Lisa Schwarzbaum, Entertainment Weekly
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For 1,901 reviews, this critic has graded:
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71% higher than the average critic
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2% same as the average critic
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27% lower than the average critic
On average, this critic grades 9.5 points higher than other critics.
(0-100 point scale)
Lisa Schwarzbaum's Scores
- Movies
| Average review score: | 69 |
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| Highest review score: |
Critic Score
100
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| Lowest review score: |
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0
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Score distribution:
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Positive: 1,238 out of 1901
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Mixed: 500 out of 1901
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Negative: 163 out of 1901
1,901
movie reviews
- By critic score
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Lisa Schwarzbaum 91
André Téchiné's beautifully ambiguous, exquisitely underplayed drama Strayed has less to do with the events and moral choices of the era that continue to shape French identity than with the timeless psychological effects of finding oneself unmoored from the familiar. -
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Lisa Schwarzbaum 91
The notion of meta has never been diddled more mega than in this giddy Möbius strip of a movie, a contrivance so whizzy and clever that even when it tangles at the end, murked like swampy southwestern Florida itself, the stumble has quotation marks around it. -
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Lisa Schwarzbaum 91
The first Irish creation I've seen in ages to pull off the high-difficulty feat of trafficking in grit, drollery, and emotion without turning to blarney as a crutch. -
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Lisa Schwarzbaum 91
What blows us away is the power of Ifans' moist puppy eyes and chilling smile as a true believer undeterred by reality. -
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Lisa Schwarzbaum 91
If ''Finding Nemo'' is an awesome Pixar superpower, The Triplets of Belleville is a charming, idiosyncratic, self-governing duchy with huge tourism potential on the other side of the animated-movie planet. -
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Lisa Schwarzbaum 91
The movie was a major success for Melanie Griffith, sure, but it was as the secretary's boss ... that Weaver combined all of her star qualities, pulled in laughs, and took home an Academy Award nomination for Best Supporting Actress. -
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Lisa Schwarzbaum 91
There are no zombies out of ''28 Days Later'' to alleviate the slow creep of realistic doom in this chilly, tense corker. -
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Lisa Schwarzbaum 91
While Rodriguez punches through the indie clutter to announce herself as a superb new movie talent, so Kusama scores big points in her first main event. -
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Lisa Schwarzbaum 91
There aren't many at all like Spielberg and Kubrick, directors willing to lasso dreams (that's Steven) and nightmares (that's Stanley) or die trying. A.I. is a clash of the titans, a jumble, an oedipal drama, a carny act. I want to see it again. -
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Lisa Schwarzbaum 91
Hard to say who's luckier -- those who have seen the work of Canadian filmmaker Guy Maddin before and know what to expect, or those who haven't and for whom The Saddest Music in the World serves as an eye-popping introduction. -
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Lisa Schwarzbaum 91
A funny, shrewd, no-bull family comedy about the relationship between mothers and teenage daughters that allows Curtis the comedian to remember her days as a slinky starlet while making use of her wisdom as the mother of an adolescent girl herself. -
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Lisa Schwarzbaum 91
Lathan, charismatic and beautifully strong, holds the screen in every scene. -
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Lisa Schwarzbaum 91
The result is a movie, and Cannes Palme d'Or winner, of riveting power and sadness, a great match of film and filmmaker -- and star, too. -
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Lisa Schwarzbaum 91
Jaoui handles her crowd of vivid characters so naturally, and shoots her scenes so unobtrusively, that the diagrammatic cleverness of the plot never overwhelms the intelligence of the observations. -
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Lisa Schwarzbaum 91
Everything is vast and hugely ambitious in Martin Scorsese's magisterial, scrambled historical epic. -
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Lisa Schwarzbaum 91
Consider Primer a successful lab experiment with, as they might say in techie chat rooms, significant indie-cred applications, IMHO. Oh, and :-). -
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Lisa Schwarzbaum 91
This galvanizing cinematic work is also gorgeous, experimental, alive with a Scandinavian strain of chutzpah, and artistically elegant. -
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Lisa Schwarzbaum 91
Mitchell directs and stars in the riotous, loving, and only occasionally pathos-milking film adaptation of his own acclaimed Off Broadway play, with great up-your-ante music and lyrics by Stephen Trask. -
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Lisa Schwarzbaum 91
Turns out to be the funniest, most risk-taking, most incisive movie of the summer. -
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Lisa Schwarzbaum 91
Minghella makes an enticing, intelligent, well-shaped picture about the extreme perils of class envy and sexual panic. -
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Lisa Schwarzbaum 91
This is a movie that considers graphic violence with a refined taste for the sensuous: Guts spill, blood spurts, corpses stink, but there is a handsome, absurdist humanity to the way Jeunet (who wrote the script with Guillaume Laurant) maps out the crossroads of human carnage and human caring. -
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Lisa Schwarzbaum 91
The clammy power of Young Adam lies as much in the frank, emotional nakedness the actors bring to their roles under Mackenzie's care as in the baroque hopelessness of the plot. -
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Lisa Schwarzbaum 91
Traces the sport to its Polynesian beginnings, then zooms in on the genesis of 20th- century Southern California surf culture -- the boards, the bikinis, the laid-back cowabunga. -
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Lisa Schwarzbaum 91
A warm embrace of tradition and boisterous, ethnographically rich local culture. -
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Lisa Schwarzbaum 91
Breakdown feels at first so casual, so comfortable with its own small expectations (a good but unglamorous cast, a sturdy but unspectacular plot), that the authentic feelings of suspense are a surprise. -