Lawrence Toppman
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For 1,419 reviews, this critic has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 4.7 points higher than other critics. (0-100 point scale)

Lawrence Toppman's Scores

  • Movies
  • TV
Average review score: 64
Highest review score: 100 Waltz with Bashir
Lowest review score: 0 Little Nicky
Score distribution:
1,419 movie reviews
    • 44 Metascore
    • 38 Lawrence Toppman
    Where "Wedding" introduced us to a Greek family most of us had never seen before, "Connie" plays out like a clumsy episode of "Laverne and Shirley:" familiar, phony and forgettable.
    • 47 Metascore
    • 38 Lawrence Toppman
    Man on Fire is as ludicrous as "John Q," "Virtuosity" and "Out of Time," yet substantially more violent, artificial, self-conscious and dull.
    • 24 Metascore
    • 38 Lawrence Toppman
    De Niro wears a shamefaced look most of the time, as if doubly embarrassed: He agreed to a movie he knew was worthless, yet he's too lazy or indifferent to give us his best.
    • 38 Metascore
    • 38 Lawrence Toppman
    Like so many sequels, The Chronicles of Riddick demonstrates Hollywood's law of diminishing returns: Its quality is inversely proportional to its budget.
    • 42 Metascore
    • 38 Lawrence Toppman
    A Frankenstein's monster of a movie: clumsy, patched together from parts that don't align properly, desperate to be loved, destined to be chased by mobs with pitchforks - those will be the critics - until it stumbles into its grave.
    • 27 Metascore
    • 38 Lawrence Toppman
    The filmmakers find "laughs" in sadistic violence.
    • 46 Metascore
    • 38 Lawrence Toppman
    If they decided not to give us Camelot, did they have to leave us with so Camelittle?
    • 31 Metascore
    • 38 Lawrence Toppman
    Has any movie this millennium had less reason to exist than First Daughter?
    • 46 Metascore
    • 38 Lawrence Toppman
    As a vegetarian, I'm grateful that Around the Bend -- an extended commercial for KFC passing itself off as a heartwarming family drama -- is a loser.
    • 44 Metascore
    • 38 Lawrence Toppman
    This picture has an ugly habit of humiliating Bridget, which "Diary" did not.
    • 66 Metascore
    • 38 Lawrence Toppman
    Everything about the film seems to have been done on the cheap. The music sounds like it came from a high school band.
    • 22 Metascore
    • 38 Lawrence Toppman
    M. Emmet Walsh and Elizabeth Franz enliven the film as a couple across the street...These wonderful old actors briefly raise the level of the picture to the kind of warm but honest drama it ought to have been.
    • 50 Metascore
    • 38 Lawrence Toppman
    A long, slow pity party full of characters who constantly bemoan their fate while telling other people not to pity themselves.
    • 15 Metascore
    • 38 Lawrence Toppman
    The assault is against our ears, as the soundtrack pours forth a stream of thrash and Goth music.
    • 70 Metascore
    • 38 Lawrence Toppman
    Hamlet has audacity, intelligence, a provocative visual and musical style, virtually no poetry, a garbled story line weakened by savage cutting of the play, and a great yawning hole where a Hamlet ought to be.
    • 41 Metascore
    • 38 Lawrence Toppman
    It took four years to come up with this? Someone needed that long to assemble this patchy, recycled collection of gags about stinky butts, superfreaks, finger-wide blunts and racial cliches?
    • 30 Metascore
    • 38 Lawrence Toppman
    It's yet another warm, fuzzy, New-Age tale that cozies us into believing the grave doesn't mean oblivion.
    • 35 Metascore
    • 38 Lawrence Toppman
    Far be it from me to spoil the secret, but I will say this: The last reel should've been sent straight to the city dump.
    • 50 Metascore
    • 38 Lawrence Toppman
    There's a potentially good story rattling around somewhere inside this broken, self-contradictory and finally meaningless film.
    • 37 Metascore
    • 38 Lawrence Toppman
    Recycling is a good idea in principle, but certain products should be sent directly to a landfill without re-use. Be Cool, the feeble film follow-up to "Get Shorty," is one of them.
    • 68 Metascore
    • 38 Lawrence Toppman
    It's a disconnected, implausible story that aims for a tone of magic realism and falls short on both counts.
    • 44 Metascore
    • 38 Lawrence Toppman
    Goes wrong in less than two minutes, which may be a world record for sequels to decent movies.
    • 33 Metascore
    • 38 Lawrence Toppman
    Unimaginative.
    • 37 Metascore
    • 38 Lawrence Toppman
    The special effects excite at first but wear out their welcome.
    • 38 Metascore
    • 38 Lawrence Toppman
    The story's so sloppy that it contradicts itself constantly.
    • 27 Metascore
    • 38 Lawrence Toppman
    There's one thing to be said for The Perfect Man: It confirms my belief that I'll never need to see another Hilary Duff movie until (1) she turns 30 or (2) she plays a crackhead in "Requiem for a Dream II."
    • 65 Metascore
    • 38 Lawrence Toppman
    The year's least necessary and most unimaginative remake slogs half-heartedly to its pre-destined conclusion without making a ripple.
    • 33 Metascore
    • 38 Lawrence Toppman
    There's nothing wrong with Simpson's performance that a head transplant wouldn't cure, and the grinning Reynolds looks Botoxed into immobility.
    • 51 Metascore
    • 38 Lawrence Toppman
    The film seems almost intentionally bad in most ways, as if Gilliam were expressing a suicide wish for his directing career.
    • 30 Metascore
    • 38 Lawrence Toppman
    The writers supply character traits that seem to point toward a pay-off but never reach one. People all end up as tight-lipped, indistinguishable automatons who plummet 50 feet down jagged rocks with scarcely a scratch.

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