For 1,708 reviews, this critic has graded:
  • 40% higher than the average critic
  • 2% same as the average critic
  • 58% lower than the average critic
On average, this critic grades 7.5 points lower than other critics. (0-100 point scale)

Marc Savlov's Scores

  • Movies
  • TV
Average review score: 52
Highest review score: 100 Ran (re-release)
Lowest review score: 0 Jeepers Creepers II
Score distribution:
1,708 movie reviews
    • 66 Metascore
    • 89 Marc Savlov
    Fight Club's dirty little secret is it's one of the best comedies of the decade.
    • 89 Metascore
    • 89 Marc Savlov
    It's enough to make you weep.
    • 72 Metascore
    • 89 Marc Savlov
    Death and the Maiden is a streamlined razor-ride of a movie: taut, riveting, and a psychological horror show that will leave nail-marks in your palms for days afterwards.
    • 82 Metascore
    • 89 Marc Savlov
    It's Cronenberg's film, but it's the actors who elevate Eastern Promises from mere thriller to some other, more disturbing plane.
    • 64 Metascore
    • 89 Marc Savlov
    Cavite isn't a horror film, per se – its nightmarish sense of unreality is thoroughly grounded in the geopolitical here and now – but the emotions it conjures from the audience can be traced straight back to Shockers 101.
    • 70 Metascore
    • 89 Marc Savlov
    Wisely, a lot like the real event. No answers are given, barely any questions are asked, and the film unfolds at a leisurely, inexorable pace that stymies the traditional filmmaking tropes of tension and release.
    • 69 Metascore
    • 89 Marc Savlov
    Dreamlike, disjointed, and possessed of a stunningly complex sensual and narrative poetry that may confound audiences not familiar with Chinese director Wong's defining stylistic tropes, Ashes of Time Redux is, simply, one of the most gorgeous films ever made.
    • 73 Metascore
    • 89 Marc Savlov
    In many ways, A Field in England is a funhouse mirror of audience expectations and something of a filmic Rorschach test.
    • 79 Metascore
    • 89 Marc Savlov
    It's an out-of-this-world, real-life adventure for kids of all ages, budding Neil Armstrongs and Ray Bradburys alike.
    • 74 Metascore
    • 89 Marc Savlov
    It's a veritable shoo-in for an Oscar nod this year, and one of the more disturbing films to come out of a major studio in ages.
    • 83 Metascore
    • 89 Marc Savlov
    Nothing short of horror-hound heaven.
    • 74 Metascore
    • 89 Marc Savlov
    Honestly, this ultra-noir adaptation of Frank Miller's black-and-white cult comic series is a visual feast ripped straight from the original medium's blood-soaked pages.
    • 68 Metascore
    • 89 Marc Savlov
    Sellbinding, distressing, and possessed of a dark and terrible beauty.
    • 57 Metascore
    • 89 Marc Savlov
    Cyberpunk meets renegade romance, à la Orwell.
    • 85 Metascore
    • 89 Marc Savlov
    An immersion into the characters' world in toto, from the "Oh geezes" and the "Oh, yaahs" to the dark and flinty core beneath.
    • 96 Metascore
    • 89 Marc Savlov
    Pixar's animation is simply flawless; colorful, deeply realized, and ably conveying both the chaos of the kitchen, and the sensual allure of food well prepared.
    • 90 Metascore
    • 89 Marc Savlov
    Remarkably fresh and exciting.
    • 74 Metascore
    • 89 Marc Savlov
    Terribly Happy isn't, but it is wonderfully unhinged, and a painstakingly constructed meditation on a place where good and evil meet, mate, and make sour times sublime and, dare I say it, beautiful.
    • 75 Metascore
    • 89 Marc Savlov
    Alternating between color footage and the genius interplay of startlingly lovely sequences of Stanton singing and playing harmonica in granular black-and-white, Harry Dean Stanton: Partly Fiction perfectly captures the essence of the man.
    • 81 Metascore
    • 89 Marc Savlov
    McCarthy’s film is rich in tone and subtlety, but has precious little dialogue. It feels less like a modern motion picture than some odd poem long lost and then discovered in another age, a timeless, ageless gem of hard-resined emotions melting into real life.
    • 68 Metascore
    • 89 Marc Savlov
    Which ultimately is what Applause is really about: applying the greasepaint of the daily mundane over the scar tissue of a damaged life, striving for a reality outside of a bottle (and off the stage) while still maintaining some semblance of what made this particular lion roar in the first place.
    • 94 Metascore
    • 89 Marc Savlov
    This is Pixar's finest and most emotionally powerful film yet, and it draws on a wealth of cinematic resources that run the gamut from Chaplin's best to Buster Keaton, Jacques Tati, and even Martin and Lewis.
    • 57 Metascore
    • 89 Marc Savlov
    A wholly original creation, crossed with shadows and light and the everyday madness of Savannah and its remarkable citizens.
    • 74 Metascore
    • 89 Marc Savlov
    Frankenweenie is that rare film that's both kid- and adult-friendly.
    • 86 Metascore
    • 89 Marc Savlov
    The Kids are All Right, a grin-cracking great portrait of a modern American family in minor and then major crises.
    • 89 Metascore
    • 89 Marc Savlov
    A third-act revelation will knock viewers silly and cause them to reevaluate everything that’s come before, but even without that jaw-dropping information, Moss’ film is a righteous piece of empathetic, of-the-moment documentary filmmaking.
    • 81 Metascore
    • 89 Marc Savlov
    Blomkamp and his entire cast and crew have created an instant genre classic that transcends the self-limiting ghetto implied by the term "science fiction" and instead, like precursors such as Robert Wise's "The Day the Earth Stood Still," engages not only the mind but the heart as well. It's magnificent.
    • 59 Metascore
    • 89 Marc Savlov
    The Princess Blade opens with one of the most note-perfect action sequences ever committed to film.
    • 79 Metascore
    • 89 Marc Savlov
    The images this war photographer shoots are beyond awful, but there's just no looking away.
    • 75 Metascore
    • 89 Marc Savlov
    About a Boy knows exactly what it wants to do: It wants to make you smile, and grin, and then laugh with recognition, and it manages all three, again and again.

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