For 283 reviews, this critic has graded:
  • 56% higher than the average critic
  • 1% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 2.2 points lower than other critics. (0-100 point scale)

Kim Morgan's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 The Woman Chaser
Lowest review score: 0 Eban and Charley
Score distribution:
  1. Negative: 35 out of 283
283 movie reviews
    • 75 Metascore
    • 75 Kim Morgan
    Watching the teachers whip these kids into Wilder recitations is especially intriguing, particularly when their personalities come out during the sometimes-arduous process.
    • 75 Metascore
    • 75 Kim Morgan
    About how women see themselves in terms of bodies, age and careers, but without all the "you go girl" tripe crammed into so many other movies of this ilk.
    • 75 Metascore
    • 42 Kim Morgan
    The picture is pinched and predictable. Even with the immensely talented Steve Zahn, an actor who's known to steal scenes and, sometimes, save pictures, the movie is a yawn.
    • 75 Metascore
    • 100 Kim Morgan
    A witty, frightening, well-acted picture with near-perfect cinematic timing.
    • Portland Oregonian
    • 75 Metascore
    • 75 Kim Morgan
    A funny, puzzling movie ambiguous enough to be engaging and oddly moving.
    • 74 Metascore
    • 100 Kim Morgan
    It's a remarkable, thoughtful achievement that will make you want to watch it twice. You should.
    • 74 Metascore
    • 91 Kim Morgan
    It's almost numbingly sad, but you won't regret watching -- and you'll surely never forget it.
    • 74 Metascore
    • 83 Kim Morgan
    Appropriate music, lovely cinematography and stellar performances by both a subtly moving Neill and a likable, barrel-chested super-American Warburton.
    • Portland Oregonian
    • 74 Metascore
    • 83 Kim Morgan
    A lovely film that requires a leisurely sit to think, Shower is not so much a shower as a bath, and a refreshing one at that.
    • 73 Metascore
    • 91 Kim Morgan
    Rich in detail, gorgeously shot and beautifully acted, Les Destinees is, in its quiet, epic way, daring, inventive and refreshingly unusual.
    • 35 Metascore
    • 58 Kim Morgan
    The script is atypically bland for Heckerling.
    • 73 Metascore
    • 67 Kim Morgan
    A funny and sometimes substantial movie that in real life would never have a happy ending.
    • 73 Metascore
    • 91 Kim Morgan
    An achievement of accomplished filmmaking and superb acting, L.I.E. puts you in the tough spot of unraveling how you feel about what you've viewed.
    • 73 Metascore
    • 67 Kim Morgan
    An affable, entertaining and poignant experience of the sort not normally afforded by space movies.
    • 72 Metascore
    • 91 Kim Morgan
    Once you lose yourself in Ruiz's stunning achievement -- a wonderfully acted, beautifully realized vision of Proust -- you'll be enchanted.
    • 72 Metascore
    • 83 Kim Morgan
    It's a first love story that goes beyond many simplistic notions as to why people fall for one another. If it weren't true, no one would believe it.
    • Portland Oregonian
    • 72 Metascore
    • 58 Kim Morgan
    Westfeldt becomes irritating. That's one of the film's points, but it's made a little too well.
    • 72 Metascore
    • 67 Kim Morgan
    An erotic mystery of sorts, the film works because it's laconic rather than talky and its actors are all up for the material.
    • 72 Metascore
    • 75 Kim Morgan
    A family film, but it's a wonder if kids will really enjoy it. The picture is geared for older folks, people who'll be heartened by the message that sometimes, you can return to your passions.
    • 72 Metascore
    • 50 Kim Morgan
    Crowe understands what's interesting about Nash: He's not a feel-good figure. It's a pity the same can't be said for Howard.
    • 72 Metascore
    • 83 Kim Morgan
    It is aided both by fine performances by Auteuil, Aumont and Depardieu and by wonderful pacing.
    • 71 Metascore
    • 91 Kim Morgan
    A slow burn. A portrait of the mundane humor and horror of everyday life, it scalds nerves you may have never thought existed. And yet the film is funny, almost hilariously at times.
    • 71 Metascore
    • 91 Kim Morgan
    One of the most aggressively ambiguous pictures of the year. There is a certain power to that.
    • 71 Metascore
    • 42 Kim Morgan
    A little movie, fine, but a little movie with little in the way of character composition, cinematic panache or intelligent writing.
    • 71 Metascore
    • 83 Kim Morgan
    Quiet, sexual, disturbing, often beautifully melancholic, Rain, as seen through the eyes of a precocious girl, recalls a parental split-up with sobering accuracy. It reminds us why so many teen-agers go through a sullen phase -- and sometimes never shake it off.
    • Portland Oregonian
    • 70 Metascore
    • 83 Kim Morgan
    Takes the typical detective-hunting-a-serial-killer story and twists it into a creepy, enigmatic bit of psychological terror that by its final ambiguous scene leaves you truly chilled.
    • 70 Metascore
    • 75 Kim Morgan
    In its own slightly disturbing way, this psychological thriller serves as an absorbing diversion without sapping brain cells -- almost the perfect summer movie for smart people.
    • 70 Metascore
    • 75 Kim Morgan
    Owning Mahowny may at times feel futile in its colorless, disheartening subject matter, but that's the point -- to see how barren Mahowny's life becomes. Hoffman gives the film relevance.
    • 70 Metascore
    • 75 Kim Morgan
    It's not afraid to be funny, tragic and decidedly female.
    • Portland Oregonian
    • 65 Metascore
    • 58 Kim Morgan
    While breezy and fun, the film is also flimsy and sloppy in style and content.

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