • 66 Metascore
    • 80 Katie Walsh
    Co-writer and director Maxime Giroux's Felix and Meira is an unusual love story that, though shrouded in chill and shadow, has moments of true loveliness.
    • tbd Metascore
    • 80 Katie Walsh
    The House on Coco Road is a remarkable document of how social forces affected the lives of Baker and his ancestors. It might lack the scope to encompass all of the story it wants to tell, but it’s a compelling conversation starter.
    • 70 Metascore
    • 80 Katie Walsh
    Fort Tilden is cringe-worthy but true. Maybe that's why it's so uncomfortable to watch.
    • tbd Metascore
    • 80 Katie Walsh
    Writer-director-editor Danny Sangra takes on the complicated relationship between art and commerce in the sharp, surprising Goldbricks in Bloom.
    • 53 Metascore
    • 80 Katie Walsh
    Husson’s film details the consequences of such free love, but it celebrates sex too — the kind based on intimacy and love. Teens and sex: it’s a tale as old as time but this take is surprising, invigorating and sharply frank.
    • 67 Metascore
    • 80 Katie Walsh
    Leena Yadav’s Parched is a bright jewel of a film, surprisingly funny, fresh and upbeat in the way it takes on the complicated and often dark topic of sexual politics in rural India. T
    • 58 Metascore
    • 75 Katie Walsh
    As Sam, Deutch is supported by the likes of Halston Sage as uber mean girl Lindsay, using her armor as a weapon, Logan Miller as longtime pal Kent, and Medalion Rahimi and Cynthy Wu as the rest of her clique. But this is Deutch's film.
    • 65 Metascore
    • 75 Katie Walsh
    Unexpected is sweet and the portrait of the friendship is lovely, but it also feels too slight.
    • 55 Metascore
    • 75 Katie Walsh
    Despite the predictability of storytelling, The 33 is an undeniably rousing picture.
    • 52 Metascore
    • 75 Katie Walsh
    While the story lags and suffers in its attempt to adapt such a complicated internal narrative and personal struggle, the Smith brothers have created a truly beautiful and unique film that deserves to be seen; a creative accomplishment not only of filmmaking but of capturing this world.
    • 77 Metascore
    • 75 Katie Walsh
    The true star of The Gift is Edgerton as director. His deft, controlled maneuvering of plot, character, style, and tone is damn near perfect for his feature debut — even if it is in service of a very standard genre piece.
    • 78 Metascore
    • 75 Katie Walsh
    Ultimately, all audiences can find something to enjoy in Zootopia, though adults may find more to sink their teeth into, which is always refreshing.
    • 64 Metascore
    • 75 Katie Walsh
    The film takes a dark turn at the end, and while the two sides of Nasty Baby are interesting, well-made, and well-performed, they feel like two completely different movies.
    • 44 Metascore
    • 75 Katie Walsh
    Jolie Pitt’s insistence on creating a piece that reflects the harsh inner state of a person suffering to understand herself as a wife and as a woman in the world is commendable, and fascinating in her growth as a filmmaker.
    • 73 Metascore
    • 75 Katie Walsh
    It's the non-superhero elements of Spider-Man: Homecoming that make it a great movie, and a non-stop fun summer flick. There isn't an ounce of fat on this film, packing in so many story elements and characters, while finding room for small, funny asides and moments that make it an addictively rich, idiosyncratic and re-watchable movie.
    • 67 Metascore
    • 75 Katie Walsh
    Hellaware is a cynical, caustic, and often very funny send up of not only the current commercial art world but the entire borough of Brooklyn.
    • 71 Metascore
    • 75 Katie Walsh
    All the women turn in funny performances — it's great to see Pinkett Smith cut loose, and the charming and radiant Hall displays a faculty for physical comedy — but this is Haddish's movie, and will make her a star.

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