For 667 reviews, this critic has graded:
  • 38% higher than the average critic
  • 2% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 3.3 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
Average review score: 56
Highest review score: 100 All the Real Girls
Lowest review score: 0 Ultraviolet
Score distribution:
667 movie reviews
    • 51 Metascore
    • 40 Kimberley Jones
    Wimpy Kid's filmmakers have gone off-book, so to speak, to inflect Greg with a surprising cruel streak.
    • 51 Metascore
    • 50 Kimberley Jones
    Anyone who watched (and probably wept his or her way through) the swoony 2004 melodrama "The Notebook" knows Cassavetes is not a man to leave a spot of sap untapped, and in My Sister's Keeper, he pulls out a very big drill indeed.
    • 50 Metascore
    • 40 Kimberley Jones
    Bell steals every scene she's in, and her abrupt dismissal feels all the crueler for so much charisma wasted: She shoulda been a contender.
    • 50 Metascore
    • 50 Kimberley Jones
    Roberts, wearing that beatific half-smile of hers that suggests inner peace and wisdom before she's even begun her journey, is too open-faced with her emotions to signal the complexities of Gilbert's distress – over her divorce, her control issues, her rootlessness, and inability to live in the moment.
    • 50 Metascore
    • 20 Kimberley Jones
    These are boys and girls on their very best behavior, which doesn't sound like any prom you or I remember.
    • 50 Metascore
    • 67 Kimberley Jones
    Is Gary Winick atoning for his sins? If “Bride Wars” was an acid spill -- and that’s putting it generously -- then Letters to Juliet is like the safety shower in your high school chemistry class, delivering an unsubtle blast of sanitized sentimentality.
    • 50 Metascore
    • 20 Kimberley Jones
    There are kernels here of a thoughtful and provocative picture, but they never pop – or POP!, for that matter.
    • 50 Metascore
    • 50 Kimberley Jones
    For better or worse (and I'd argue the latter), the aliens are as monolithically evil, unformed, and un-individuated as characters as Native Americans once were in the earliest of Westerns.
    • 49 Metascore
    • 40 Kimberley Jones
    Perhaps the more appropriate question to put to this remake would be "What the hell’s the point?"
    • 49 Metascore
    • 40 Kimberley Jones
    Short to short, it’s a Russian roulette.
    • 49 Metascore
    • 40 Kimberley Jones
    Amusing but never rousing, this fourth installment in the Ice Age cartoon franchise comes fretted with freezer burn.
    • 49 Metascore
    • 20 Kimberley Jones
    Screenwriter Dean Georgaris gets a hell of a pass here – the story is canon, and, in terms of emotional wallop, does all the heavy lifting for him – but he still manages to gunk up the works with dialogue that is dull-witted at best and outright howling at its worst.
    • 49 Metascore
    • 50 Kimberley Jones
    What's translated to film feels like a rough draft, with bullet points at beginning and end, demarcating Lola lost, Lola found. And in the middle? A vast, vague maw.
    • 48 Metascore
    • 40 Kimberley Jones
    This British rom-com is all soft and plodgy, a by-the-numbers redemption tale that careens uncomfortably from sentimentality to stomach-turning sight gags.
    • 48 Metascore
    • 40 Kimberley Jones
    The resultant film is all surface and plush, with nary a hard edge or demanding note. Despite the movie's well-intentioned heart, its head is out to lunch, neglecting its responsibility to provide these powerhouse actresses with a script half as smart or compelling as they.
    • 48 Metascore
    • 40 Kimberley Jones
    Undone by Blanchett's dull, wooden delivery. She's the pap that kills the pulp the rest of the film is bellowing out to be.
    • 48 Metascore
    • 20 Kimberley Jones
    A succession of shrill overacting jobs.
    • 48 Metascore
    • 30 Kimberley Jones
    Clearly the film is archly trying to connect the dots between Rove and the supreme mishandling of Iraq – and a compelling case might be made – but it isn't made here.
    • 48 Metascore
    • 30 Kimberley Jones
    The film restages the greatest hits of the show's many musical numbers, to greatly diminished effect, with lackluster choreography and all the narrative appeal stripped away.
    • 48 Metascore
    • 50 Kimberley Jones
    The bestselling first book in yet another dystopic Young Adult series, Veronica Roth’s Divergent is engrossing enough to devour overnight, and flimsy enough to forget by morning light. Neil Burger’s film adaptation faithfully reproduces the same effect.
    • 48 Metascore
    • 50 Kimberley Jones
    For every zinger, there are two flat jokes around the corner.
    • 48 Metascore
    • 50 Kimberley Jones
    The exceedingly silly Super Troopers is an earnest, mostly funny spoof.
    • 48 Metascore
    • 30 Kimberley Jones
    The fictionalization of their journey is simply not that engrossing, nor are their alter egos, with their tightly scripted character arcs.
    • 48 Metascore
    • 67 Kimberley Jones
    The space prison set-pieces get the job done; only in the film's terrestrial bookends does this nuts-and-bolts action film show its rust.
    • 48 Metascore
    • 67 Kimberley Jones
    Franklin injects life into a flat format and has in the process done something nearly unheard of in Hollywood as of late: He's brought class back to the genre film.
    • 48 Metascore
    • 40 Kimberley Jones
    The only thrill here comes from the adrenaline kick of the chase. Alas, it's an empty, Pavlovian kick at best.
    • 48 Metascore
    • 67 Kimberley Jones
    Sturgess, saddled with a caddish character, is less compelling, but he does provide the film's only spot of unloosed, raw emotion. Everything else feels too precisely and too compactly assembled for much impact.
    • 48 Metascore
    • 50 Kimberley Jones
    Fletcher demonstrates, as with her second film, "27 Dresses," that she can put together a funny, able romantic comedy that is a cut above, but no more. Still, those leads are awfully likable, the Massachusetts-for-Alaska landscape rather picturesque, and if The Proposal doesn't reinvent the wheel, merrily we roll along nonetheless.
    • 48 Metascore
    • 40 Kimberley Jones
    Book of Secrets isn’t so much a romp as a long trudge through American history factoids and conspiracy-theory gobbledygook. Cool car chase, though.
    • 48 Metascore
    • 40 Kimberley Jones
    When the boys are tossing balls around and bopping in time to Notorious B.I.G., they -- and the film -- are right-on.