For 605 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 9.7 points higher than other critics. (0-100 point scale)

Marc Mohan's Scores

  • Movies
Average review score: 69
Highest review score: 100 The Act of Killing
Lowest review score: 0 Cop Out
Score distribution:
  1. Negative: 26 out of 605
605 movie reviews
    • 71 Metascore
    • 91 Marc Mohan
    The first of von Trier's efforts to be certifiably farcical.
    • 71 Metascore
    • 75 Marc Mohan
    Though it's well-cast and convincingly captures the look and feel of its era, the film loses steam as Accio's story meanders to a predictable conclusion.
    • 71 Metascore
    • 83 Marc Mohan
    Liman stages the chaotic action scenes, including several iterations of the beach assault, with clarity, precision, and wit. This is his best movie since 2002's "The Bourne Identity."
    • 71 Metascore
    • 67 Marc Mohan
    The animation is pretty and clean, reminiscent of other Studio Ghibli films like "Whisper of the Heart," but never achieves wondrous artistry.
    • 71 Metascore
    • 75 Marc Mohan
    An enjoyable sojourn into the world of Dickens and could inspire a trend. Shakespeare and Austen have had their Hollywood moments during the past few years; why not the proto-Hollywood Dickens?
    • 71 Metascore
    • 83 Marc Mohan
    His life stands as a testament to the idea that an average-looking bloke with a can-do attitude and a dream in his heart can rub shoulders with the folks the rest of us only get to read about. And he's got the photographs to prove it.
    • 71 Metascore
    • 75 Marc Mohan
    A decent-enough treat for fans of this particular Gallic genre.
    • 71 Metascore
    • 75 Marc Mohan
    They also, with brilliant simplicity, point to the possibility of these actions being taken for real.
    • 71 Metascore
    • 83 Marc Mohan
    It’s possible the movie’s actually too unflinching; there are moments where your nose is dangerously close to being rubbed in this pile of emotional trauma. Then again, when you come from the same country as the Dardennes brothers, you’ve got to pull out all the stops to compete in the misery department.
    • 71 Metascore
    • 58 Marc Mohan
    A rather schizophrenic comedy that gives respected performers Dame Judi Dench and Bob Hoskins a chance to show they don't take themselves too seriously.
    • 70 Metascore
    • 58 Marc Mohan
    The real star of the film is Horton, whose straight-talking ways and supportive circle of friends are a stark contrast to the haughty insults of academia.
    • 70 Metascore
    • 75 Marc Mohan
    Just because others bear blame for what went on doesn't mean they bore none, and while the deal they got was raw, they never lacked the ability to say no.
    • 70 Metascore
    • 75 Marc Mohan
    The real revelation is Lou Ferrigno, in his first non-Hulk-related big-screen role since 2002. OK, so he plays himself.
    • 70 Metascore
    • 83 Marc Mohan
    In addition to providing a fascinating, agenda-free look at an unseen way of life, the film presents a lesson that should be welcome among people of any faith or none at all.
    • 70 Metascore
    • 75 Marc Mohan
    With a predictable and borderline manipulative plot, Tsotsi depends on strong performances for its impact, and its cast delivers.
    • 70 Metascore
    • 83 Marc Mohan
    Oswalt sells Auferio's pasty indecision and makes him a more sympathetic figure than he has any right to be.
    • 70 Metascore
    • 83 Marc Mohan
    Whether Waddington's film comes across as hypnotic or boring, mythic or pretentious, may depend on the viewer's mood or tolerance for quasi-allegorical storytelling. But, as the women in House of Sand learn, patience can sometimes be its own reward.
    • 70 Metascore
    • 67 Marc Mohan
    Someone should send him (Kerry) a copy, if only to remind the senator of the days when he was willing and able to speak with the courage of his convictions, and when he had a lot less to lose.
    • 70 Metascore
    • 67 Marc Mohan
    The environment is one of unrelenting cruelty and misanthropy, which certainly brings out the novel's darker themes, but can be something of a slog to watch.
    • 70 Metascore
    • 75 Marc Mohan
    It's not without one or two missteps, but remains likely the most impressive juvenile acting you'll see this year.
    • 70 Metascore
    • 83 Marc Mohan
    An informative and frightening documentary.
    • 69 Metascore
    • 67 Marc Mohan
    The world depicted in Mark Romanek's Never Let Me Go is among the more beautiful dystopias in film history.
    • 69 Metascore
    • 42 Marc Mohan
    The result is a hybrid of "Falling Down" and "Short Cuts" without the iconic central character of the former or the latter's clear-eyed humanism.
    • 69 Metascore
    • 75 Marc Mohan
    One man's befuddlement is another's awe at the ineffability of time, and from either perspective, this is a spectacle not soon forgotten, even if never understood.
    • 69 Metascore
    • 75 Marc Mohan
    Next Goal Wins isn't the most slickly made documentary, and its chronology can be confusing at times. But, despite a bit of salty language, it's an inspiring, never-say-die chronicle for all ages.
    • 69 Metascore
    • 75 Marc Mohan
    A watchable, even suspenseful portrait of a woman who spends most of the film smoking cigarettes, sitting at typewriters or sparring at dinner parties.
    • 69 Metascore
    • 50 Marc Mohan
    There's visual poetry here, in small doses, but it doesn't take long for one's patience to run out.
    • 69 Metascore
    • 67 Marc Mohan
    In trying to make Kalmen's story unique, the film inadvertently exposes him as the most typical sufferer of midlife crises you could imagine.
    • 69 Metascore
    • 83 Marc Mohan
    Once Greene achieves fame, neither he nor the screenplay quite knows what to do; the first half-hour of Talk to Me is the most fun. But a vibrant feel for its era and a genuine affection for its characters make the whole thing a solid evocation of a time and a life worth remembering.
    • 69 Metascore
    • 75 Marc Mohan
    Yes, a comedy, however dark, about a parent taking advantage of a child's death is a tough sell. But with Williams more restrained and sympathetic than he's been in years (again, faint praise), and a final act that makes up for a ponderous first third, "Dad" shows that it can be done.