Lawrence Toppman
Select another critic »
For 1,409 reviews, this critic has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 4.6 points higher than other critics. (0-100 point scale)

Lawrence Toppman's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 Argo
Lowest review score: 0 Waist Deep
Score distribution:
1,409 movie reviews
    • 45 Metascore
    • 38 Lawrence Toppman
    You could dismiss it, as I do, as an impenetrable and insufferable ball of pseudo-philosophic twaddle.
    • 32 Metascore
    • 38 Lawrence Toppman
    Wilson brings low-wattage amiability to his part, as always. Hudson's mismatched with him but tries to set him afire.
    • 57 Metascore
    • 38 Lawrence Toppman
    Dark Blue proves again what a remarkable actor Denzel Washington is. Too bad he's not in it.
    • 38 Metascore
    • 38 Lawrence Toppman
    He (Murphy) can't make chicken a la king from the chicken manure supplied by the writers.
    • 46 Metascore
    • 38 Lawrence Toppman
    Melvin Van Peebles wrote and directed the biting "Don't Play Us Cheap" 30 years ago to complain about racial stereotyping in films. But Hollywood never listened. It kept playing African -Americans cheap in mainstream comedies, whether the directors were white or black. Deliver Us From Eva -- is one of the worst recent offenders.
    • 56 Metascore
    • 38 Lawrence Toppman
    Feeble, vapid picture.
    • 45 Metascore
    • 38 Lawrence Toppman
    See not only the original "Detective" but the Steve Martin-Bernadette Peters film "Pennies From Heaven." If you insist on giving Downey and company $8 instead, you'll be getting wooden nickels from Hell.
    • 33 Metascore
    • 38 Lawrence Toppman
    If you're the kind of person who goes to the movies primarily to watch faces melt to pulp, you won't be disappointed.
    • Charlotte Observer
    • 65 Metascore
    • 38 Lawrence Toppman
    Movies can certainly be worse than bad sitcoms, and this is one of them.
    • 35 Metascore
    • 38 Lawrence Toppman
    Williamson deals mostly in cliches, as if high schoolers weren't smart enough to appreciate anything subtler.
    • 70 Metascore
    • 38 Lawrence Toppman
    Hamlet has audacity, intelligence, a provocative visual and musical style, virtually no poetry, a garbled story line weakened by savage cutting of the play, and a great yawning hole where a Hamlet ought to be.
    • 48 Metascore
    • 38 Lawrence Toppman
    I've just seen The Core, and I have a piece of advice for Hilary Swank: Don't quit your night job.
    • 44 Metascore
    • 38 Lawrence Toppman
    Satire's funniest when it's true, but Rock exaggerates and mistimes too many jokes.
    • 31 Metascore
    • 38 Lawrence Toppman
    Better than you might expect, if you didn't expect it to be any good.
    • 42 Metascore
    • 38 Lawrence Toppman
    It's blah. Worse than blah, actually, because it's so stupid.
    • 48 Metascore
    • 38 Lawrence Toppman
    The movie is as padded as Allen's jelly belly.
    • 48 Metascore
    • 38 Lawrence Toppman
    This might all have been silly fun -- as it was in the 1999 version -- except for the carelessness of the whole picture.
    • 47 Metascore
    • 38 Lawrence Toppman
    It's a drab jumble of meaningless action, dull characters and animation as flat and superficial as its story.
    • 54 Metascore
    • 38 Lawrence Toppman
    Rarely connects with reality.
    • 47 Metascore
    • 38 Lawrence Toppman
    Souza and Shelton throw in all kinds of ridiculous devices they learned in second-year screenwriting class.
    • 28 Metascore
    • 38 Lawrence Toppman
    Repeated lapses in continuity and common sense.
    • 47 Metascore
    • 38 Lawrence Toppman
    When Elle Woods watches "Mr. Smith Goes to Washington" for inspiration in the middle of Legally Blonde 2, you have to admire the nerve of the people who made this comedy: "Smith" is to LB2 what jumbo jets are to ultralight gliders. But nerve is all they've got.
    • 17 Metascore
    • 38 Lawrence Toppman
    The movie is somewhat below average. The plot doesn't always hold together.
    • 43 Metascore
    • 38 Lawrence Toppman
    Delivers more of what the original promised, with the crudity index up one notch and the humor index down quite a few.
    • 48 Metascore
    • 38 Lawrence Toppman
    Once, for no reason, Franklin whirled the camera around 360 degrees while two people were having an ordinary conversation. I suspect he must have been as bored by then as I was.
    • 35 Metascore
    • 38 Lawrence Toppman
    It starts as enjoyable B-movie pulp, degenerates to camp, then turns into laughable lunacy.
    • 45 Metascore
    • 38 Lawrence Toppman
    If you have a strong stomach, a weak sense of disbelief, an active interest in Denzel Washington or Angelina Jolie and a temporarily inactive brain, you may enjoy it awhile.
    • 39 Metascore
    • 38 Lawrence Toppman
    A fairy tale full of fascist, Bible-thumping straights, self-deluded and pathetic gay people who deny their impulses, and two honest lesbians who triumph.
    • 48 Metascore
    • 38 Lawrence Toppman
    Flat as a Moravian cookie, flat as a sailor's wallet after a month in port, flat as the average European's impression of the Earth in A.D. 800.
    • 33 Metascore
    • 38 Lawrence Toppman
    Writers Pamela Falk and Michael Ellis aim for the soufflé-style comedy audiences ate up greedily 40 years ago, but the film falls flat.