Kevin Jagernauth
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For 168 reviews, this critic has graded:
  • 39% higher than the average critic
  • 1% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 1.6 points lower than other critics. (0-100 point scale)

Kevin Jagernauth's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Killing Them Softly
Lowest review score: 0 Dying of the Light
Score distribution:
  1. Positive: 81 out of 168
  2. Negative: 31 out of 168
168 movie reviews
    • 36 Metascore
    • 25 Kevin Jagernauth
    By time the third act arrives, the film turns harshly toward cliché, convenience and melodrama to disastrous effect.
    • 42 Metascore
    • 25 Kevin Jagernauth
    For the most part, the most shocking thing about Swerve is how utterly straightforward it is.
    • 22 Metascore
    • 25 Kevin Jagernauth
    Eventually settles into a dull routine much like the dissatisfied characters of the film, which will make for an easily dissatisfied audience.
    • 44 Metascore
    • 25 Kevin Jagernauth
    Even within the spinning cylinder of mediocrity that is Into The Storm, there are some minor pleasures to be had. Those are mostly found in Walsh, who is probably best known for comedic supporting turns, but makes the most with what is nearly a leading man part here.
    • 30 Metascore
    • 25 Kevin Jagernauth
    Let's Be Cops is a fine example of what happens when filmmakers rely too heavily on the potential chemistry of the cast, rather than giving actors something decent on the page to work with.
    • 66 Metascore
    • 25 Kevin Jagernauth
    The film is not only one dimensional when it comes to its subject, but also of the time and place where Hendrix arrived.
    • 65 Metascore
    • 25 Kevin Jagernauth
    The Good Lie is so manufactured around a particular dramatic blueprint that any sense of spontaneity, surprise and engagement are sucked right out of the picture.
    • 47 Metascore
    • 25 Kevin Jagernauth
    Overstuffed yet trite and empty, Fort McCoy attempts to mix heavy drama, slapstick comedy and romance all in the wrappings of a coming of age tale set in the summer of 1944, but flounders on all fronts, resulting in a picture that offers a rather naive and simplistic view of the murky territory between good and evil.
    • 45 Metascore
    • 25 Kevin Jagernauth
    Woefully misguided, Black And White is at times painfully quaint and obtuse about contemporary issues surrounding race and class.
    • 25 Metascore
    • 25 Kevin Jagernauth
    Sadly, the sequel isn't even so bad as to be memorable. Instead, it's vaporous, not even possessing the qualities indicating that anyone involved cared about any detail of the film.
    • 36 Metascore
    • 25 Kevin Jagernauth
    This film requires so many leaps of faith and suspensions of disbelief that you might develop acrophobia.
    • 20 Metascore
    • 16 Kevin Jagernauth
    We strongly insist that any pain you experience while watching this movie will never be useful, anytime or anyplace.
    • 35 Metascore
    • 16 Kevin Jagernauth
    A thoroughly dull, conventional tale of two people who can't find a compromise on their individual priorities to be together.
    • 39 Metascore
    • 8 Kevin Jagernauth
    When you plunk down your $12, you will get the destruction you were promised. But it's too bad it's such a repetitive, unengaging, glaringly digital experience and worse than that, you'll have to sit through the disaster that is the rest of movie.
    • 38 Metascore
    • 0 Kevin Jagernauth
    Third Person is an audacious failure, one that even its starry cast can't save. With a trite script, and an even more glib thematic undercurrent, Third Person is nothing short of an outright embarrassment.
    • 31 Metascore
    • 0 Kevin Jagernauth
    The Dying Of The Light is forgettable, anonymous and at times almost amateur, and the product of a director searching for a new method of storytelling.

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