For 1,388 reviews, this critic has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 4.9 points higher than other critics. (0-100 point scale)

Lawrence Toppman's Scores

  • Movies
Average review score: 64
Highest review score: 100 The Squid and the Whale
Lowest review score: 0 Little Nicky
Score distribution:
1,388 movie reviews
    • 37 Metascore
    • 38 Lawrence Toppman
    Since there can be no suspense, the point is to enjoy the hewing of limbs and the severing of necks, to delight in chopped-off fingers and gouged-out eyes. The title characters are embodiments of utter evil, right?
    • 48 Metascore
    • 38 Lawrence Toppman
    I've just seen The Core, and I have a piece of advice for Hilary Swank: Don't quit your night job.
    • 64 Metascore
    • 38 Lawrence Toppman
    The outcome is alternately unsatisfying, meaningless, contradictory and laughable.
    • 33 Metascore
    • 38 Lawrence Toppman
    Writers Pamela Falk and Michael Ellis aim for the soufflé-style comedy audiences ate up greedily 40 years ago, but the film falls flat.
    • 38 Metascore
    • 38 Lawrence Toppman
    A miler trying to run a marathon, a fair middleweight idea trying to deliver heavyweight thrills.
    • 55 Metascore
    • 38 Lawrence Toppman
    The Truth About Charlie...is that this "Charade" remake is a lumpen bore.
    • 47 Metascore
    • 38 Lawrence Toppman
    It's a drab jumble of meaningless action, dull characters and animation as flat and superficial as its story.
    • 43 Metascore
    • 38 Lawrence Toppman
    Delivers more of what the original promised, with the crudity index up one notch and the humor index down quite a few.
    • 35 Metascore
    • 38 Lawrence Toppman
    It starts as enjoyable B-movie pulp, degenerates to camp, then turns into laughable lunacy.
    • 33 Metascore
    • 38 Lawrence Toppman
    If you're the kind of person who goes to the movies primarily to watch faces melt to pulp, you won't be disappointed.
    • 63 Metascore
    • 38 Lawrence Toppman
    Heavy-handed symbolism permeates the picture, down to the leading lady's name.
    • 64 Metascore
    • 38 Lawrence Toppman
    Ambiguity can enrich a movie, but artists abdicate their responsibilities if they don't take a stance of any kind.
    • 43 Metascore
    • 38 Lawrence Toppman
    As lame as a three-legged mule.
    • 37 Metascore
    • 38 Lawrence Toppman
    The outtakes prove Analyze That could have been even worse.
    • 23 Metascore
    • 38 Lawrence Toppman
    Passed as slowly as if I'd been sitting naked on an igloo, Formula 51 sank from quirky to jerky to utter turkey.
    • 50 Metascore
    • 38 Lawrence Toppman
    The film's as chaotic and heavy-handed as "Summer of Sam" without the same sense of harsh reality.
    • 48 Metascore
    • 38 Lawrence Toppman
    Might have been funnier if it had been put together with more care.
    • 36 Metascore
    • 38 Lawrence Toppman
    What starts as a cute premise crashes faster than a skateboard with an oak branch shoved between its wheels.
    • 32 Metascore
    • 38 Lawrence Toppman
    Wilson brings low-wattage amiability to his part, as always. Hudson's mismatched with him but tries to set him afire.
    • 51 Metascore
    • 38 Lawrence Toppman
    I don't know if the new movie is Smith's weakest. It's certainly his most disposable, a warmed-over hash of jokes that will have Mewes fans rolling with laughter and the rest of us rolling our eyes in disbelief.
    • 48 Metascore
    • 38 Lawrence Toppman
    Flat as a Moravian cookie, flat as a sailor's wallet after a month in port, flat as the average European's impression of the Earth in A.D. 800.
    • 35 Metascore
    • 38 Lawrence Toppman
    Interesting and idiotic elements almost exactly balance each other.
    • 57 Metascore
    • 38 Lawrence Toppman
    Dark Blue proves again what a remarkable actor Denzel Washington is. Too bad he's not in it.
    • 46 Metascore
    • 38 Lawrence Toppman
    Melvin Van Peebles wrote and directed the biting "Don't Play Us Cheap" 30 years ago to complain about racial stereotyping in films. But Hollywood never listened. It kept playing African -Americans cheap in mainstream comedies, whether the directors were white or black. Deliver Us From Eva -- is one of the worst recent offenders.
    • 30 Metascore
    • 38 Lawrence Toppman
    Abbott, Petroni and director Michael Rymer do exploit the visual and aural cliches of vampire movies from the last 20 years: The creatures wear tattoos, shave their heads, listen to blistering rock and dress in black leather. For a band of societal outsiders, they're pathetically conformist.
    • 45 Metascore
    • 38 Lawrence Toppman
    Speaking of sounding Southern, I have to admit that the accents didn't match, and half the actors couldn't even do accents. But since we all sound alike down here, that's no big deal.
    • 34 Metascore
    • 38 Lawrence Toppman
    When the film stumbles to its last and silliest conclusion, you realize much of the plot line was unnecessary -- or couldn't have happened at all!
    • 76 Metascore
    • 38 Lawrence Toppman
    It's ploddingly directed, indifferently acted and insufficiently frightening.
    • 31 Metascore
    • 38 Lawrence Toppman
    Better than you might expect, if you didn't expect it to be any good.
    • 47 Metascore
    • 38 Lawrence Toppman
    Souza and Shelton throw in all kinds of ridiculous devices they learned in second-year screenwriting class.