For 667 reviews, this critic has graded:
  • 38% higher than the average critic
  • 2% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 3.3 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
Average review score: 56
Highest review score: 100 All the Real Girls
Lowest review score: 0 Ultraviolet
Score distribution:
667 movie reviews
    • 54 Metascore
    • 67 Kimberley Jones
    After the recent rash of superhero end-spectacles as long-winded and self-serious as a term paper, the limited ambition of The Dark World’s climax is a relief. It scuttles all term paper aspirations and instead humbly lobs a thesis statement-slash-open invitation: Let’s have some fun, shall we? And so we did.
    • 75 Metascore
    • 67 Kimberley Jones
    The Hunger Games franchise, both in print and onscreen, has been exceptionally clever about cozying away imaginative space for fans to fill in the blanks and cast themselves in the rich drama. That this latest film leaves us hungering for more only means that it’s working.
    • 62 Metascore
    • 67 Kimberley Jones
    Marshmallow nation, you may now exhale: Rob Thomas did ya right.
    • 64 Metascore
    • 67 Kimberley Jones
    Teenage is an art film – an engrossing one at that – so it isn’t required to respect Queensberry rules vis-à-vis documentaries.
    • 73 Metascore
    • 67 Kimberley Jones
    Director Roger Michell and his frequent writer Hanif Kureishi (their last film together was Venus) regularly dance to the very cliff’s edge of despair, and only for the grace of good casting do you not wish they’d just jump and get it over with.
    • 59 Metascore
    • 67 Kimberley Jones
    Screenwriters Andy Paterson and Frank Cottrell Boyce (who wrote many of Michael Winterbottom’s early films) adeptly shift the action back and forth between these two timelines, and the drama – exterior and interior – is engrossing in both tracks.
    • 74 Metascore
    • 67 Kimberley Jones
    Capitalizes on the audience’s familiarity with the many players and their complex backstories, but never advances the ball down the field, tenders no new thought or wrinkle to the franchise. It’s the difference between a diverting entertainment, and a riveting one.
    • 64 Metascore
    • 67 Kimberley Jones
    The material is interesting, and the production values are top-notch. Anushia Nieradzik deserves special notice for her costume design; her luxurious dresses in deep shades of purple and magenta race the pulse more than anything particular in the plot or characterization. It’s all quite well done, if only a touch too decorous.
    • 48 Metascore
    • 50 Kimberley Jones
    For every zinger, there are two flat jokes around the corner.
    • 63 Metascore
    • 50 Kimberley Jones
    Yes, this is the stuff of fiction, where individuals can drift in and out of another's life and make extraordinary, unbelievable things happen.
    • 58 Metascore
    • 50 Kimberley Jones
    The landscape and the lovers are pretty to look at, but two households divided should really pack more of a punch.
    • 47 Metascore
    • 50 Kimberley Jones
    It's like 90 minutes of teasing foreplay, and then, just when it's about to get really good, your partner rolls over and goes to sleep.
    • 75 Metascore
    • 50 Kimberley Jones
    The filmmakers no doubt had a hell of a time whittling the material down; unfortunately, what they came up with was something long on the mundaneness of GovWorks.com and short on the personalities behind it.
    • 31 Metascore
    • 50 Kimberley Jones
    Life at least deserves a nod for supplying the mostly dramatic actress with her first starring comedic role.
    • 27 Metascore
    • 50 Kimberley Jones
    Failed feminist statement or not, Coyote Ugly is a likable, if confused film.
    • 32 Metascore
    • 50 Kimberley Jones
    The action is constant, often pointless, definitely gratuitous, and breathlessly fun.
    • 72 Metascore
    • 50 Kimberley Jones
    It's impossible to shake the feeling that these are merely actors -- albeit good ones.
    • 71 Metascore
    • 50 Kimberley Jones
    Ambrose owns this crawlspace between being fierce and being fragile. But she can't escape the fact that her role is underwritten; the script suffers from an excess of subtlety.
    • 52 Metascore
    • 50 Kimberley Jones
    The film is by no means a disaster. Possession is prettily performed, prettily put-together. Yet, for a story set so firmly in the center of a fire, LaBute and his players have suited themselves in some mighty flame-retardant threads.
    • 45 Metascore
    • 50 Kimberley Jones
    What it needs is a little more dirtying down. What it needs, in short, is less New York, and more Alabama.
    • 48 Metascore
    • 50 Kimberley Jones
    The exceedingly silly Super Troopers is an earnest, mostly funny spoof.
    • 46 Metascore
    • 50 Kimberley Jones
    That's the ultimate cheat in this pleasant, but trifling affair: Allen has cheated himself out of an actress (Leoni) that could have been Diane Keaton's heir.
    • 47 Metascore
    • 50 Kimberley Jones
    Fact is, good looks will go a long way in masking mediocrity, and Hollywood Homicide capitalizes on that fact doubly so: Co-writer/director Ron Shelton’s latest boasts two pretty faces, and all across the country, mothers and daughters sigh alike.
    • 65 Metascore
    • 50 Kimberley Jones
    Feels like a Fincher film: It possesses the same smarts, the same visual panache, the same violence. But not the same heart.
    • 45 Metascore
    • 50 Kimberley Jones
    It’s just too much drama for one modest film to service adequately. In an effort to cram it all in, scenes abruptly jump from one to the next with nary a smooth transition in sight, relationships evolve far too quickly, and certain subplots drop out of the mix only to resurface, jarringly, much later.
    • 35 Metascore
    • 50 Kimberley Jones
    Scooby's just so dang cute, what's the point in grousing?
    • 54 Metascore
    • 50 Kimberley Jones
    Phillips and co-writer Scot Armstrong waste too much time on a silly love-interest subplot for Wilson; that time is much better served by the frat-boy idiocies, like Frank beer-bonging himself into streaking.
    • 28 Metascore
    • 50 Kimberley Jones
    Overall, Just Married doesn't really take -- it has a shelf life about as short as the disastrous honeymoon -- but in the moment, it's cute, if corny. It'll do.
    • 52 Metascore
    • 50 Kimberley Jones
    It's kinda funny and pretty cute. Sometimes that's all it takes.
    • 42 Metascore
    • 50 Kimberley Jones
    Big, dumb, and fun.