For 639 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 9.4 points higher than other critics. (0-100 point scale)

Marc Mohan's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 100 Schultze Gets the Blues
Lowest review score: 0 Cop Out
Score distribution:
  1. Negative: 29 out of 639
639 movie reviews
    • 45 Metascore
    • 75 Marc Mohan
    Blood Ties not only convincingly recreates its era, it seems like it could have been made then.
    • 56 Metascore
    • 75 Marc Mohan
    Disco scholars convincingly analyze lyrics and fashions as presenting bold expressions of sexuality and democratic hedonism, while Kastner doesn't skimp on the vintage clips, which range from unintentionally hilarious to surprisingly impressive.
    • 51 Metascore
    • 75 Marc Mohan
    It does assemble a compelling collage from the experiences of several real-life witnesses to the event and its aftermath.
    • 62 Metascore
    • 75 Marc Mohan
    If your tolerance for envelope-pushing crudeness and deadpan delirium allows it, this crass comedy might be just what the gastroenterologist ordered.
    • 55 Metascore
    • 75 Marc Mohan
    Parts of “Spark” can seem like an ad for Burning Man, but the film digs deep enough into the pressures and challenges facing its organizers and attendees to be a worthy exploration of a unique phenomenon, even for those who wouldn’t be caught dead wearing just glitter and a thong in 110 degree heat.
    • 55 Metascore
    • 75 Marc Mohan
    The world may not get another Ip Man film for a while after the last few years, but this one and Wong’s masterpiece should be more than sufficient.
    • 75 Metascore
    • 75 Marc Mohan
    The movie's centerpiece and peak is the operation itself, which Reichardt depicts with the pulse-pounding patience of a classic heist sequence like that in "Rififi."
    • 68 Metascore
    • 75 Marc Mohan
    It's not clear that Ayoade has anything new to say about these time-worn themes, but he has fun creating the world of the film.
    • 74 Metascore
    • 75 Marc Mohan
    Joe
    Joe works better as a study of character and environment than as the thriller it tries to become in its final act.
    • 57 Metascore
    • 75 Marc Mohan
    The result calls to mind “Lord of the Flies” and “Children of Men,” even if the film’s second half is much less compelling than its first.
    • 64 Metascore
    • 75 Marc Mohan
    Bettie Page Reveals All earns its title from more than the uncensored images it includes.
    • 65 Metascore
    • 75 Marc Mohan
    As usual, the director is a wizard at camera movement and more than willing to plunge his audience into unpleasantness.
    • 75 Metascore
    • 75 Marc Mohan
    Director Sini Anderson compiles interviews with Hanna and her husband, Beastie Boy Adam Horovitz, as well as archival footage, into an admiring portrait of a sometimes combative figure.
    • 61 Metascore
    • 75 Marc Mohan
    What Johansson does in Lucy won't win her any prizes, but it establishes her ability to carry a movie that has some ideas, however half-baked, and has nothing to do with her obvious sex appeal.
    • 56 Metascore
    • 75 Marc Mohan
    You can almost feel Depp restraining himself from saying "Tell me more about Hunter," again and again, but his enthusiasm and appreciation are real, and that's a pretty good reason for this movie to exist.
    • 57 Metascore
    • 75 Marc Mohan
    Thought-provoking, making this a solid date movie science geeks and philosophy freaks alike.
    • 73 Metascore
    • 75 Marc Mohan
    While Shepard just does his grim, weathered, Sam Shepard shtick, and Hall seems oddly miscast as the tense, prickly Dale, Johnson's easy, gritty charm is a much-needed buffer between their colliding obsessions.
    • 60 Metascore
    • 75 Marc Mohan
    There's nothing earth-shaking here, but a chance to see one of cinema's great movie stars in a tailor-made role that pleasantly subverts her icy image is always welcome.
    • 61 Metascore
    • 75 Marc Mohan
    In spite of its familiar outlines, director Rob Meyer's first feature benefits from an authentic script and performances.
    • 68 Metascore
    • 75 Marc Mohan
    Apart from its sociological interest, though, Nathan's film offers the pleasure of some really impressive stunt driving.
    • 65 Metascore
    • 75 Marc Mohan
    Eventually the chemistry between Collette and Church wins out, and Lucky Them makes for a diverting, if forgettable, romantic comedy.
    • 71 Metascore
    • 75 Marc Mohan
    Next Goal Wins isn't the most slickly made documentary, and its chronology can be confusing at times. But, despite a bit of salty language, it's an inspiring, never-say-die chronicle for all ages.
    • 51 Metascore
    • 75 Marc Mohan
    It's not a five star film, but it's no Motel 6 either.
    • 80 Metascore
    • 75 Marc Mohan
    Pride should leave audiences smiling and inspired. But it would have been a much more groundbreaking film if it had been released 30 years ago.
    • 45 Metascore
    • 67 Marc Mohan
    It's a refreshingly human-scale saga.
    • 52 Metascore
    • 67 Marc Mohan
    Grim, post-apocalyptic, special-effects extravaganza.
    • 53 Metascore
    • 67 Marc Mohan
    In addition to the slick but generic computer animation, it's also got an A-list voice cast: Nicolas Cage as Dr. Tenma, the grieving inventor, and Donald Sutherland as a scheming politician.
    • 65 Metascore
    • 67 Marc Mohan
    Though its characters aren't terribly complex, and its plot holds few surprises, the screenplay (in English, German, and Hebrew) amounts to a worthy treatise on the need to forgo revenge.
    • 61 Metascore
    • 67 Marc Mohan
    Israeli society is one that has ample experience processing grief, and Nina's Tragedies explores that challenge with humanity and humor.
    • 57 Metascore
    • 67 Marc Mohan
    It doesn't take an awareness of the ethnic and cultural differences between the miniskirted siren and the shy Arab youth to see that she might be more than he can handle.