Lawrence Toppman
Select another critic »
For 1,419 reviews, this critic has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 4.7 points higher than other critics. (0-100 point scale)

Lawrence Toppman's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 Gravity
Lowest review score: 0 Little Nicky
Score distribution:
1,419 movie reviews
    • 38 Metascore
    • 38 Lawrence Toppman
    Martin, who plays Clouseau and wrote the script with Len Blum, has completely mishandled the character.
    • 63 Metascore
    • 38 Lawrence Toppman
    ATL
    Director Chris Robinson moves his camera aimlessly, cutting in and out of speeches as if he were just as bored as I.
    • 53 Metascore
    • 38 Lawrence Toppman
    Is Josh Hartnett attracted to cinematic bombs, or do movies merely self-destruct once he signs on as the leading man?
    • 45 Metascore
    • 38 Lawrence Toppman
    The writer-producer-director of American Dreamz makes nearly every mistake in the satirical book. His targets are either too easy or too dated. He's inconsistent in his attitudes toward them. His stereotypes are stale.
    • 57 Metascore
    • 38 Lawrence Toppman
    I once said I'd watch Chiwetel Ejiofor act in any piece of disposable fluff, and now I have.
    • 36 Metascore
    • 38 Lawrence Toppman
    This isn't nitpicking. Every bit of the tale is as full of holes as a wool sweater at a moth convention, and Shyamalan telegraphs each potential surprise.
    • 65 Metascore
    • 38 Lawrence Toppman
    If you really must see Miami Vice (and you mustn't), buy a ticket to something better, then slip into "Vice" at the 95-minute mark and watch the last third of the movie. No one involved will profit by your curiosity, and you won't miss a thing of importance.
    • 48 Metascore
    • 38 Lawrence Toppman
    When Allen revives his plodding "Manhattan Murder Mystery" as the even duller Scoop, I snore.
    • 43 Metascore
    • 38 Lawrence Toppman
    "Man" is like a sour, half-formed version of a TV sitcom full of dislikable, disconnected characters.
    • 37 Metascore
    • 38 Lawrence Toppman
    Yet even the language, finally, becomes as inauthentic as the accents.
    • 39 Metascore
    • 38 Lawrence Toppman
    Writer-director Barry Levinson leaned on Robin Williams the way a one-ring circus relies on its lone acrobat. So they're jointly responsible for the film's utter failure.
    • 65 Metascore
    • 38 Lawrence Toppman
    Writer-director Coppola and her production team have gotten the look of the late 18th century right...But they've gotten almost everything else wrong.
    • 47 Metascore
    • 38 Lawrence Toppman
    Ridley Scott and Russell Crowe attempt light romantic comedy in A Good Year, and the results are as grindingly discordant as a punk band writing a suite of waltzes.
    • 56 Metascore
    • 38 Lawrence Toppman
    Harsh Times contains exactly 30 seconds of novelty.
    • 38 Metascore
    • 38 Lawrence Toppman
    The only interesting character is the dragon, who grows from an adorably dependent baby to a protective, intelligent adult voiced by Rachel Weisz.
    • 48 Metascore
    • 38 Lawrence Toppman
    This movie is made by and for people who don't care about good storytelling.
    • 35 Metascore
    • 38 Lawrence Toppman
    Errors in logic will delight the attentive.
    • 49 Metascore
    • 38 Lawrence Toppman
    Attaching Chris Rock to I Think I Love My Wife is like chaining a Kentucky Derby winner to the merry-go-round in a petting zoo. His humor is hobbled, his personality dulled, his energy depleted. Who's responsible for this lapse in judgment? Chris Rock.
    • 43 Metascore
    • 38 Lawrence Toppman
    The filmmakers' ineptitude is staggering.
    • 71 Metascore
    • 38 Lawrence Toppman
    The storytelling is inept and illogical.
    • 53 Metascore
    • 38 Lawrence Toppman
    It's marginally possible that Nancy Drew is spoofing high school adventure movies, and I almost hope so. Otherwise, it's unwatchable on every level.
    • 50 Metascore
    • 38 Lawrence Toppman
    Quirkiness is as essential to a small indie film as beef stock to French onion soup. But if you don't have enough of any other ingredient, you end up with a watery, barely edible broth.
    • 37 Metascore
    • 38 Lawrence Toppman
    Plays like some uninformed seventh-grader's view of gay men.
    • 61 Metascore
    • 38 Lawrence Toppman
    It's almost impossible for a movie to go irrevocably wrong during the opening credits, but the ceaselessly irritating The Jane Austen Book Club does just that.
    • 38 Metascore
    • 38 Lawrence Toppman
    You'll have to swallow this gooey confection whole or spit it out after the first couple of bites.
    • 51 Metascore
    • 38 Lawrence Toppman
    The final sad joke is this: Weitz took a wonderful story about the danger of severing a soul from its otherwise empty body and did that very thing to his source.
    • 39 Metascore
    • 38 Lawrence Toppman
    Lee sleepwalks through his part, even in romantic scenes with equally bland Cameron Richardson.
    • 63 Metascore
    • 38 Lawrence Toppman
    The film is a saggy, oddly mean-spirited takeoff of "Walk the Line."
    • 64 Metascore
    • 38 Lawrence Toppman
    No movie this year will better embody Macbeth's description of life itself: "a tale ... full of sound and fury, signifying nothing."
    • 29 Metascore
    • 38 Lawrence Toppman
    Of COURSE it's bad. It was always going to be. But it's worse than necessary.

Top Trailers