For 2,389 reviews, this critic has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 4.2 points lower than other critics. (0-100 point scale)

Lou Lumenick's Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Selma
Lowest review score: 0 Twisted
Score distribution:
2,389 movie reviews
    • 88 Metascore
    • 88 Lou Lumenick
    Julie Christie is simply astounding as a woman slipping into the ravages of Alzheimer's in Sarah Polley's deeply affecting and artfully crafted Away From Her.
    • 78 Metascore
    • 88 Lou Lumenick
    This remarkable new documentary from Raymond De Felitta ("City Island") fruitfully revisits the aftermath of a TV doc that his father, Frank, produced for NBC in 1965.
    • 72 Metascore
    • 88 Lou Lumenick
    Williams, who was elected president of ASCAP in 2009, speaks frankly and eloquently about his problems dealing with fame, and his recovery. And more important, he earns our thanks by resolutely refusing to let Kessler turn this into a clich├ęd documentary.
    • 83 Metascore
    • 88 Lou Lumenick
    In the Loop is certainly the smartest and funniest movie inspired by the Iraq war.
    • 80 Metascore
    • 88 Lou Lumenick
    Nutty Danish provocateur Lars von Trier -- long one of the most annoying filmmakers on the planet -- turns out one of the year's most emotionally resonant art movies.
    • 73 Metascore
    • 88 Lou Lumenick
    Cars leaves the animated competition in the dust, even if it is a tad slower and more predictable than Pixar at full throttle.
    • 80 Metascore
    • 88 Lou Lumenick
    This demanding puzzle is not for the "Chocolat" crowd, but those who stay with it will experience perhaps the most dazzling film released so far this year - even though a second viewing is virtually mandatory.
    • New York Post
    • 67 Metascore
    • 88 Lou Lumenick
    I'm not generally a huge fan of movies with two-or three-person casts -- they tend to resemble filmed plays -- but The Business of Strangers is a knockout.
    • 83 Metascore
    • 88 Lou Lumenick
    An instant classic.
    • 78 Metascore
    • 88 Lou Lumenick
    Includes insightful and often hilarious archival interviews with Langlois and dozens of associates, as well as wonderful footage of Langlois.
    • 89 Metascore
    • 88 Lou Lumenick
    The role of William is a perfect fit for Red West, a well-weathered member of Elvis Presley's Memphis Mafia who has served as a bodyguard as well as a stuntman and bit-part actor.
    • 83 Metascore
    • 88 Lou Lumenick
    Rarely less than absorbing and never boring over its nearly three-hour length.
    • 82 Metascore
    • 88 Lou Lumenick
    Like some of Hitchcock's films, the story - adapted from a novel by Charlotte Armstrong, an American mystery writer of the '40s and '50s - can be accused of stretching credibility and coincidence almost to the breaking point.
    • 70 Metascore
    • 88 Lou Lumenick
    Be warned: Though it's entirely justified by the story, there's a level of violence and brutality in Training Day -- that some terror-weary audience members may not care to cope with these days.
    • 64 Metascore
    • 88 Lou Lumenick
    Genuinely creepy Southern Gothic thriller that once again proves that in horror movies, sometimes less is actually more.
    • 86 Metascore
    • 88 Lou Lumenick
    So terrifically entertaining, it would be a shame if it didn't inspire a companion piece on New York.
    • 63 Metascore
    • 88 Lou Lumenick
    Pays off with emotional dividends well worth the time investment.
    • New York Post
    • 90 Metascore
    • 88 Lou Lumenick
    An unforgettable and complex portrait of a nuclear family in meltdown.
    • 72 Metascore
    • 88 Lou Lumenick
    You'll either be screaming with laughter - or be incredibly offended.
    • 82 Metascore
    • 88 Lou Lumenick
    His (Friedkin) very lack of subtlety is both the strength and weakness of The Exorcist in the 21st century.
    • New York Post
    • 90 Metascore
    • 88 Lou Lumenick
    An astonishing re-creation of the Londonderry massacre of January 1972.
    • 86 Metascore
    • 88 Lou Lumenick
    This environmentally themed, very loose version of Hans Christian Andersen's "Little Mermaid" is never going to be mistaken for Disney's musical of the same name.
    • 68 Metascore
    • 88 Lou Lumenick
    Thankfully, Tintin is Spielberg at his most playful and unpretentious.
    • 92 Metascore
    • 88 Lou Lumenick
    May not be a masterpiece, but it still had me in tears at the end.
    • 62 Metascore
    • 88 Lou Lumenick
    A real high in a season filled with unfunny comedies.
    • 83 Metascore
    • 88 Lou Lumenick
    Mostly it's worth seeing Alien, which established Scott as an A-list director, in a theater because his brilliant and often expansive visuals have always worked better on a big screen than on video.
    • 73 Metascore
    • 88 Lou Lumenick
    An exquisitely crafted Civil War epic that combines the epic romantic sweep of "Gone With the Wind" with a more intimate voice that speaks eloquently to the war-weary nation of today.
    • 73 Metascore
    • 88 Lou Lumenick
    Ray
    Contains large helpings of Hollywood schmaltz, stereotype and clich‚, but it's also pretty impossible to resist.
    • 52 Metascore
    • 88 Lou Lumenick
    Rarely since the tale of the Corleones has a movie presented such a compelling, sympathetic portrait of a criminal lowlife.
    • New York Post
    • 71 Metascore
    • 88 Lou Lumenick
    One funk-tastic musical biopic.

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