For 1,800 reviews, this critic has graded:
  • 40% higher than the average critic
  • 2% same as the average critic
  • 58% lower than the average critic
On average, this critic grades 8.4 points lower than other critics. (0-100 point scale)

Marc Savlov's Scores

  • Movies
  • TV
Average review score: 52
Highest review score: 100 Ran
Lowest review score: 0 Down to You
Score distribution:
1800 movie reviews
    • 65 Metascore
    • 78 Marc Savlov
    Ford's Indy, who doesn't quite hang up his fedora at film's end, is still the only cinematic smartass-cum-bullwhipping scholar of antiquities I'd want by my side when push comes to shove comes to Nazis ("I hate these guys"), Russkies, or, for that matter, Al Quaeda. Go get 'em, Indy, and cue the John Williams while you''e at it.
    • 61 Metascore
    • 78 Marc Savlov
    Five years after Ang Lee attempted a stylistically and narratively daring reimagining of what a comic-book movie could be (an example that tanked disastrously at the box office), the big green gamma-guy returns to the screen in a purer, more unadulterated, vastly more entertaining form.
    • 78 Metascore
    • 78 Marc Savlov
    It's not perfect -- thank Satan! -- but Hellboy II: The Golden Army is by far the most splendidly imaginative and creatively uncorked piece of fantastic cinema since the director's "Pan's Labyrinth" netted an Oscar trifecta in 2007.
    • 75 Metascore
    • 78 Marc Savlov
    No matter how bad you may have it, you'll feel better about your own lot in life after watching the tumultuous sexual flailings of Marcela and Jarda (Brejchová and Luknár), a way, way, way down on their luck Czech couple.
    • 58 Metascore
    • 78 Marc Savlov
    It's a grim, dark, and relentlessly violent film throughout; James Bond as Terminator rather than Templar – but it delivers the goods in bloody high style: explosively, sexily, and with 007 shaken (not stirred) to his icy core.
    • 67 Metascore
    • 78 Marc Savlov
    This is a Disney film, so there's never any real question regarding Bolt and his friends' ultimate success or failure, but the writing team of Dan Fogelman (Cars) and co-director Williams (Mulan) have concocted one of the most witty and often hilarious Disney outings in years.
    • 54 Metascore
    • 78 Marc Savlov
    It's like the Sixties never happened, or maybe happened too much.
    • 68 Metascore
    • 78 Marc Savlov
    Timecrimes is a tremendously entertaining bit of Kafka that whirlpools down into "The Twilight Zone."
    • 58 Metascore
    • 78 Marc Savlov
    There is a sense of ambiguity at the core of The Reader that makes it all the more brutal, all the more honest in its deflowering of love and what one imagines love ought to be instead of what it too often is.
    • 74 Metascore
    • 78 Marc Savlov
    Two Lovers is an intensely felt, character-driven film, and there's no stronger character onscreen – not even Leonard – than Leonard's wise, Jewish mother, Ruth, played with effortless, pure perfection by Rossellini.
    • 79 Metascore
    • 78 Marc Savlov
    Even if you're familiar with the details of the game, Rafferty's suspenseful editing draws you to the edge of your seat and beyond, back into 1968 itself.
    • 74 Metascore
    • 78 Marc Savlov
    The most remarkable aspect of Lemon Tree, however, and the one that's most likely to land this film on many year-end Best Foreign Film lists, is Abbass' devastating and marvelously restrained performance.
    • 83 Metascore
    • 78 Marc Savlov
    It's brutal to watch the bigger-they-are-the-harder-they-fall tragedy of this once-great heavyweight. In fact, it's enough to make you cry.
    • 78 Metascore
    • 78 Marc Savlov
    A spare and perfectly droll kinda-sorta comedy from Norwegian director Hamer.
    • 68 Metascore
    • 78 Marc Savlov
    Gentle and comedically nuanced exercise in mourning.
    • 84 Metascore
    • 78 Marc Savlov
    A genuinely moving portrait of the artist as a young(ish) scullery maid.
    • 86 Metascore
    • 78 Marc Savlov
    Ponyo is another conceptually and thrilingly original masterstroke from an animator who long ago left Walt Disney in the dust.
    • 63 Metascore
    • 78 Marc Savlov
    It's pure Bedlam, but for genre fans, Scorsese makes it feel like coming home.
    • 73 Metascore
    • 78 Marc Savlov
    It's Disney's best traditionally animated outing in ages.
    • 74 Metascore
    • 78 Marc Savlov
    A Woman in Berlin is like a tour through the blast-cratered psyche of two colliding cultures, each with its own nightmarish tales to tell or acts of violence to experience.
    • 83 Metascore
    • 78 Marc Savlov
    Deliciously bleak, black political satire from British director Armando Iannucci.
    • 74 Metascore
    • 78 Marc Savlov
    A drop-dead gorgeous period noir, rife with paranoia, femmes fatales, and good men inexorably sinking into the bloody mire and opaque texture of life (and death) during wartime.
    • 70 Metascore
    • 78 Marc Savlov
    An informative and nonpolemic look at the birth of the modern environmental movement and its various offshoots and key players.
    • 71 Metascore
    • 78 Marc Savlov
    The Yes Men’s bravery and unflagging sense of optimistically doomed humor – which comes across as a quixotic version of Monty Python by way of Upton Sinclair – is to be applauded and, wherever possible, acted upon.
    • 81 Metascore
    • 78 Marc Savlov
    The Damned United is Shakespearean in its tragedy.
    • 63 Metascore
    • 78 Marc Savlov
    No matter where your political gullibilities lie, Green Zone is a riveting piece of actioneering.
    • 83 Metascore
    • 78 Marc Savlov
    Bridges makes this sozzled and desperate ex-desperado – a cliché by any other name – as fresh and vital as one final shot at cowboy-poet redemption. It may sound crazy, but it's true.
    • 76 Metascore
    • 78 Marc Savlov
    This is not your mother's murder mystery, unless your mother's maiden name is de Sade and she has an appallingly bleak vision of modern society that occasionally fixates on the historical misdeeds of the corporate/industrial world and the correction thereof.
    • 75 Metascore
    • 78 Marc Savlov
    It's a finely calibrated, spiraling lesson in what NOT to do when engaging in adultery, blackmail, arson, and general antisocial behaviors, and in its best moments it recalls the everyday darkness of James M. Cain: average people doing awful things in an amoral and uncaring universe.
    • 69 Metascore
    • 78 Marc Savlov
    Mines the traditional Western genre and infuses it with fresh, frequently hilarious life.

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