For 1,649 reviews, this critic has graded:
  • 40% higher than the average critic
  • 2% same as the average critic
  • 58% lower than the average critic
On average, this critic grades 7.1 points lower than other critics. (0-100 point scale)

Marc Savlov's Scores

  • Movies
Average review score: 52
Highest review score: 100 Ran (re-release)
Lowest review score: 0 Malibu's Most Wanted
Score distribution:
1,649 movie reviews
    • 90 Metascore
    • 100 Marc Savlov
    One of the 10 best films ever made, period.
    • 90 Metascore
    • 100 Marc Savlov
    Such gorgeous explosions, such a terrible vision, such an amazing work of art. Go. Now.
    • 74 Metascore
    • 100 Marc Savlov
    Gilliam keeps the audience guessing, and in doing so creates a startlingly effective rumination on the nature of sanity and madness cloaked in the shroud of a sci-fi thriller.
    • 78 Metascore
    • 100 Marc Savlov
    It's a short, sharp, shock to the cinematic system that's virtually impossible to dislike, and if you don't leave the theatre grinning your face off, then buddy, movies just aren't for you.
    • 78 Metascore
    • 100 Marc Savlov
    Even though we're aware of the tragic trajectory of the singer's life, for a while it almost seems as if reality got it wrong and Curtis might just squeak past the reaper's scythe with no more than a shave and a haircut.
    • 85 Metascore
    • 89 Marc Savlov
    Loud, hilarious, and enormously entertaining, 24 Hour Party People makes you want to toss current FM radio out on its pre-fab, corporate-sponsored backside. And not a moment too soon.
    • 79 Metascore
    • 89 Marc Savlov
    It's an audacious, affecting, and unexpectedly hilarious debut, and most definitely the most original film I've seen all year.
    • 90 Metascore
    • 89 Marc Savlov
    Wildly entertaining, "Shakespeare in Love" minus the Bard and the babe, but with substantive style to burn.
    • 79 Metascore
    • 89 Marc Savlov
    The images this war photographer shoots are beyond awful, but there's just no looking away.
    • 77 Metascore
    • 89 Marc Savlov
    So upbeat it might as well arrive on a sunbeam.
    • 68 Metascore
    • 89 Marc Savlov
    Sellbinding, distressing, and possessed of a dark and terrible beauty.
    • 75 Metascore
    • 89 Marc Savlov
    New and amazing -- it takes you back to the days when French filmmaking and French filmmakers were the darlings and saviors of the cinematic cutting edge. It's a great film, simply told, and a pleasure to watch.
    • 75 Metascore
    • 89 Marc Savlov
    Kempner's documentary is a streamlined, gorgeous piece of work, full of revelations of time, place, and person.
    • 59 Metascore
    • 89 Marc Savlov
    Nearly a perfect film, from its bold and epic man-vs.-nature conflict to the breathless scripting, editing, acting, and direction.
    • 78 Metascore
    • 89 Marc Savlov
    Seems more like a subtle, elegiac tone poem than an indictment of human banality and the evil that men do.
    • 71 Metascore
    • 89 Marc Savlov
    More emotionally complex than even I had thought possible, Chasing Amy is the sound of burgeoning genius on the fast track to maturity.
    • 61 Metascore
    • 89 Marc Savlov
    Cooly feral in dark suit and tie, Glover’s the man in the gray flannel suit gone way, way over the edge, and it’s one of the most fully realized screen performances in ages, rats and all.
    • 83 Metascore
    • 89 Marc Savlov
    For those willing to submit to its terrible charms, it may be the single most important debut to come out of the Americas in years.
    • 77 Metascore
    • 89 Marc Savlov
    Pollock is that rare breed, a biopic that makes you want to learn more about its subject, as much as you can, as fast as you can.
    • 83 Metascore
    • 89 Marc Savlov
    While it’s perhaps not the best date film of the year, it is a grim and unmistakable masterpiece of bleak, black sorrow.
    • 72 Metascore
    • 89 Marc Savlov
    Absolutely unlike any documentary you’ve ever seen, Step Into Liquid nearly qualifies as a religious experience.
    • 90 Metascore
    • 89 Marc Savlov
    Remarkably fresh and exciting.
    • 74 Metascore
    • 89 Marc Savlov
    Absolutely harrowing, shocking in its sudden revelatory immediacy, and very, very well done, Black Hawk Down is one of the best depictions of the outright lunacy inherent to battle I have ever seen.
    • 68 Metascore
    • 89 Marc Savlov
    One of Jordan's best films, and almost certainly in Nolte's top two percentile.
    • 70 Metascore
    • 89 Marc Savlov
    Just plain unforgettable.
    • 78 Metascore
    • 89 Marc Savlov
    As fluid and intellectually stimulating as the man himself, a tragic, heartfelt take on an event some 40 years old that feels as fresh as yesterday's Times.
    • 88 Metascore
    • 89 Marc Savlov
    God forbid this should ever play on an IMAX screen -- the concussive soundtrack and relentless visuals would likely strike viewers deaf and blind (but what a way to go!). Simply breathtaking.
    • 76 Metascore
    • 89 Marc Savlov
    That they were just hormonally blitzkrieged kids at the time, unaware of their role in history, only makes Peralta's superior doc that much more winning.
    • 85 Metascore
    • 89 Marc Savlov
    Szpilman takes to performing sonatas in thin air, eyes closed, those jittery fingers stroking nothing but air. It's a wonderful moment in a wonderful, ghastly film, and one of the most moving arguments for the redemptive powers of art ever made.
    • 75 Metascore
    • 89 Marc Savlov
    By the time the explosive finale arrives (with a wistful Ray Charles crooning over shots of cataclysmic destruction, no less), you'll be hard pressed to name a recent film with this much action, pathos, and smarts.