For 1,467 reviews, this critic has graded:
  • 34% higher than the average critic
  • 1% same as the average critic
  • 65% lower than the average critic
On average, this critic grades 12.6 points lower than other critics. (0-100 point scale)

Kyle Smith's Scores

  • Movies
  • TV
Average review score: 49
Highest review score: 100 49 Up
Lowest review score: 0 Conversations with God
Score distribution:
1467 movie reviews
    • 59 Metascore
    • 50 Kyle Smith
    A likable cast and interior-­décor porn worthy of Martha Stewart Living are the highlights of The Best Man Holiday, but the mix of raunchy sex comedy and Christian faith doesn’t quite come off.
    • 52 Metascore
    • 50 Kyle Smith
    Some movies present their whole story in a two-minute trailer, but Gridiron Gang says it all in its poster.
    • 40 Metascore
    • 50 Kyle Smith
    Funny more often than not. Worth checking out on video.
    • 66 Metascore
    • 50 Kyle Smith
    Like many movies that premiere at the Sundance Film Festival, The One I Love has plenty of story — for a 30-minute TV episode, in this case of “The Twilight Zone.”
    • 53 Metascore
    • 50 Kyle Smith
    Beyond Outrage fails to live up to its title as Japanese superstar Takeshi Kitano can’t find much in the way of fresh ideas for the genre.
    • 45 Metascore
    • 50 Kyle Smith
    The film gets one star from me for the admirable brevity of its running time and another for the definite article in its title, seemingly an implicit promise that there will be no sequel.
    • 60 Metascore
    • 50 Kyle Smith
    Making a true story of social injustice into a gripping narrative requires more imagination than is contained in this well-intentioned but uninspired effort.
    • 73 Metascore
    • 50 Kyle Smith
    The teary-eyed sincerity of the music-industry drama Beyond the Lights is at times too much, but despite its cliche elements, the film at least has the feel of a passion project.
    • 60 Metascore
    • 50 Kyle Smith
    There hasn’t been this bizarre mixture of hooah and death since John Wayne hung up his combat boots.
    • 87 Metascore
    • 50 Kyle Smith
    In The Kid With a Bike, Belgian filmmakers Jean-Pierre and Luc Dardenne offer a sly but finally banal update of the Italian neorealist classic "The Bicycle Thief."
    • 49 Metascore
    • 50 Kyle Smith
    Everything plays out exactly as you'd expect in a cheerful, well-meaning movie in the style of something made for the Disney channel.
    • 31 Metascore
    • 50 Kyle Smith
    Either a ludicrously bad movie or a parody of same. Either way, it's pretty funny.
    • 36 Metascore
    • 50 Kyle Smith
    This stuff is strictly run of DeMille.
    • 56 Metascore
    • 50 Kyle Smith
    Hutcherson isn’t particularly adept at playing moral anguish, but the film maintains an electrifying tension for its first half as we wonder just how far his character will go. In the second half, though, the film degenerates into a desultory action movie as everybody starts creeping around trying to shoot one another.
    • 72 Metascore
    • 50 Kyle Smith
    As a comedy, the film isn’t especially funny, and as a screwball drug caper a la “Go,” it’s raggedly plotted, with ridiculous coincidences popping up everywhere.
    • 78 Metascore
    • 50 Kyle Smith
    Two possible ways of regarding Please Give: It's shallow. Or maybe it's deeply shallow.
    • 73 Metascore
    • 50 Kyle Smith
    The movie can be mildly amusing. But I couldn’t figure out which of the three principals I least wanted to know.
    • 75 Metascore
    • 50 Kyle Smith
    Neither bad enough to be a complete waste of time nor good enough to remember past next Tuesday, the film co-written and directed by Christopher McQuarrie staples together one routine action piece after another with cutesy dialogue and lots of merciless pounding away at iPad screens.
    • 52 Metascore
    • 50 Kyle Smith
    Safe House may strike you as a brilliant movie, provided you've seen fewer than, say, 10 spy thrillers.
    • 88 Metascore
    • 50 Kyle Smith
    “GBH” is a featherweight screwball comedy that, trying mightily to be cosmopolitan, feels awfully provincial, desperately touristy.
    • 30 Metascore
    • 50 Kyle Smith
    Like "Sex and the City 2," Marmaduke features well-coifed bitches in heat, nonstop puns and its very own Mr. Big. Unlike "SATC 2," this one is harmless and, on occasion, mildly witty.
    • 54 Metascore
    • 50 Kyle Smith
    Alan Rickman holds the film together.
    • 64 Metascore
    • 50 Kyle Smith
    Starts out as a hilarious take on cop-movie cliches, then turns into Will Ferrell's own "Capitalism: A Love Story."
    • 79 Metascore
    • 50 Kyle Smith
    Nor does the movie try to use the game to make some larger point. Here's one: Even at its best and luckiest hour, Harvard can aspire only to equal Yale.
    • 54 Metascore
    • 50 Kyle Smith
    Paper Heart is like a really special five-minute YouTube clip that goes on for an hour and a half.
    • 83 Metascore
    • 50 Kyle Smith
    Young Hugo (Asa Butterfield), a boy who literally lives inside the clocks he manages in a grand Paris train station in the 1930s, embodies one problem that bedeviled even Dickens: He's boringly nice.
    • 65 Metascore
    • 50 Kyle Smith
    Hanna doesn't go wrong immediately. It takes at least 2½ minutes.
    • 51 Metascore
    • 50 Kyle Smith
    If Broadway shows had DVD featurettes, the unexceptional documentary Broadway Idiot would be perfect for one.
    • 48 Metascore
    • 50 Kyle Smith
    A Skinemax movie cloaked in art-house fancy dress, the sex thriller Chloe might have worked better as an out-and-out popcorn flick starring, say, Jennifer Lopez.
    • 70 Metascore
    • 50 Kyle Smith
    As the movie drags on, though, it takes on a throbbing, sick monotone. This isn't a concert, it's a bass guitar solo, all thumping blackness.

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