For 2,382 reviews, this critic has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 4 points lower than other critics. (0-100 point scale)

Lou Lumenick's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 Selma
Lowest review score: 0 Boys and Girls
Score distribution:
2,382 movie reviews
    • 46 Metascore
    • 25 Lou Lumenick
    About as artistically profound as those framed 3-D photos of the Twin Towers emblazoned with "Never Forget'' that are still for sale in Times Square a decade after 9/11.
    • 27 Metascore
    • 25 Lou Lumenick
    Watchable in a train-wreck kind of way, but you'll probably want to take a shower afterwards.
    • 27 Metascore
    • 25 Lou Lumenick
    The "Prinze" of terrible movies is back - in what might charitably be called "Rear Window" for morons.
    • New York Post
    • 37 Metascore
    • 25 Lou Lumenick
    Cliched, amateurish and feeble.
    • 49 Metascore
    • 25 Lou Lumenick
    Might as well be called "Around the World in 80 Yawns."
    • 46 Metascore
    • 25 Lou Lumenick
    Eric Schaeffer's rip-off -- er, homage -- to "Magnolia," is a marginally better movie than his previous self-absorbed atrocities like "My Life's in Turnaround" and "Wirey Spindell."
    • 21 Metascore
    • 25 Lou Lumenick
    Wavers between extreme silliness and unbearable earnestness.
    • 23 Metascore
    • 25 Lou Lumenick
    Not especially scary or funny, this lame comedy-thriller wastes a decent cast in a plodding tale.
    • New York Post
    • 30 Metascore
    • 25 Lou Lumenick
    If you stay awake, you'll certainly feel more than a little ground down after watching perhaps 15 minutes of skateboard footage padded out with nearly 90 minutes of strenuously unfunny toilet humor - all cheaply filmed on a budget that looks as if it would scarcely cover the catering bill for "Gigli."
    • 29 Metascore
    • 25 Lou Lumenick
    Excruciatingly lame and laughless romantic comedy.
    • 66 Metascore
    • 25 Lou Lumenick
    Pointless and mind-numbing.
    • 61 Metascore
    • 25 Lou Lumenick
    One
    A rare dud in the Shooting Gallery series.
    • 36 Metascore
    • 25 Lou Lumenick
    Gets sillier and sillier as it goes along.
    • 41 Metascore
    • 25 Lou Lumenick
    Should have gone straight to video. It'll be there soon enough.
    • New York Post
    • 36 Metascore
    • 25 Lou Lumenick
    A slow-moving, ridiculous police thriller that would have been shipped straight to the remainder bin at Blockbuster if it starred anyone else.
    • tbd Metascore
    • 25 Lou Lumenick
    The latest, and let's hope the last, in the raft of uninspired, quickie Bush-bashing documentaries churned out by producer Robert Greenwald
    • 38 Metascore
    • 25 Lou Lumenick
    Painfully sincere. But it wrings almost no laughs or tears from this seemingly idiot-proof premise.
    • 34 Metascore
    • 25 Lou Lumenick
    A dispiriting rehash of dysfunctional family clich├ęs that seems to last longer than Thanksgiving Day dinner.
    • 44 Metascore
    • 25 Lou Lumenick
    Manages to be excruciatingly unfunny despite the presence of Pierce Brosnan and Emma Thompson in the lead roles.
    • 42 Metascore
    • 25 Lou Lumenick
    A tediously unfunny comedy.
    • 34 Metascore
    • 25 Lou Lumenick
    Looks great for a no-budget indie, but not a single moment rings true in this sluggish vanity project, which is sorely in need of Viagra.
    • 52 Metascore
    • 25 Lou Lumenick
    A boring, wincingly cute and nauseatingly politically correct cartoon guaranteed to drive anyone much over age 4 screaming from the theater.
    • 49 Metascore
    • 25 Lou Lumenick
    When New York, I Love You was previewed in Toronto a year ago, there were two additional segments that have since been cut. So you'll have to wait for the DVD to see just how bad Scarlett Johansson's directing debut is.
    • 36 Metascore
    • 25 Lou Lumenick
    Kirschner's excruciatingly earnest coming-of-age comedy, is about as fresh as year-old matzoh and plays like the unholy spawn of "Brighton Beach Memoirs" and "Fiddler on the Roof."
    • 38 Metascore
    • 25 Lou Lumenick
    Significantly more gruesome and noisy than its predecessor, and boasting more nasty-looking fluids than all the works of David Fincher combined, this version leaves few corpses unturned in its unstinting campaign to please gorehounds.
    • 30 Metascore
    • 25 Lou Lumenick
    The acting is serviceable at best, the direction unfocused - and the special effects and makeup cheesy-looking. This is surely the most dreary-looking film ever shot by the great Vittorio Storaro ("Apocalypse Now").
    • 24 Metascore
    • 25 Lou Lumenick
    Should you get Carter? Sure - but make it the Michael Caine classic Warner Bros. is releasing on video next week.
    • New York Post
    • 31 Metascore
    • 25 Lou Lumenick
    Fanning gives a sensitive and fairly impressive performance. But like her over-the-top movie family, Hounddog is still trailer trash of the worst kind.
    • 78 Metascore
    • 25 Lou Lumenick
    Tedious and pretentious.
    • 41 Metascore
    • 25 Lou Lumenick
    I wouldn't have thought it was possible to make a prison picture as utterly boring as Jailbait.

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