Kenneth Turan
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For 1,921 reviews, this critic has graded:
  • 64% higher than the average critic
  • 2% same as the average critic
  • 34% lower than the average critic
On average, this critic grades 10.6 points higher than other critics. (0-100 point scale)

Kenneth Turan's Scores

  • Movies
  • TV
Average review score: 70
Highest review score: 100 A Christmas Tale
Lowest review score: 0 Book of Shadows: Blair Witch 2
Score distribution:
1,921 movie reviews
    • 64 Metascore
    • 60 Kenneth Turan
    A raunchy doodle, a leisurely and easygoing diversion that goes down easy enough but is far from compelling.
    • 68 Metascore
    • 60 Kenneth Turan
    To see this overly schematic movie, is to be made to feel -- inaccurately as it turns out -- that the whole thing is a hopelessly exaggerated fabrication. The taint of the melodramatic techniques used in key segments infects the entire movie and makes us question the truth of a significant historical reality.
    • 63 Metascore
    • 60 Kenneth Turan
    What Spy Game turns out to be is the old reliable family car spruced up around the edges in an attempt to convince a new generation of buyers that it's a hot number.
    • 57 Metascore
    • 60 Kenneth Turan
    Sensitively directed by Ron Shelton and helped by what just might be the best performance of Kurt Russell's career, Dark Blue is as interesting and successful as it can be within its limits, but those limits make this a more generic film than its makers intended.
    • 52 Metascore
    • 60 Kenneth Turan
    Beautifully made but emotionally empty, it exists only for the sensation of its provocative moments.
    • 65 Metascore
    • 60 Kenneth Turan
    Robert Redford, who for the first time stars in a movie he's also directed, has taken this soap opera material and treated it like something inscribed on yak vellum by the Dalai Lama.
    • 60 Metascore
    • 60 Kenneth Turan
    The Wolverine is an erratic affair, more lumbering than compelling, an ambitious film with its share of effective moments that stubbornly refuses to catch fire.
    • 77 Metascore
    • 60 Kenneth Turan
    Self-conscious about its heroism with portrayals that lean toward the glib and the professionally uplifting, the film milks our sympathies too readily to be emotionally convincing.
    • 57 Metascore
    • 60 Kenneth Turan
    Rachel McAdams gives the kind of performance we go to the movies for. The rest of the film isn't always up to her level, but it does provide genial entertainment until it runs out of steam.
    • 72 Metascore
    • 60 Kenneth Turan
    As frigid as its name. Burdened with a story of some of the world's least interesting people going through a holiday crisis, director Ang Lee and screenwriter James Schamus get as close as any creative team could to making matters involving, but the task is finally too much for them.
    • 51 Metascore
    • 60 Kenneth Turan
    Though Butcher is appealing, Saint Ralph is anchored by Scott's persuasive work as a model of intelligent decency.
    • 54 Metascore
    • 60 Kenneth Turan
    Oblivious to niceties like subtlety, plausibility and discretion, it rushes heedlessly toward its destination of audience arousal. Like a flood, the impact is undeniable but it's not something everyone will want to get in the way of. [24Jul1996 Pg. F.01]
    • Los Angeles Times
    • 60 Metascore
    • 60 Kenneth Turan
    There's no freshness here, no sense of newness or discovery. In its place, there's an earnest desire not to drop the ball, a determination to risk as little as possible in keeping this golden egg from cracking wide open.
    • 39 Metascore
    • 60 Kenneth Turan
    More science-fiction space opera than superhero epic, it works in fits and starts as its disparate parts go in and out of effectiveness, but the professionalism of the production make it watchable in a comic book kind of way.
    • 49 Metascore
    • 60 Kenneth Turan
    Whenever The Fifth Estate leaves the involving one-on-one drama between Assange and Domscheit-Berg, you wish it wouldn't.
    • 41 Metascore
    • 60 Kenneth Turan
    Problematic but involving, Child 44 offers a picture of what individuals did to survive in a world turned upside down. The film's singular premise allows it to survive its various shortcomings, but it is a near-thing.
    • 44 Metascore
    • 60 Kenneth Turan
    Its story line and performances are no more than serviceable, but those terrible twisters are state of the art.
    • 74 Metascore
    • 60 Kenneth Turan
    In its determination to overdo sure-fire material, Billy Elliot becomes as impossible to wholeheartedly embrace as it is to completely reject.
    • 48 Metascore
    • 60 Kenneth Turan
    Heavy on swordplay and spectacle, it's so intent on reviving the costume epics of the past it doesn't realize it's trying to be too many things to too many people until it collapses under its own weight.
    • 47 Metascore
    • 60 Kenneth Turan
    Light and frothy though all this is, there is an off-putting element to "Josie," and it's what must be the film's world record number of product placements.
    • 50 Metascore
    • 60 Kenneth Turan
    For the future, the Saint is such an unpleasant and predatory manipulator, it's difficult to root for romance. And when Kilmer's mightily convincing Ice King begins to melt, it's so out of character with what's gone before that its believability is touch and go.
    • 66 Metascore
    • 60 Kenneth Turan
    The uncomfortable reality remains that although this movie is effective moment to moment, very little of it lingers in the mind afterward. The ideal vehicle for our age of immediate sensation and instant gratification, it disappears without a trace almost as soon as it's consumed.
    • 79 Metascore
    • 60 Kenneth Turan
    A potent and unexpected mixture of authenticity and flash -- even if this is what happened on the ground, making it worth our time on screen is just beyond the contortionist abilities of even this most acrobatic of films.
    • 79 Metascore
    • 60 Kenneth Turan
    Though Iron Man is diverting enough in the comic-book-movie mode, there is one thing it doesn't have, and that is dramatic unity. Unlike the irreducible element that is its namesake, Iron Man the movie is an alloy, a combination of several different and disconnected components that don't manage to unite to make a coherent whole.
    • 55 Metascore
    • 60 Kenneth Turan
    Though it would be dishonest to call this an unqualified success, it would be churlish not to tip the hat to Love Actually's genuine charm.
    • 65 Metascore
    • 60 Kenneth Turan
    Despite involved acting and Nichols' impeccable professionalism as a director, the end result is, to quote one of the characters, "a bunch of sad strangers photographed beautifully."
    • 50 Metascore
    • 60 Kenneth Turan
    Rude, rowdy and raunchy, The Campaign gleefully skewers the current sad state of American politics. With a target that tempting, it's not surprising that this cynical and funny film hits more often than it misses.
    • 50 Metascore
    • 60 Kenneth Turan
    It is a laconic, enigmatic piece of work, displaying the grace with spoken language that marked "Glengarry Glen Ross" but troublesome in terms of structure and character development.
    • Los Angeles Times
    • 55 Metascore
    • 60 Kenneth Turan
    Going boldly where no one has gone before is not what it used to be. Contentedly settled into a prosperous middle age, the "Star Trek" series now seems more comfortable retracing its own footsteps, carefully offering its horde of fans interludes that aspire to do no more than fit snugly into the patterns of the past.
    • 53 Metascore
    • 60 Kenneth Turan
    If The Hudsucker Proxy is a triumph, it is a zombie one. Too cold, too elegant, too perfect, more an exhibit in a cinema museum than a flesh-and-blood film, "Proxy's" highly polished surface leaves barely any space for an audience's emotional connection. [11 Mar 1994, p.1]
    • Los Angeles Times

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