Marjorie Baumgarten, Austin Chronicle
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For 1,303 reviews, this critic has graded:
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34% higher than the average critic
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2% same as the average critic
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64% lower than the average critic
On average, this critic grades 2.5 points lower than other critics.
(0-100 point scale)
Marjorie Baumgarten's Scores
- Movies
| Average review score: | 57 |
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| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
0
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Score distribution:
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Positive: 655 out of 1303
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Mixed: 436 out of 1303
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Negative: 212 out of 1303
1,303
movie reviews
- By critic score
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Marjorie Baumgarten 78
It's hard to always know what Primer is saying or where it's heading, but it looks fantastic while it unfolds and you won't be able to forget what you've witnessed. -
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Marjorie Baumgarten 78
In an era in which too many of us automatically accept women's right to choose, Vera Drake reminds us that the time for complacency is not now. -
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Marjorie Baumgarten 78
A smart and delightful romantic comedy, yet in the course of creating his new charmer Alexander Payne has sheared off some of the rambunctious edges that made his previous films, About Schmidt, Election, and Citizen Ruth, such marvelous studies in social parody. -
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Marjorie Baumgarten 78
It's impossible to take in all the information in one sitting and at times threatens to spin off in too many directions, but I guarantee this movie will provide plenty to mull over and inspire consumers to demand greater accountability from their media purveyors. -
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Marjorie Baumgarten 78
If anything, A Few Good Men errs by throwing almost too many elements, themes and moral debates into the mix thus, by default, they sometimes seem shallowly developed and overly simple. Then again, that perhaps allows them to connect with more universal experiences. -
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Marjorie Baumgarten 78
An absorbing, delightful, and nuanced movie with laugh-out-loud humor, and though it often plays events broadly where you might have preferred subtlety, it's not a movie that could have settled for muffled silence. -
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Marjorie Baumgarten 78
Look at Me marks the character's shift from being the object of attention to the subject of her own dreams. -
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Marjorie Baumgarten 78
Despite these biases, the movie helps the average American understand the nature of the shell games perpetuated by Enron and how "synergistic corruptions" can corrupt absolutely. -
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Marjorie Baumgarten 78
The story's parallels with the present are sometimes inescapable, as when Saladin's fireballs catapulted at Balian's castle strike an eerie resemblance to the "shock and awe" of the U.S.-led coalition's initial assault on Iraq. -
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Marjorie Baumgarten 78
It's a winning formula, and when done right like it is here, it transcends the clichés and moves audiences. -
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Marjorie Baumgarten 78
Broken Flowers is as elliptical as the haunting jazz music by Mulatu Astatke that permeates the soundtrack. -
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Marjorie Baumgarten 78
The movie is tightly wound and expertly unraveled, resulting in a thriller that you'll remember – unlike the hitman Ledda. -
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Marjorie Baumgarten 78
Maintains a breezy charm throughout and contains many extremely funny sequences. -
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Marjorie Baumgarten 78
A welcome and appropriate treat is the flurry of Bob Dylan tunes that can be heard playing in the background of this northern Minnesota story. -
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Marjorie Baumgarten 78
Without the luminous Danes in the title role, Shopgirl would have the flair of an ordinary sales clerk. -
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Marjorie Baumgarten 78
The details are intriguing, but ultimately we learn little more about what's in their heads. -
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Marjorie Baumgarten 78
Favreau keeps the picture throttling forward with a carefree charm. -
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Marjorie Baumgarten 78
Syriana is the most challenging and uncompromising movie to come out of Hollywood in a long time. -
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Marjorie Baumgarten 78
Rejecting normality for nomadism, Van Zandt's life was difficult, but, man, what a legacy of music he left. -
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Marjorie Baumgarten 78
What's compelling about Caché is not the answer to the whodunit but Haneke's exacting invocation of palpable tension. -
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Marjorie Baumgarten 78
The movie's tone concurrently embraces melodramatics and wry humor, a twisted suburban Oedipal knot seen through a sardonic, yet deeply involved, eye. -
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Marjorie Baumgarten 78
It grabs you by the viscera in the opening prologue and for the next two hours rarely lets go. -
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Marjorie Baumgarten 78
In the Line of Fire is a terrific action movie with good performances and a smart script that occasionally falters for trying too hard but, on the whole, takes us on psychological journeys that few of us have had opportunities to experience. -
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Marjorie Baumgarten 78
With Eight Below, Marshall has created a family film that doesn't pander, preach, or poop out. That alone is a rare thing. -
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Marjorie Baumgarten 78
No background material is going to help the viewer who isn't already aware of why a Fugees reunion is such a cool thing to witness, but it's impossible not to get caught up in this party's good vibe. -
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Marjorie Baumgarten 78
Bridges is another example of Eastwood's remarkable economy of style as both a director and an actor. It is neither his best work nor his worst, though it is a fascinating exploration. -
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Marjorie Baumgarten 78
The film provides a window into the conversations and debates that occurred among soldiers on military bases and while in country, opinions shaped and altered by first-hand experiences and knowledge. -
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Marjorie Baumgarten 78
Mehta and her cameraman Giles Nuttgens capture the area's rich interplay of light and color, land and water, and riches and poverty. -
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Marjorie Baumgarten 78
This French import is a worthy entrant into the adrenalized cadre of action films like "Run Lola Run" and "Ong-Bak: The Thai Warrior" (which Besson produced). What District B13 lacks in story development it compensates for with stunningly realistic action. -