For 21 reviews, this critic has graded:
  • 66% higher than the average critic
  • 4% same as the average critic
  • 30% lower than the average critic
On average, this critic grades 4.5 points lower than other critics. (0-100 point scale)

Maggie Lee's Scores

  • Movies
Average review score: 55
Highest review score: 80 Coming Home
Lowest review score: 10 The BreakUp Guru
Score distribution:
  1. Positive: 9 out of 21
  2. Negative: 4 out of 21
21 movie reviews
    • 69 Metascore
    • 80 Maggie Lee
    Beguilingly simple, relaxed in its mastery and enhanced by Isabelle Huppert’s impeccable poise.
    • 85 Metascore
    • 80 Maggie Lee
    Anthony Chen is remarkably astute in his depiction of the class and racial tensions within such a household, his accessible style enabling the characters’ underlying decency and warmth to emerge unforced.
    • 62 Metascore
    • 80 Maggie Lee
    Heartbreaking in its depiction of ordinary lives affected by political upheaval, this ode to the fundamental values that survive even under such dire circumstances has an epic gravity that recalls another great historical romance, “Doctor Zhivago.”
    • 55 Metascore
    • 70 Maggie Lee
    Lost in Thailand is a boisterous, joyously hokey comedy.
    • 54 Metascore
    • 70 Maggie Lee
    The Berlin File boasts knockout action setpieces that provide an impressive big-budget showcase for Ryoo Seung-wan's technical smarts.
    • 56 Metascore
    • 70 Maggie Lee
    Although the pacing is more laidback than in “Au revoir Taipei,” the humor more rooted in believable (if bizarre) real-life situations than in slapstick shenanigans, the comic timing remains spot-on and the jokes fetchingly offbeat in an utterly Taiwanese way.
    • 73 Metascore
    • 70 Maggie Lee
    The director retains his controlled style even as he moves toward a more traditional narrative mode.
    • 51 Metascore
    • 70 Maggie Lee
    Lam’s darkest work to date, one where violence is not just graphic but ugly, and Hong Kong symbolically comes to resemble a charnel house.
    • 36 Metascore
    • 60 Maggie Lee
    Tyro helmer Park Hong-soo handles wall-to-wall action, political intrigue and adolescent love with a relentless efficiency that befits his protagonist, even if the execution can feel as methodical as that of a killer checking off a hit list.
    • 40 Metascore
    • 50 Maggie Lee
    Though this sequel is just as glossy and shallow as its predecessor, the story gets juicier as the four femme friends transform from kittens to lynxes in the wake of boy troubles and corporate takeovers.
    • 33 Metascore
    • 50 Maggie Lee
    Wholesome, effortless entertainment that runs smoothly enough but seldom takes one’s breath away in the romance department.
    • 52 Metascore
    • 50 Maggie Lee
    There’s little in the way of drama, character depth or mise-en-scene to distract from Tiger Chen’s technically dazzling display of human combat in Keanu Reeves’ helming debut.
    • 40 Metascore
    • 50 Maggie Lee
    Flu
    The story flatlines as the crisis escalates, falling prey to pedestrian human drama and improbable conspiracy subplots.
    • 32 Metascore
    • 50 Maggie Lee
    It’s the robots — endowed here with character-rich physicality and almost human-scaled facial features — who give the film its emotional heft.
    • 55 Metascore
    • 40 Maggie Lee
    Kawase embraces nature worship and pompous philosophizing in her indulgently mannerist style, which, over the course of two hours, overwhelms a small yet potentially moving story of two teenagers dealing with separation within their families.
    • 45 Metascore
    • 30 Maggie Lee
    Like a school pageant with a Broadway-sized budget, this noisy production is a pileup of extravagant dance numbers, candy-colored sets and vintage props that, sans the requisite heart or hip factor, soon overstays its welcome.
    • 29 Metascore
    • 30 Maggie Lee
    Taking more than a dozen credits, including helmer-scribe, Jackie Chan emerges a Jackie-of-all-trades and master of none.