For 719 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 8.8 points higher than other critics. (0-100 point scale)

Marc Mohan's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 100 Life Itself
Lowest review score: 0 Cop Out
Score distribution:
  1. Negative: 37 out of 719
719 movie reviews
    • 42 Metascore
    • 58 Marc Mohan
    A thoroughly mundane experience.
    • 30 Metascore
    • 58 Marc Mohan
    Isn't a complete waste of time. If Kutcher seeks to transition from national joke to lightweight actor, he's made a decent stab at it.
    • 41 Metascore
    • 58 Marc Mohan
    Perhaps the most curious omission from the movie Grassroots is that there's no mention at all of the classic "Simpsons" episode "Marge vs. the Monorail."
    • 63 Metascore
    • 58 Marc Mohan
    Made with a slapdash non-style that doesn't seem quite lame enough to have been intentional, this aptly titled low-budget horror comedy serves up tame amounts of both guts and gut-busters.
    • 65 Metascore
    • 58 Marc Mohan
    Ultimately, the movie takes its characters, and the absurd ethical dilemma it subjects them to, far too seriously.
    • 51 Metascore
    • 58 Marc Mohan
    It's a shame that a movie centered on such a powerful and unique work of art is itself so obviously a corporate product.
    • 68 Metascore
    • 58 Marc Mohan
    There are some attempts at a comic-bookish, film noir vibe, including a hotel where all the crooks and killers stay, forbidden by house rules from "doing business"on the premises. And everywhere Keanu turns, he bumps into a character from HBO.
    • 71 Metascore
    • 58 Marc Mohan
    A rather schizophrenic comedy that gives respected performers Dame Judi Dench and Bob Hoskins a chance to show they don't take themselves too seriously.
    • 57 Metascore
    • 58 Marc Mohan
    The relationship between Trishna and Jay never rings as true as it needs to for the downbeat third act to resonate the way it was presumably intended to do.
    • 63 Metascore
    • 58 Marc Mohan
    Papale's story is more than any fan could dream of, which is why it's frustrating that Invincible feels the need to embellish it. While mentioning he never played football in college, the film ignores that he did play in a semipro league prior to his Eagles tryout.
    • 63 Metascore
    • 58 Marc Mohan
    ATL
    Ultimately, ATL is the same old teenager angst in a mildly novel package.
    • 44 Metascore
    • 58 Marc Mohan
    There are plenty of very funny jokes in the movie, but near-fatal lulls whenever it tries to make MacFarlane into a romantic lead or a genuinely inspiring hero — in other words, whenever it tries to make us like him.
    • 54 Metascore
    • 58 Marc Mohan
    Stage magicians often depend on sleight of hand to succeed at their art, but Woody Allen's new movie, Magic in the Moonlight, is just plain slight.
    • 56 Metascore
    • 58 Marc Mohan
    Harris gamely attacks his tortured, cliche-ridden character, but Deschanel, so likably offbeat in "All the Real Girls" and "The Hitchhiker's Guide to the Galaxy," comes off as just plain annoying and self-centered.
    • 51 Metascore
    • 58 Marc Mohan
    Free Zone is similar to the car-based films of Iranian filmmaker Abbas Kiarostami but with a more improvised, less-finished feel.
    • 53 Metascore
    • 58 Marc Mohan
    It's not a political film, but it's also not a bland recitation of homilies about the honor of serving one's country. It's a jokey road movie, in which three soldiers heading home from Iraq are forced into a cross-country van ride together.
    • 49 Metascore
    • 58 Marc Mohan
    You never really end up rooting for their happiness, as a couple or individually, so emotionally there's not much at stake.
    • 47 Metascore
    • 58 Marc Mohan
    Exploring the possibilities of low-budget digital filmmaking is a worthy endeavor, but November is a little too in love with the grittiness of it all.
    • 64 Metascore
    • 58 Marc Mohan
    It's a fine idea, but Dominik beats that drum without cease, making his passionately furious message come across anything but softly.
    • 55 Metascore
    • 58 Marc Mohan
    It's not as if empathetic peeks into the lives of America's poor white boys aren't valuable, and Hellion has nothing if not empathy for every one of its characters. But without a more original story or a distinctive visual presence, it's hard for it to rise above a crowded field.
    • 42 Metascore
    • 58 Marc Mohan
    Not content to make his point through sharp-tongued comedy, Hogan ends up beating a dead horse -- or shark, as the case may be.
    • 62 Metascore
    • 58 Marc Mohan
    It's just a shame that the search for the missing formula ends up feeling so formulaic.
    • 38 Metascore
    • 58 Marc Mohan
    Terminator: Genisys isn't so much a sequel or a reboot but a piece of fan fiction come to ludicrous, big-budget life. Even for an unnecessary entry in a series of movies about indestructible time-traveling robots and genocidal computer networks, it's pretty silly.
    • 60 Metascore
    • 58 Marc Mohan
    What could have been a complex portrait of a flawed man dealing with the perils of success ends up far less interesting.
    • 64 Metascore
    • 58 Marc Mohan
    Once all the pieces of the story are assembled, the whole thing turns out to be not that big of a deal.
    • 50 Metascore
    • 58 Marc Mohan
    The movie's conceit grows a bit stale even with a short running time, and ultimately the whole thing feels more like an acting workshop than a full-fledged human story.
    • 35 Metascore
    • 58 Marc Mohan
    It devolves too often into slapstick shenanigans and comedy of embarrassment.
    • 57 Metascore
    • 58 Marc Mohan
    No matter how noble, not everyone's life should be made into a movie.
    • 47 Metascore
    • 58 Marc Mohan
    The oddball cast, by the way, includes Sonic Youth's Kim Gordon, who is infinitely more convincing speaking Cantonese than she is in her (presumably native) English.
    • 52 Metascore
    • 58 Marc Mohan
    The increasingly unlikely escapades culminate in a finale that's as narratively lazy as it is morally questionable, lending further credence to the voices that proclaimed Haggis absurdly overpraised for the 2004 Oscar-winner "Crash."

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