For 649 reviews, this critic has graded:
  • 38% higher than the average critic
  • 2% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 3.6 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
Average review score: 55
Highest review score: 100 Before Night Falls
Lowest review score: 0 Bride Wars
Score distribution:
649 movie reviews
    • 48 Metascore
    • 40 Kimberley Jones
    Undone by Blanchett's dull, wooden delivery. She's the pap that kills the pulp the rest of the film is bellowing out to be.
    • 48 Metascore
    • 20 Kimberley Jones
    A succession of shrill overacting jobs.
    • 48 Metascore
    • 30 Kimberley Jones
    Clearly the film is archly trying to connect the dots between Rove and the supreme mishandling of Iraq – and a compelling case might be made – but it isn't made here.
    • 48 Metascore
    • 30 Kimberley Jones
    The film restages the greatest hits of the show's many musical numbers, to greatly diminished effect, with lackluster choreography and all the narrative appeal stripped away.
    • 48 Metascore
    • 50 Kimberley Jones
    The bestselling first book in yet another dystopic Young Adult series, Veronica Roth’s Divergent is engrossing enough to devour overnight, and flimsy enough to forget by morning light. Neil Burger’s film adaptation faithfully reproduces the same effect.
    • 48 Metascore
    • 50 Kimberley Jones
    For every zinger, there are two flat jokes around the corner.
    • 48 Metascore
    • 30 Kimberley Jones
    The fictionalization of their journey is simply not that engrossing, nor are their alter egos, with their tightly scripted character arcs.
    • 48 Metascore
    • 50 Kimberley Jones
    The exceedingly silly Super Troopers is an earnest, mostly funny spoof.
    • 48 Metascore
    • 67 Kimberley Jones
    The space prison set-pieces get the job done; only in the film's terrestrial bookends does this nuts-and-bolts action film show its rust.
    • 48 Metascore
    • 40 Kimberley Jones
    The only thrill here comes from the adrenaline kick of the chase. Alas, it's an empty, Pavlovian kick at best.
    • 48 Metascore
    • 67 Kimberley Jones
    Franklin injects life into a flat format and has in the process done something nearly unheard of in Hollywood as of late: He's brought class back to the genre film.
    • 48 Metascore
    • 67 Kimberley Jones
    Sturgess, saddled with a caddish character, is less compelling, but he does provide the film's only spot of unloosed, raw emotion. Everything else feels too precisely and too compactly assembled for much impact.
    • 48 Metascore
    • 50 Kimberley Jones
    Fletcher demonstrates, as with her second film, "27 Dresses," that she can put together a funny, able romantic comedy that is a cut above, but no more. Still, those leads are awfully likable, the Massachusetts-for-Alaska landscape rather picturesque, and if The Proposal doesn't reinvent the wheel, merrily we roll along nonetheless.
    • 48 Metascore
    • 40 Kimberley Jones
    Book of Secrets isn’t so much a romp as a long trudge through American history factoids and conspiracy-theory gobbledygook. Cool car chase, though.
    • 48 Metascore
    • 40 Kimberley Jones
    When the boys are tossing balls around and bopping in time to Notorious B.I.G., they -- and the film -- are right-on.
    • 47 Metascore
    • 50 Kimberley Jones
    Cornpone caricatures abound (witness "Hoedown Throwdown," in which Miley sunnily urges us to "pop it, lock it, polka dot it"), but so do worthy messages about responsibility – to family, community, even Mother Earth.
    • 47 Metascore
    • 50 Kimberley Jones
    It's like 90 minutes of teasing foreplay, and then, just when it's about to get really good, your partner rolls over and goes to sleep.
    • 47 Metascore
    • 40 Kimberley Jones
    Little more than a constant and occasionally pretty imaginative sex show.
    • 47 Metascore
    • 50 Kimberley Jones
    It’s all supremely silly stuff, and amusingly so, as long as you don’t stop to think about all those blameless officers and agents cut down in the line of mindless entertainment.
    • 47 Metascore
    • 50 Kimberley Jones
    Until Hollywood stops being a boys club, and America graduates beyond short pants and its embarrassingly pubescent attitudes toward sex, I suppose one can only hope that all male adolescent fantasies will play as goofily sweet as this one.
    • 47 Metascore
    • 40 Kimberley Jones
    There's some funny stuff here that doesn't involve degrading its female protagonists, and the cast, by and large, is appealing.
    • 47 Metascore
    • 50 Kimberley Jones
    It IS consistently funny. Its trash-can humor is tasteless, no doubt, but hey, that doesn't make it unpalatable.
    • 47 Metascore
    • 40 Kimberley Jones
    Midway through, there’s a truly riotous set-piece involving Bruiser’s gay love affair with a Great Dane, but not even a Chihuahua in leather bondage gear can zest up a franchise that has degraded from sleeper to snoozer.
    • 47 Metascore
    • 40 Kimberley Jones
    Mancini's character boils down to a lot of self-loathing and unresolved mommy issues – which is as tedious as it sounds.
    • 47 Metascore
    • 50 Kimberley Jones
    Isaac and Olsen are both mesmerizing actors, and Lange and Felton also do very good work in supporting roles, but their collective gameness – all that acting their pants off (sometimes literally) – is underserved by the film’s script and direction.
    • 47 Metascore
    • 50 Kimberley Jones
    The jokes hit about half the time – the best bits have an off-the-cuff feel – and it’s pocked with the kind of rom-com clichés that are practically written in stone (screenwriter Aline Brosh McKenna's script for "The Devil Wears Prada" was far sharper).
    • 47 Metascore
    • 50 Kimberley Jones
    “Caution: Contents may induce brain bleed.” That is, if you think too hard on the logic and mechanics of its time-travel conceit.
    • 47 Metascore
    • 40 Kimberley Jones
    The trouble with retooling fairy tales to jibe with our more enlightened times is that too often the fun gets stripped along with the offensive parts.
    • 47 Metascore
    • 50 Kimberley Jones
    Fact is, good looks will go a long way in masking mediocrity, and Hollywood Homicide capitalizes on that fact doubly so: Co-writer/director Ron Shelton’s latest boasts two pretty faces, and all across the country, mothers and daughters sigh alike.
    • 47 Metascore
    • 50 Kimberley Jones
    The cast seems to have been assembled primarily for its blinking resemblance to the stars of the original Eighties TV series about a renegade group of former Army Rangers now for hire.